They Live:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2014]
|
| Schriftenreihe: | Cultographies
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) |
| Beschreibung: | 1 online resource (128 pages) illustrations |
| ISBN: | 9780231850742 |
Internformat
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| 490 | 0 | |a Cultographies | |
| 500 | |a Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) | ||
| 505 | 8 | |a Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "Rowdy" Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly "Big 80s." Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape | |
| 546 | |a In English | ||
| 650 | 4 | |a Cult films | |
| 650 | 4 | |a Öffentliche Darbietungen, Film, Rundfunk | |
| 650 | 4 | |a Wrestling | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Wrestlers |v Biography | |
| 650 | 4 | |a Wrestling |x History | |
| 655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
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Datensatz im Suchindex
| _version_ | 1804175365194645504 |
|---|---|
| any_adam_object | |
| author | Wilson, D |
| author_facet | Wilson, D |
| author_role | aut |
| author_sort | Wilson, D |
| author_variant | d w dw |
| building | Verbundindex |
| bvnumber | BV043016332 |
| collection | ZDB-23-DGG |
| contents | Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "Rowdy" Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly "Big 80s." Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape |
| ctrlnum | (OCoLC)1165546601 (DE-599)BVBBV043016332 |
| dewey-full | 791.43/72 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/72 |
| dewey-search | 791.43/72 |
| dewey-sort | 3791.43 272 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV043016332 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:08Z |
| institution | BVB |
| isbn | 9780231850742 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028441209 |
| oclc_num | 1165546601 |
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| physical | 1 online resource (128 pages) illustrations |
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| publishDate | 2014 |
| publishDateSearch | 2014 |
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| publisher | Columbia University Press |
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| series2 | Cultographies |
| spelling | Wilson, D aut They Live D Wilson New York, NY Columbia University Press [2014] © 2014 1 online resource (128 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Cultographies Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "Rowdy" Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly "Big 80s." Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape In English Cult films Öffentliche Darbietungen, Film, Rundfunk Wrestling PERFORMING ARTS / Film & Video / History & Criticism bisacsh Geschichte Wrestlers Biography Wrestling History (DE-588)4006804-3 Biografie gnd-content http://www.degruyter.com/doi/book/10.7312/wils17211 Verlag Volltext |
| spellingShingle | Wilson, D They Live Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "Rowdy" Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly "Big 80s." Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape Cult films Öffentliche Darbietungen, Film, Rundfunk Wrestling PERFORMING ARTS / Film & Video / History & Criticism bisacsh Geschichte Wrestlers Biography Wrestling History |
| subject_GND | (DE-588)4006804-3 |
| title | They Live |
| title_auth | They Live |
| title_exact_search | They Live |
| title_full | They Live D Wilson |
| title_fullStr | They Live D Wilson |
| title_full_unstemmed | They Live D Wilson |
| title_short | They Live |
| title_sort | they live |
| topic | Cult films Öffentliche Darbietungen, Film, Rundfunk Wrestling PERFORMING ARTS / Film & Video / History & Criticism bisacsh Geschichte Wrestlers Biography Wrestling History |
| topic_facet | Cult films Öffentliche Darbietungen, Film, Rundfunk Wrestling PERFORMING ARTS / Film & Video / History & Criticism Geschichte Wrestlers Biography Wrestling History Biografie |
| url | http://www.degruyter.com/doi/book/10.7312/wils17211 |
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