Women and the nineteenth-century Lied:
This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women's achievements in the genre, and develops an alternative narrative of...
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| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey ; Burlington, VT
Ashgate
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women's achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied's musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers' perception of the genre and help promote awareness of women's contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire. Aisling Kenny lectures in musicology, music analysis and vocal studies at Dundalk Institute of Technology. A musicologist and soprano, her research interests include women's music in the nineteenth century and text-music relationships in art song and choral music. Susan Wollenberg is Professor of Music at the University of Oxford, Fellow and Tutor of Lady Margaret Hall and Lecturer at Brasenose College. She has published widely on various research interests, including women composers, historical keyboard music, social history of music in Britain and Schubert's instrumental works. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIX, 275 Seiten Notenbeispiele |
| ISBN: | 9781472430250 |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women's achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied's musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers' perception of the genre and help promote awareness of women's contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire. | ||
| 520 | |a Aisling Kenny lectures in musicology, music analysis and vocal studies at Dundalk Institute of Technology. A musicologist and soprano, her research interests include women's music in the nineteenth century and text-music relationships in art song and choral music. Susan Wollenberg is Professor of Music at the University of Oxford, Fellow and Tutor of Lady Margaret Hall and Lecturer at Brasenose College. She has published widely on various research interests, including women composers, historical keyboard music, social history of music in Britain and Schubert's instrumental works. | ||
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Datensatz im Suchindex
| _version_ | 1804175156011073536 |
|---|---|
| adam_text | Contents
List of Figures vii
List of Tables ix
List of Music Examples xi
Notes on Contributors xv
Acknowledgements xxi
List of A bbreviations xxii i
1 Introduction 1
Aisling Kenny and Susan Wollenberg
PART I CONTEXTS FOR WOMEN’S LIEDER, I
2 Blurring the Gendered Dichotomies: Issues of Gender and
Creativity for the Female Lied Composer 11
Aisling Kenny
3 Absence and Dialogue: Pauline von Decker in a Performing and
Cultural Context 29
Briony Cox-Williams
4 In Pursuit of a Single Flame: Fanny Hensel’s ‘Musical Salon’ 45
Lorraine Byrne Bodley
PART II INDIVIDUAL COMPOSERS AND THEIR LIEDER
I: EARLY NINETEENTH CENTURY
5 ‘Der Jüngling und Das Mädchen5: Fanny Hensel,
Felix Mendelssohn and the Zwölf Lieder, op. 9 63
Angela Mace Christian
6
Functions of Piano Introductions in the Lieder of Josephine Lang
Harald Krebs
85
VI
Women and the Nineteenth-Century Lied
1 Clara Schumann’s ‘Liebst du um Schönheit’ and the Integrity of a
Composer’s Vision 123
Susan Wollenberg
PART III INDIVIDUAL COMPOSERS AND THEIR LIEDER
II: LATER NINETEENTH CENTURY
8 Pauline Viardot-Garcia’s ‘Ne poj, krasavica, pri mne’ and the
Genre of Russian Romance 143
Kadja Gronke
9 (Re)ciaiming Space for Ingeborg von Bronsart’s Wildenbruch
Lieder, op. 16 163
Melinda Boyd
10 Cyclic Organization, Narrative and Self-Construction in
Ethel Smyth’s Lieder undBalladen, op. 3 and Lieder, op. 4 177
Cornelia Bartsch
11 Contrasting Concepts of Love in Two Songs by Alma
Schindler(-Mahler) and Gustav Mahler 217
Kadja Gronke
PART IV CONTEXTS FOR WOMEN’S LIEDER, II
12 ‘Und das hat mit ihrem Singen, Die Lore-Ley gethan’:
Subjectivity and Objectification in Two Heine Settings 233
Caitlin Miller
13 Echoes of the Lied: Women’s Vocal Repertoire in Nineteenth-
Century Ireland 251
lta Beausang
14 Women Composers of Lieder: Selected Sources 259
Tammy Hensrud, Aisling Kenny and Susan Wollenberg
Index 269
|
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| spelling | Women and the nineteenth-century Lied edited by Aisling Kenny (Dundalk Institute of Technology, Ireland) and Susan Wollenberg (Lady Margaret Hall and Brasenose College, University of Oxford, UK) Farnham, Surrey ; Burlington, VT Ashgate [2015] © 2015 XIX, 275 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women's achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied's musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers' perception of the genre and help promote awareness of women's contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire. Aisling Kenny lectures in musicology, music analysis and vocal studies at Dundalk Institute of Technology. A musicologist and soprano, her research interests include women's music in the nineteenth century and text-music relationships in art song and choral music. Susan Wollenberg is Professor of Music at the University of Oxford, Fellow and Tutor of Lady Margaret Hall and Lecturer at Brasenose College. She has published widely on various research interests, including women composers, historical keyboard music, social history of music in Britain and Schubert's instrumental works. Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Songs 19th century History and criticism Music by women composers 19th century History and criticism Komponistin (DE-588)4032010-8 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Lied (DE-588)4035669-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Komponistin (DE-588)4032010-8 s Lied (DE-588)4035669-3 s Geschlechterrolle (DE-588)4071776-8 s Geschichte 1800-1900 z DE-604 Kenny, Aisling 20./21. Jh. (DE-588)1077115725 edt Wollenberg, Susan 1949- (DE-588)103994793 edt Erscheint auch als Online-Ausgabe 978-1-4724-3026-7 Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-3027-4 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028302180&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Women and the nineteenth-century Lied Songs 19th century History and criticism Music by women composers 19th century History and criticism Komponistin (DE-588)4032010-8 gnd Geschlechterrolle (DE-588)4071776-8 gnd Lied (DE-588)4035669-3 gnd |
| subject_GND | (DE-588)4032010-8 (DE-588)4071776-8 (DE-588)4035669-3 (DE-588)4143413-4 |
| title | Women and the nineteenth-century Lied |
| title_auth | Women and the nineteenth-century Lied |
| title_exact_search | Women and the nineteenth-century Lied |
| title_full | Women and the nineteenth-century Lied edited by Aisling Kenny (Dundalk Institute of Technology, Ireland) and Susan Wollenberg (Lady Margaret Hall and Brasenose College, University of Oxford, UK) |
| title_fullStr | Women and the nineteenth-century Lied edited by Aisling Kenny (Dundalk Institute of Technology, Ireland) and Susan Wollenberg (Lady Margaret Hall and Brasenose College, University of Oxford, UK) |
| title_full_unstemmed | Women and the nineteenth-century Lied edited by Aisling Kenny (Dundalk Institute of Technology, Ireland) and Susan Wollenberg (Lady Margaret Hall and Brasenose College, University of Oxford, UK) |
| title_short | Women and the nineteenth-century Lied |
| title_sort | women and the nineteenth century lied |
| topic | Songs 19th century History and criticism Music by women composers 19th century History and criticism Komponistin (DE-588)4032010-8 gnd Geschlechterrolle (DE-588)4071776-8 gnd Lied (DE-588)4035669-3 gnd |
| topic_facet | Songs 19th century History and criticism Music by women composers 19th century History and criticism Komponistin Geschlechterrolle Lied Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028302180&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kennyaisling womenandthenineteenthcenturylied AT wollenbergsusan womenandthenineteenthcenturylied |