Deaths in Venice: The Cases of Gustav von Aschenbach
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2013]
|
| Schriftenreihe: | Leonard Hastings Schoff Lectures
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) |
| Beschreibung: | 1 online resource (280 pages) illustrations |
| ISBN: | 9780231536035 |
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| 505 | 8 | |a Published in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete | |
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Datensatz im Suchindex
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| contents | Published in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 833 - German fiction |
| dewey-raw | 833.912 |
| dewey-search | 833.912 |
| dewey-sort | 3833.912 |
| dewey-tens | 830 - Literatures of Germanic languages |
| discipline | Germanistik / Niederlandistik / Skandinavistik |
| format | Electronic eBook |
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| isbn | 9780231536035 |
| language | English |
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| spelling | Kitcher, Philip aut Deaths in Venice The Cases of Gustav von Aschenbach Philip Kitcher New York, NY Columbia University Press [2013] © 2013 1 online resource (280 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Leonard Hastings Schoff Lectures Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) Published in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete In English Mann, Thomas 1875-1955 Der Tod in Venedig (DE-588)4099302-4 gnd rswk-swf Deutsche Literatur Mann, Thomas, 1875-1955. Tod in Venedig Philosophy in literature Ästhetik FICTION Historical PHILOSOPHY Aesthetics Philosophie Motiv (DE-588)4467824-1 gnd rswk-swf Mann, Thomas 1875-1955 Der Tod in Venedig (DE-588)4099302-4 u Philosophie Motiv (DE-588)4467824-1 s 1\p DE-604 http://www.degruyter.com/doi/book/10.7312/kitc16264 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kitcher, Philip Deaths in Venice The Cases of Gustav von Aschenbach Published in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete Mann, Thomas 1875-1955 Der Tod in Venedig (DE-588)4099302-4 gnd Deutsche Literatur Mann, Thomas, 1875-1955. Tod in Venedig Philosophy in literature Ästhetik FICTION Historical PHILOSOPHY Aesthetics Philosophie Motiv (DE-588)4467824-1 gnd |
| subject_GND | (DE-588)4099302-4 (DE-588)4467824-1 |
| title | Deaths in Venice The Cases of Gustav von Aschenbach |
| title_auth | Deaths in Venice The Cases of Gustav von Aschenbach |
| title_exact_search | Deaths in Venice The Cases of Gustav von Aschenbach |
| title_full | Deaths in Venice The Cases of Gustav von Aschenbach Philip Kitcher |
| title_fullStr | Deaths in Venice The Cases of Gustav von Aschenbach Philip Kitcher |
| title_full_unstemmed | Deaths in Venice The Cases of Gustav von Aschenbach Philip Kitcher |
| title_short | Deaths in Venice |
| title_sort | deaths in venice the cases of gustav von aschenbach |
| title_sub | The Cases of Gustav von Aschenbach |
| topic | Mann, Thomas 1875-1955 Der Tod in Venedig (DE-588)4099302-4 gnd Deutsche Literatur Mann, Thomas, 1875-1955. Tod in Venedig Philosophy in literature Ästhetik FICTION Historical PHILOSOPHY Aesthetics Philosophie Motiv (DE-588)4467824-1 gnd |
| topic_facet | Mann, Thomas 1875-1955 Der Tod in Venedig Deutsche Literatur Mann, Thomas, 1875-1955. Tod in Venedig Philosophy in literature Ästhetik FICTION Historical PHILOSOPHY Aesthetics Philosophie Motiv |
| url | http://www.degruyter.com/doi/book/10.7312/kitc16264 |
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