Harlem Renaissance:
"The Harlem Renaissance represented an explosion of African American literature, drama, music, and visual art in 1920s America, with such notable figures as Langston Hughes, W.E.B. Du Bois, Zora Neale Hurston, Countee Cullen, Claude McKay, and many more leading the charge. This compilation of e...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ipswich, Massachusetts
Salem Press
[2015]
|
| Ausgabe: | First edition |
| Schriftenreihe: | Critical insights
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Harlem Renaissance represented an explosion of African American literature, drama, music, and visual art in 1920s America, with such notable figures as Langston Hughes, W.E.B. Du Bois, Zora Neale Hurston, Countee Cullen, Claude McKay, and many more leading the charge. This compilation of essays takes a closer look at this pivotal point in African American history, as well as its origins, identity, portrayal of women, and rediscovered authors. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources."--Publisher website |
| Beschreibung: | xxx, 335 Seiten 24 cm |
| ISBN: | 9781619258228 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
About This Volume, Christopher Allen Varlack vii
The Harlem Renaissance: The New Negro Intellectual and the
Poetry of the Sociopolitical Imagination, Christopher Allen Varlack xv
Critical Contexts__________________________________________________________—
Dawn in Harlem: Exploring the Origins of the Harlem Renaissance
through Image and Text, Carolyn Ky 1er 3
Apathetic Critiques Revisited: Jean Toomer’s Cane and Its
Importance to the Harlem Renaissance, Gerardo Del Guercio 22
Sugar Cane and Women’s Identity in Selected Works of
Zora Neale Hurston, Allyson Denise Marino 37
Mobile Subjects in Faulkner, Larsen, and Thurman: Racial
Parody and the White Northern Literary Field, Cheryl Lester 53
Critical Readings____________________________________________________________
The New Negro: The Politics and Aesthetics of the Harlem Renaissance
“Hectic Rhythms”: Unseen and Unappreciated Knowledge in Harlem
Renaissance Fiction, Jericho Williams 71
Toward a Theory of Art as Propaganda: Re-Evaluating the
Political Novels of the Harlem Renaissance, Christopher Allen Varlack 89
“The Bitter River”: Langston Hughes and the Violent
South, Seretha D. Williams 104
Across the Color Line: Racial Passing and the Harlem Renaissance
Racial Connections in “Time Space”: A Chronotopic Approach
to Johnson’s The Autobiography of an Ex-Colored Man,
Holly Simpson Fling 120
Framing Racial Identity and Class: Magnifying Themes of Assimilation
and Passing in the Works of Johnson and Hughes, Charlotte Teague 135
“Why Hadn’t She Spoken That Day?”: The Destructive Power
of Racial Silence in Nella Larsen’s Passing; Holly T. Baker 152
Just Passing Through: The Harlem Renaissance Woman
on the Move, Joshua M, Murray 168
v
Black Woman/Black Mother: Toward a Theory of the New Negro Woman
Grimke’s Sentimentalism in Rachel: Subversion as an Act
of Feminism, Lisa EI wood-Farber 184
Where is that Ark uv Safty”? Tracing the Role of the Black
Woman as Protector in Georgia Douglas Johnson’s Plays,
Brandon L, A. Hutchinson 202
“Don’t knock at my door, little child”: The Mantled Poetics of
Georgia Douglas Johnson’s Motherhood Poetry, Michelle J. Pinkard 217
The New Negro Revisited: New Readings of the Harlem Renaissance
Writing Across the Color Line: Carl Van Vechten’s Nigger Heaven and the
Insatiable Hunger for Literature of Black American Life,
Christopher Alien Varlack 233
Dancing Between Cultures: Claude McKay and the
Harlem Renaissance, Lisa Tomlinson 248
“Blue Smoke” and “Stale Fried Fish”: A Decadent View of
Richard Bruce Nugent, Tiffany Austin 265
Going Back to Work Through: The Return to Folk Origins in
the Late Harlem Renaissance, Karl Henzy 281
Resources______________________________________________________________
Chronology of the Harlem Renaissance, Christopher Alien Varlack
Karl Henzy 301
Works of the Harlem Renaissance 311
Bibliography 315
About the Editor 319
Contributors 321
Index 327
vi
Critical Insights
|
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| spelling | Harlem Renaissance editor Christopher Allen Varlack, Loyola University First edition Ipswich, Massachusetts Salem Press [2015] xxx, 335 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Critical insights "The Harlem Renaissance represented an explosion of African American literature, drama, music, and visual art in 1920s America, with such notable figures as Langston Hughes, W.E.B. Du Bois, Zora Neale Hurston, Countee Cullen, Claude McKay, and many more leading the charge. This compilation of essays takes a closer look at this pivotal point in African American history, as well as its origins, identity, portrayal of women, and rediscovered authors. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources."--Publisher website Geschichte 1900-2000 American literature / African American authors / 20th century / History and criticism African American authors / 20th century Harlem Renaissance Harlem renaissance (DE-588)4159116-1 gnd rswk-swf Harlem (New York, N.Y.) / Intellectual life / 20th century (DE-588)4143413-4 Aufsatzsammlung gnd-content Harlem renaissance (DE-588)4159116-1 s DE-604 Varlack, Christopher Allen (DE-588)1079724206 edt Erscheint auch als Online-Ausgabe 978-1-61925-823-5 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028403530&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Harlem Renaissance |
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| title_full | Harlem Renaissance editor Christopher Allen Varlack, Loyola University |
| title_fullStr | Harlem Renaissance editor Christopher Allen Varlack, Loyola University |
| title_full_unstemmed | Harlem Renaissance editor Christopher Allen Varlack, Loyola University |
| title_short | Harlem Renaissance |
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