Hollywood as historian: American film in a cultural context
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Lexington, Kentucky
The University Press of Kentucky
1983
|
| Edition: | Revised edition |
| Subjects: | |
| Online Access: | FAW01 FAW02 Volltext |
| Item Description: | Includes index Print version record |
| Physical Description: | 1 online resource (299 pages) illustrations, photographs |
| ISBN: | 0813148642 9780813101545 9780813109510 9780813148649 |
Staff View
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| 245 | 1 | 0 | |a Hollywood as historian |b American film in a cultural context |c edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others] |
| 250 | |a Revised edition | ||
| 264 | 1 | |a Lexington, Kentucky |b The University Press of Kentucky |c 1983 | |
| 264 | 4 | |c © 1983 | |
| 300 | |a 1 online resource (299 pages) |b illustrations, photographs | ||
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| 505 | 8 | |a Cover; Title; Copyright; Contents; Acknowledgments; Foreword; Introduction; 1. Cultural History Written with Lightning: The Significance of The Birth of A Nation (1915); 2. Problems in Film History: How Fox Innovated Sound; 3. Ideology and Film Rhetoric: Three Documentaries of the New Deal Era (1936-1941); 4. Fighting Words: City Lights (1931), Modern Times (1936), and The Great Dictator (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis through Visual Style; 6. History with Lightning: The Forgotten Film Wilson (1944); 7. The Negro Soldier (1944): Film Propaganda in Black and White | |
| 505 | 8 | |a 8. The Snake Pit (1948): The Sexist Nature of Sanity9. Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary Approach to Film Study; 10. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus; 11. A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now (1979): Joseph Conrad and the Television War; 13. Film, Television, and American Studies: A 1998 Update; Film Data and Purchase Sources ; Contributors ; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. | |
| 505 | 8 | |a Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame | |
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Record in the Search Index
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| any_adam_object | |
| author2 | Rollins, Peter C. Browne, Ray B. |
| author2_role | edt ctb |
| author2_variant | p c r pc pcr r b b rb rbb |
| author_facet | Rollins, Peter C. Browne, Ray B. |
| building | Verbundindex |
| bvnumber | BV043028552 |
| collection | ZDB-4-EBA |
| contents | Cover; Title; Copyright; Contents; Acknowledgments; Foreword; Introduction; 1. Cultural History Written with Lightning: The Significance of The Birth of A Nation (1915); 2. Problems in Film History: How Fox Innovated Sound; 3. Ideology and Film Rhetoric: Three Documentaries of the New Deal Era (1936-1941); 4. Fighting Words: City Lights (1931), Modern Times (1936), and The Great Dictator (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis through Visual Style; 6. History with Lightning: The Forgotten Film Wilson (1944); 7. The Negro Soldier (1944): Film Propaganda in Black and White 8. The Snake Pit (1948): The Sexist Nature of Sanity9. Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary Approach to Film Study; 10. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus; 11. A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now (1979): Joseph Conrad and the Television War; 13. Film, Television, and American Studies: A 1998 Update; Film Data and Purchase Sources ; Contributors ; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame |
| ctrlnum | (OCoLC)903975087 (DE-599)BVBBV043028552 |
| dewey-full | 791.43/09/09358 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/09/09358 |
| dewey-search | 791.43/09/09358 |
| dewey-sort | 3791.43 19 49358 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | Revised edition |
| format | Electronic eBook |
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| genre | 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | USA USA (DE-588)4078704-7 gnd Los Angeles- Hollywood (DE-588)4099817-4 gnd |
| geographic_facet | USA Los Angeles- Hollywood |
| id | DE-604.BV043028552 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:25Z |
| institution | BVB |
| isbn | 0813148642 9780813101545 9780813109510 9780813148649 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028453204 |
| oclc_num | 903975087 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (299 pages) illustrations, photographs |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 1983 |
| publishDateSearch | 1983 |
| publishDateSort | 1983 |
| publisher | The University Press of Kentucky |
| record_format | marc |
| spelling | Hollywood as historian American film in a cultural context edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others] Revised edition Lexington, Kentucky The University Press of Kentucky 1983 © 1983 1 online resource (299 pages) illustrations, photographs txt rdacontent c rdamedia cr rdacarrier Includes index Print version record Cover; Title; Copyright; Contents; Acknowledgments; Foreword; Introduction; 1. Cultural History Written with Lightning: The Significance of The Birth of A Nation (1915); 2. Problems in Film History: How Fox Innovated Sound; 3. Ideology and Film Rhetoric: Three Documentaries of the New Deal Era (1936-1941); 4. Fighting Words: City Lights (1931), Modern Times (1936), and The Great Dictator (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis through Visual Style; 6. History with Lightning: The Forgotten Film Wilson (1944); 7. The Negro Soldier (1944): Film Propaganda in Black and White 8. The Snake Pit (1948): The Sexist Nature of Sanity9. Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary Approach to Film Study; 10. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus; 11. A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now (1979): Joseph Conrad and the Television War; 13. Film, Television, and American Studies: A 1998 Update; Film Data and Purchase Sources ; Contributors ; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame Historical films fast Motion picture plays, American fast Motion pictures and history fast PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Historical films United States History and criticism Motion pictures and history Motion picture plays, American History and criticism Geschichtsbewusstsein (DE-588)4020526-5 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Geschichtsdarstellung (DE-588)4210408-7 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Sozialgeschichte (DE-588)4055772-8 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Historischer Film (DE-588)4160024-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Los Angeles- Hollywood (DE-588)4099817-4 g Filmproduktion (DE-588)4124971-9 s Kultur (DE-588)4125698-0 s Geschichte (DE-588)4020517-4 s 2\p DE-604 USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Geschichtsbewusstsein (DE-588)4020526-5 s 3\p DE-604 Sozialgeschichte (DE-588)4055772-8 s 4\p DE-604 Geschichtsdarstellung (DE-588)4210408-7 s 5\p DE-604 Historischer Film (DE-588)4160024-1 s 6\p DE-604 Rollins, Peter C. edt Browne, Ray B. ctb Erscheint auch als Druck-Ausgabe Hollywood as historian : American film in a cultural context http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=938051 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 6\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hollywood as historian American film in a cultural context Cover; Title; Copyright; Contents; Acknowledgments; Foreword; Introduction; 1. Cultural History Written with Lightning: The Significance of The Birth of A Nation (1915); 2. Problems in Film History: How Fox Innovated Sound; 3. Ideology and Film Rhetoric: Three Documentaries of the New Deal Era (1936-1941); 4. Fighting Words: City Lights (1931), Modern Times (1936), and The Great Dictator (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis through Visual Style; 6. History with Lightning: The Forgotten Film Wilson (1944); 7. The Negro Soldier (1944): Film Propaganda in Black and White 8. The Snake Pit (1948): The Sexist Nature of Sanity9. Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary Approach to Film Study; 10. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus; 11. A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now (1979): Joseph Conrad and the Television War; 13. Film, Television, and American Studies: A 1998 Update; Film Data and Purchase Sources ; Contributors ; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame Historical films fast Motion picture plays, American fast Motion pictures and history fast PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Historical films United States History and criticism Motion pictures and history Motion picture plays, American History and criticism Geschichtsbewusstsein (DE-588)4020526-5 gnd Kultur (DE-588)4125698-0 gnd Film (DE-588)4017102-4 gnd Geschichtsdarstellung (DE-588)4210408-7 gnd Geschichte (DE-588)4020517-4 gnd Sozialgeschichte (DE-588)4055772-8 gnd Filmproduktion (DE-588)4124971-9 gnd Historischer Film (DE-588)4160024-1 gnd |
| subject_GND | (DE-588)4020526-5 (DE-588)4125698-0 (DE-588)4017102-4 (DE-588)4210408-7 (DE-588)4020517-4 (DE-588)4055772-8 (DE-588)4124971-9 (DE-588)4160024-1 (DE-588)4078704-7 (DE-588)4099817-4 (DE-588)4143413-4 |
| title | Hollywood as historian American film in a cultural context |
| title_auth | Hollywood as historian American film in a cultural context |
| title_exact_search | Hollywood as historian American film in a cultural context |
| title_full | Hollywood as historian American film in a cultural context edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others] |
| title_fullStr | Hollywood as historian American film in a cultural context edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others] |
| title_full_unstemmed | Hollywood as historian American film in a cultural context edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others] |
| title_short | Hollywood as historian |
| title_sort | hollywood as historian american film in a cultural context |
| title_sub | American film in a cultural context |
| topic | Historical films fast Motion picture plays, American fast Motion pictures and history fast PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Historical films United States History and criticism Motion pictures and history Motion picture plays, American History and criticism Geschichtsbewusstsein (DE-588)4020526-5 gnd Kultur (DE-588)4125698-0 gnd Film (DE-588)4017102-4 gnd Geschichtsdarstellung (DE-588)4210408-7 gnd Geschichte (DE-588)4020517-4 gnd Sozialgeschichte (DE-588)4055772-8 gnd Filmproduktion (DE-588)4124971-9 gnd Historischer Film (DE-588)4160024-1 gnd |
| topic_facet | Historical films Motion picture plays, American Motion pictures and history PERFORMING ARTS / Reference PERFORMING ARTS / Film & Video / General Historical films United States History and criticism Motion picture plays, American History and criticism Geschichtsbewusstsein Kultur Film Geschichtsdarstellung Geschichte Sozialgeschichte Filmproduktion Historischer Film USA Los Angeles- Hollywood Aufsatzsammlung |
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| work_keys_str_mv | AT rollinspeterc hollywoodashistorianamericanfilminaculturalcontext AT brownerayb hollywoodashistorianamericanfilminaculturalcontext |