Shakespeare and the power of the face:
"As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the on...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham
Ashgate
2015
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" .. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XI, 208 Seiten |
| ISBN: | 9781472415790 9781472415806 9781472415813 |
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Datensatz im Suchindex
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|---|---|
| adam_text | SHAKESPEARE AND THE POWER OF THE FACE
/
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: SHAKESPEARE AND THE POWER OF THE FACE / JAMES A. KNAPP
POWERFUL FACES. THY FACE IS MINE : FACES AND FASCINATION IN
SHAKESPEARE S PLAYS / SIBYLLE BAUMBACH; FASHIONING THE FACE: EMBODIMENT
AND DESIRE IN EARLY MODERN POETRY / FARAH KARIM-COOPER; FACING MARITAL
CRUELTY IN SHAKESPEARE S THE TAMING OF THE SHREW AND EARLY MODERN LONDON
/ LOREEN GIESE
SIGNIFYING FACES. THE TWO FACES OF OTHELLO / SEAN LAWRENCE; FACING KING
LEAR / DAVID GOLDSTEIN; COMPLEX COMPLEXIONS: THE FACIAL SIGNIFICATION OF
THE BLACK OTHER IN LUST S DOMINION / VANESSA CORREDERA
STAGED FACES. I KNEW BY HIS FACE THERE WAS SOMETHING IN HIM : BURIED
STAGE DIRECTIONS AND AUTHORIAL CONTROL / CATHERINE LOOMIS
THE PLAY OF LOOKS: AUDIENCE AND THE FORCE OF THE EARLY MODERN FACE /
PENELOPE WOODS; THE COUNTERFEIT PRESENTMENT OF TWO BROTHERS : THE POWER
OF PORTRAITS IN HAMLET ON FILM / YOLANA WASSERSUG
THIS PAINTING WHEREIN YOU SEE ME SMEARED : FRANCIS BACON, CORIOLANUS,
AND THE BRUTALITY OF FACIALIZATION / HILLARY NUNN AND AARON HUBBARD
AFTERWORD / MICHAEL NEILL
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author2 | Knapp, James A. 1968- |
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| author_GND | (DE-588)133489612 |
| author_facet | Knapp, James A. 1968- |
| building | Verbundindex |
| bvnumber | BV042831775 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR3069 |
| callnumber-raw | PR3069.F33 |
| callnumber-search | PR3069.F33 |
| callnumber-sort | PR 43069 F33 |
| callnumber-subject | PR - English Literature |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Book |
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| isbn | 9781472415790 9781472415806 9781472415813 |
| language | English |
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| spelling | Shakespeare and the power of the face edited by James A. Knapp, Loyola University Chicago, USA Farnham Ashgate 2015 XI, 208 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" .. Shakespeare, William, 1564-1616 Knowledge Psychology Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Wissen Facial expression in literature Face perception in literature Identity (Psychology) in literature Personality in literature Gesicht Motiv (DE-588)4157111-3 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Gesicht Motiv (DE-588)4157111-3 s DE-604 Knapp, James A. 1968- (DE-588)133489612 edt LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028260950&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Shakespeare and the power of the face Shakespeare, William, 1564-1616 Knowledge Psychology Shakespeare, William 1564-1616 (DE-588)118613723 gnd Wissen Facial expression in literature Face perception in literature Identity (Psychology) in literature Personality in literature Gesicht Motiv (DE-588)4157111-3 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4157111-3 |
| title | Shakespeare and the power of the face |
| title_auth | Shakespeare and the power of the face |
| title_exact_search | Shakespeare and the power of the face |
| title_full | Shakespeare and the power of the face edited by James A. Knapp, Loyola University Chicago, USA |
| title_fullStr | Shakespeare and the power of the face edited by James A. Knapp, Loyola University Chicago, USA |
| title_full_unstemmed | Shakespeare and the power of the face edited by James A. Knapp, Loyola University Chicago, USA |
| title_short | Shakespeare and the power of the face |
| title_sort | shakespeare and the power of the face |
| topic | Shakespeare, William, 1564-1616 Knowledge Psychology Shakespeare, William 1564-1616 (DE-588)118613723 gnd Wissen Facial expression in literature Face perception in literature Identity (Psychology) in literature Personality in literature Gesicht Motiv (DE-588)4157111-3 gnd |
| topic_facet | Shakespeare, William, 1564-1616 Knowledge Psychology Shakespeare, William 1564-1616 Wissen Facial expression in literature Face perception in literature Identity (Psychology) in literature Personality in literature Gesicht Motiv |
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