Singing the body electric: the human voice and sound technology
Singing the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digita...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey
Ashgate
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Singing the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digital sampling, Miriama Young visits particular musical and literary works that define a century-and-a-half of recorded sound. She discusses the way in which the human voice is captured, transformed or synthesised through technology. This includes the sampled voice, the mechanical voice, the technologically modified voice, the pliable voice of the digital era, and the phenomenon by which humans mimic the sounding traits of the machine. The book draws from key electro-vocal works spanning a range of genres - from Luciano Berio's Thema: Omaggio a Joyce to Radiohead, from Alvin Lucier's I Am Sitting in a Room, to Bjork, and from Pierre Henry's Variations on a Door and a Sigh to Christian Marclay's Maria Callas. In essence, this book transcends time and musical style to reflect on the way in which the machine transforms our experience of the voice.The chapters are interpolated by conversations with five composers who work creatively with the voice and technology: Trevor Wishart, Katharine Norman, Paul Lansky, Eduardo Miranda and Bora Yoon. This book is an interdisciplinary enterprise that combines music aesthetics and musical analysis with literature and philosophy. - Miriama Young is a writer, sound artist and composer. Originally from New Zealand, she gained her PhD from Princeton (2007) on a Fulbright award. She writes music for film, dance, radio, live electronics and fixed media, voices and instruments. She is a Lecturer in Sonic Arts and Music Composition at the University of New South Wales, Sydney, Australia. (Klappentext) |
| Beschreibung: | 223 Seiten |
| ISBN: | 9780754669869 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV042924061 | ||
| 003 | DE-604 | ||
| 005 | 20160321 | ||
| 007 | t | ||
| 008 | 151013s2015 |||| 00||| eng d | ||
| 010 | |a 2014041895 | ||
| 020 | |a 9780754669869 |c hardcover |9 978-0-7546-6986-9 | ||
| 020 | |z 9781472458544 |c epub |9 978-1-4724-5854-4 | ||
| 035 | |a (OCoLC)930497531 | ||
| 035 | |a (DE-599)GBV802097901 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-B170 |a DE-703 |a DE-12 | ||
| 050 | 0 | |a ML1380 | |
| 084 | |a LR 11048 |0 (DE-625)109185:13536 |2 rvk | ||
| 084 | |a LR 56828 |0 (DE-625)109812:13536 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Young, Miriama |e Verfasser |0 (DE-588)1047122146 |4 aut | |
| 245 | 1 | 0 | |a Singing the body electric |b the human voice and sound technology |c Miriama Young |
| 264 | 1 | |a Farnham, Surrey |b Ashgate |c [2015] | |
| 300 | |a 223 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Inhaltsverzeichnis: Cover; Contents; Acknowledgements; Introduction; 1 Electric Voice, Plastic Body: Vocal Materiality and Cultural Consumption; Voice I Trevor Wishart; 2 Cut and Splice: Vocal Cuts and Loops, Dissected and Aberrant Bodies; Voice II Katharine Norman; 3 Machine as Voice, Voice as Machine; Voice III Paul Lansky; 4 Scratch and Mix: Sampling the Human Voicein the [metaphorical] Phonograph ; Voice IV Eduardo Reck Miranda; 5 Quiet Interiors: The Voice and Pod Listening; Voice V Bora Yoon; Concluding Remarks; Appendix: List of Electro-Vocal Works for Further Reference; Bibliography; Index | |
| 520 | |a Singing the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digital sampling, Miriama Young visits particular musical and literary works that define a century-and-a-half of recorded sound. She discusses the way in which the human voice is captured, transformed or synthesised through technology. This includes the sampled voice, the mechanical voice, the technologically modified voice, the pliable voice of the digital era, and the phenomenon by which humans mimic the sounding traits of the machine. The book draws from key electro-vocal works spanning a range of genres - from Luciano Berio's Thema: Omaggio a Joyce to Radiohead, from Alvin Lucier's I Am Sitting in a Room, to Bjork, and from Pierre Henry's Variations on a Door and a Sigh to Christian Marclay's Maria Callas. In essence, this book transcends time and musical style to reflect on the way in which the machine transforms our experience of the voice.The chapters are interpolated by conversations with five composers who work creatively with the voice and technology: Trevor Wishart, Katharine Norman, Paul Lansky, Eduardo Miranda and Bora Yoon. This book is an interdisciplinary enterprise that combines music aesthetics and musical analysis with literature and philosophy. - Miriama Young is a writer, sound artist and composer. Originally from New Zealand, she gained her PhD from Princeton (2007) on a Fulbright award. She writes music for film, dance, radio, live electronics and fixed media, voices and instruments. She is a Lecturer in Sonic Arts and Music Composition at the University of New South Wales, Sydney, Australia. (Klappentext) | ||
