Dreaming of cinema: spectatorship, surrealism, & the age of digital media
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2015]
|
| Schriftenreihe: | Film and culture
|
| Schlagworte: | |
| Online-Zugang: | DE-188 DE-19 DE-255 DE-Y3 Volltext |
| Beschreibung: | 1 Online-Ressource (XII, 253 S.) Ill. |
| ISBN: | 9780231538480 |
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| 505 | 8 | |a Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell and recognizes their significance for the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson. Offering a positive alternative to cinema's perceived crisis of realism, this innovative study enriches the meaning of cinematic spectatorship in the twenty-first century | |
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Datensatz im Suchindex
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| contents | Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell and recognizes their significance for the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson. Offering a positive alternative to cinema's perceived crisis of realism, this innovative study enriches the meaning of cinematic spectatorship in the twenty-first century |
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| dewey-tens | 300 - Social sciences |
| discipline | Allgemeines Soziologie |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| spelling | Lowenstein, Adam Verfasser (DE-588)1069942073 aut Dreaming of cinema spectatorship, surrealism, & the age of digital media Adam Lowenstein New York, NY Columbia University Press [2015] Berlin de Gruyter 2014 © 2015 1 Online-Ressource (XII, 253 S.) Ill. txt rdacontent c rdamedia cr rdacarrier Film and culture Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell and recognizes their significance for the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson. Offering a positive alternative to cinema's perceived crisis of realism, this innovative study enriches the meaning of cinematic spectatorship in the twenty-first century In English Geschichte gnd rswk-swf Motion picture audiences Sozialwissenschaften, Soziologie, Anthropologie Surrealism in motion pictures PERFORMING ARTS / Film & Video / Direction & Production bisacsh PSYCHOLOGY / Social Psychology bisacsh Surrealismus (DE-588)4058665-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Surrealismus (DE-588)4058665-0 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-231-16656-0 Erscheint auch als Druck-Ausgabe, Paperback 978-0-231-16657-7 http://www.degruyter.com/doi/book/10.7312/lowe16656 Verlag Volltext |
| spellingShingle | Lowenstein, Adam Dreaming of cinema spectatorship, surrealism, & the age of digital media Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell and recognizes their significance for the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson. Offering a positive alternative to cinema's perceived crisis of realism, this innovative study enriches the meaning of cinematic spectatorship in the twenty-first century Motion picture audiences Sozialwissenschaften, Soziologie, Anthropologie Surrealism in motion pictures PERFORMING ARTS / Film & Video / Direction & Production bisacsh PSYCHOLOGY / Social Psychology bisacsh Surrealismus (DE-588)4058665-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4058665-0 (DE-588)4017102-4 |
| title | Dreaming of cinema spectatorship, surrealism, & the age of digital media |
| title_auth | Dreaming of cinema spectatorship, surrealism, & the age of digital media |
| title_exact_search | Dreaming of cinema spectatorship, surrealism, & the age of digital media |
| title_full | Dreaming of cinema spectatorship, surrealism, & the age of digital media Adam Lowenstein |
| title_fullStr | Dreaming of cinema spectatorship, surrealism, & the age of digital media Adam Lowenstein |
| title_full_unstemmed | Dreaming of cinema spectatorship, surrealism, & the age of digital media Adam Lowenstein |
| title_short | Dreaming of cinema |
| title_sort | dreaming of cinema spectatorship surrealism the age of digital media |
| title_sub | spectatorship, surrealism, & the age of digital media |
| topic | Motion picture audiences Sozialwissenschaften, Soziologie, Anthropologie Surrealism in motion pictures PERFORMING ARTS / Film & Video / Direction & Production bisacsh PSYCHOLOGY / Social Psychology bisacsh Surrealismus (DE-588)4058665-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Motion picture audiences Sozialwissenschaften, Soziologie, Anthropologie Surrealism in motion pictures PERFORMING ARTS / Film & Video / Direction & Production PSYCHOLOGY / Social Psychology Surrealismus Film |
| url | http://www.degruyter.com/doi/book/10.7312/lowe16656 |
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