| 650 | 0 | 7 | |a Elektronische Musik |0 (DE-588)4014355-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Stimme |0 (DE-588)4057587-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schallaufzeichnung |0 (DE-588)4052020-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komponist |0 (DE-588)4032009-1 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Elektronische Musik |0 (DE-588)4014355-7 |D s |
| 689 | 0 | 1 | |a Komponist |0 (DE-588)4032009-1 |D s |
| 689 | 0 | 2 | |a Stimme |0 (DE-588)4057587-1 |D s |
| 689 | 0 | 3 | |a Schallaufzeichnung |0 (DE-588)4052020-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4724-5853-7 |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028351410&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028351410 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0905 |
Datensatz im Suchindex
| _version_ | 1804175227425390592 |
|---|---|
| adam_text | Contents
Acknowledgements vii
Introduction 1
1 Electric Voice, Plastic Body: Vocal Materiality and
Cultural Consumption 13
Voice I Trevor Wishart 33
2 Cut and Splice: Vocal Cuts and Loops, Dissected and
Aberrant Bodies 43
Voice II Katharine Norman 67
3 Machine as Voice, Voice as Machine 75
Voice III Paul Lansky 105
4 Scratch and Mix: Sampling the Human Voice in the
[metaphorical] Phonograph 125
Voice IV Eduardo Reck Miranda 145
5 Quiet Interiors: The Voice and Pod Listening 155
Voice V Bora Yoon 163
Concluding Remarks 177
Appendix: List of Electro- Vocal Works for Further Reference 181
Bibliography 195
Index 209
|
| any_adam_object | 1 |
| author | Young, Miriama |
| author_GND | (DE-588)1047122146 |
| author_facet | Young, Miriama |
| author_role | aut |
| author_sort | Young, Miriama |
| author_variant | m y my |
| building | Verbundindex |
| bvnumber | BV042924061 |
| callnumber-first | M - Music |
| callnumber-label | ML1380 |
| callnumber-raw | ML1380 |
| callnumber-search | ML1380 |
| callnumber-sort | ML 41380 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 11048 LR 56828 |
| contents | Inhaltsverzeichnis: Cover; Contents; Acknowledgements; Introduction; 1 Electric Voice, Plastic Body: Vocal Materiality and Cultural Consumption; Voice I Trevor Wishart; 2 Cut and Splice: Vocal Cuts and Loops, Dissected and Aberrant Bodies; Voice II Katharine Norman; 3 Machine as Voice, Voice as Machine; Voice III Paul Lansky; 4 Scratch and Mix: Sampling the Human Voicein the [metaphorical] Phonograph ; Voice IV Eduardo Reck Miranda; 5 Quiet Interiors: The Voice and Pod Listening; Voice V Bora Yoon; Concluding Remarks; Appendix: List of Electro-Vocal Works for Further Reference; Bibliography; Index |
| ctrlnum | (OCoLC)930497531 (DE-599)GBV802097901 |
| discipline | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04481nam a2200529 c 4500</leader><controlfield tag="001">BV042924061</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160321 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">151013s2015 |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2014041895</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780754669869</subfield><subfield code="c">hardcover</subfield><subfield code="9">978-0-7546-6986-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781472458544</subfield><subfield code="c">epub</subfield><subfield code="9">978-1-4724-5854-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)930497531</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBV802097901</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML1380</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 11048</subfield><subfield code="0">(DE-625)109185:13536</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56828</subfield><subfield code="0">(DE-625)109812:13536</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Young, Miriama</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1047122146</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Singing the body electric</subfield><subfield code="b">the human voice and sound technology</subfield><subfield code="c">Miriama Young</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Farnham, Surrey</subfield><subfield code="b">Ashgate</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">223 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Inhaltsverzeichnis: Cover; Contents; Acknowledgements; Introduction; 1 Electric Voice, Plastic Body: Vocal Materiality and Cultural Consumption; Voice I Trevor Wishart; 2 Cut and Splice: Vocal Cuts and Loops, Dissected and Aberrant Bodies; Voice II Katharine Norman; 3 Machine as Voice, Voice as Machine; Voice III Paul Lansky; 4 Scratch and Mix: Sampling the Human Voicein the [metaphorical] Phonograph ; Voice IV Eduardo Reck Miranda; 5 Quiet Interiors: The Voice and Pod Listening; Voice V Bora Yoon; Concluding Remarks; Appendix: List of Electro-Vocal Works for Further Reference; Bibliography; Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Singing the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digital sampling, Miriama Young visits particular musical and literary works that define a century-and-a-half of recorded sound. She discusses the way in which the human voice is captured, transformed or synthesised through technology. This includes the sampled voice, the mechanical voice, the technologically modified voice, the pliable voice of the digital era, and the phenomenon by which humans mimic the sounding traits of the machine. The book draws from key electro-vocal works spanning a range of genres - from Luciano Berio's Thema: Omaggio a Joyce to Radiohead, from Alvin Lucier's I Am Sitting in a Room, to Bjork, and from Pierre Henry's Variations on a Door and a Sigh to Christian Marclay's Maria Callas. In essence, this book transcends time and musical style to reflect on the way in which the machine transforms our experience of the voice.The chapters are interpolated by conversations with five composers who work creatively with the voice and technology: Trevor Wishart, Katharine Norman, Paul Lansky, Eduardo Miranda and Bora Yoon. This book is an interdisciplinary enterprise that combines music aesthetics and musical analysis with literature and philosophy. - Miriama Young is a writer, sound artist and composer. Originally from New Zealand, she gained her PhD from Princeton (2007) on a Fulbright award. She writes music for film, dance, radio, live electronics and fixed media, voices and instruments. She is a Lecturer in Sonic Arts and Music Composition at the University of New South Wales, Sydney, Australia. (Klappentext)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Elektronische Musik</subfield><subfield code="0">(DE-588)4014355-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Stimme</subfield><subfield code="0">(DE-588)4057587-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schallaufzeichnung</subfield><subfield code="0">(DE-588)4052020-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Elektronische Musik</subfield><subfield code="0">(DE-588)4014355-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Stimme</subfield><subfield code="0">(DE-588)4057587-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Schallaufzeichnung</subfield><subfield code="0">(DE-588)4052020-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-4724-5853-7</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028351410&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028351410</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield></record></collection> |
| id | DE-604.BV042924061 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:12:56Z |
| institution | BVB |
| isbn | 9780754669869 |
| language | English |
| lccn | 2014041895 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028351410 |
| oclc_num | 930497531 |
| open_access_boolean | |
| owner | DE-11 DE-B170 DE-703 DE-12 |
| owner_facet | DE-11 DE-B170 DE-703 DE-12 |
| physical | 223 Seiten |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Ashgate |
| record_format | marc |
| spelling | Young, Miriama Verfasser (DE-588)1047122146 aut Singing the body electric the human voice and sound technology Miriama Young Farnham, Surrey Ashgate [2015] 223 Seiten txt rdacontent n rdamedia nc rdacarrier Inhaltsverzeichnis: Cover; Contents; Acknowledgements; Introduction; 1 Electric Voice, Plastic Body: Vocal Materiality and Cultural Consumption; Voice I Trevor Wishart; 2 Cut and Splice: Vocal Cuts and Loops, Dissected and Aberrant Bodies; Voice II Katharine Norman; 3 Machine as Voice, Voice as Machine; Voice III Paul Lansky; 4 Scratch and Mix: Sampling the Human Voicein the [metaphorical] Phonograph ; Voice IV Eduardo Reck Miranda; 5 Quiet Interiors: The Voice and Pod Listening; Voice V Bora Yoon; Concluding Remarks; Appendix: List of Electro-Vocal Works for Further Reference; Bibliography; Index Singing the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digital sampling, Miriama Young visits particular musical and literary works that define a century-and-a-half of recorded sound. She discusses the way in which the human voice is captured, transformed or synthesised through technology. This includes the sampled voice, the mechanical voice, the technologically modified voice, the pliable voice of the digital era, and the phenomenon by which humans mimic the sounding traits of the machine. The book draws from key electro-vocal works spanning a range of genres - from Luciano Berio's Thema: Omaggio a Joyce to Radiohead, from Alvin Lucier's I Am Sitting in a Room, to Bjork, and from Pierre Henry's Variations on a Door and a Sigh to Christian Marclay's Maria Callas. In essence, this book transcends time and musical style to reflect on the way in which the machine transforms our experience of the voice.The chapters are interpolated by conversations with five composers who work creatively with the voice and technology: Trevor Wishart, Katharine Norman, Paul Lansky, Eduardo Miranda and Bora Yoon. This book is an interdisciplinary enterprise that combines music aesthetics and musical analysis with literature and philosophy. - Miriama Young is a writer, sound artist and composer. Originally from New Zealand, she gained her PhD from Princeton (2007) on a Fulbright award. She writes music for film, dance, radio, live electronics and fixed media, voices and instruments. She is a Lecturer in Sonic Arts and Music Composition at the University of New South Wales, Sydney, Australia. (Klappentext) Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Stimme (DE-588)4057587-1 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 s Komponist (DE-588)4032009-1 s Stimme (DE-588)4057587-1 s Schallaufzeichnung (DE-588)4052020-1 s DE-604 Erscheint auch als Online-Ausgabe 978-1-4724-5853-7 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028351410&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Young, Miriama Singing the body electric the human voice and sound technology Inhaltsverzeichnis: Cover; Contents; Acknowledgements; Introduction; 1 Electric Voice, Plastic Body: Vocal Materiality and Cultural Consumption; Voice I Trevor Wishart; 2 Cut and Splice: Vocal Cuts and Loops, Dissected and Aberrant Bodies; Voice II Katharine Norman; 3 Machine as Voice, Voice as Machine; Voice III Paul Lansky; 4 Scratch and Mix: Sampling the Human Voicein the [metaphorical] Phonograph ; Voice IV Eduardo Reck Miranda; 5 Quiet Interiors: The Voice and Pod Listening; Voice V Bora Yoon; Concluding Remarks; Appendix: List of Electro-Vocal Works for Further Reference; Bibliography; Index Elektronische Musik (DE-588)4014355-7 gnd Stimme (DE-588)4057587-1 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Komponist (DE-588)4032009-1 gnd |
| subject_GND | (DE-588)4014355-7 (DE-588)4057587-1 (DE-588)4052020-1 (DE-588)4032009-1 |
| title | Singing the body electric the human voice and sound technology |
| title_auth | Singing the body electric the human voice and sound technology |
| title_exact_search | Singing the body electric the human voice and sound technology |
| title_full | Singing the body electric the human voice and sound technology Miriama Young |
| title_fullStr | Singing the body electric the human voice and sound technology Miriama Young |
| title_full_unstemmed | Singing the body electric the human voice and sound technology Miriama Young |
| title_short | Singing the body electric |
| title_sort | singing the body electric the human voice and sound technology |
| title_sub | the human voice and sound technology |
| topic | Elektronische Musik (DE-588)4014355-7 gnd Stimme (DE-588)4057587-1 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Komponist (DE-588)4032009-1 gnd |
| topic_facet | Elektronische Musik Stimme Schallaufzeichnung Komponist |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028351410&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT youngmiriama singingthebodyelectricthehumanvoiceandsoundtechnology |