The complexities of early instrumentation: winds and brass
This book focuses on the origins of instrumentation and orchestration. When a professional orchestra today plays an eighteenth-century work with parts for wind and brass instruments, nothing seems amiss. Yet writers in the eighteenth century and beyond indicate that many notes in these scores could...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Turnhout
Brepols
2015
|
Schriftenreihe: | Musical treatises
Volume 3 |
Schlagworte: | |
Zusammenfassung: | This book focuses on the origins of instrumentation and orchestration. When a professional orchestra today plays an eighteenth-century work with parts for wind and brass instruments, nothing seems amiss. Yet writers in the eighteenth century and beyond indicate that many notes in these scores could not be played in tune by these instruments; certain notes could be produced only with difficulty or not at all. The present work concentrates on the time period least explored in modern writings - the years before Hector Berlioz's "Grand traité d'instrumentation et d'orchestration modernes" (1843) - and traces the development of instrumentation instruction for composers from its beginnings in the late eighteenth century, after the era of J. S. Bach and G. F. Handel. An introductory chapter includes background information on subjects related to the discussion: intonation, tuning, key action, the lack of a standard pitch level, and the difficulty of reed making. While earlier manuals supply little but the range of instruments, Valentin Roeser's "Essai d'instruction à l'usage de ceux qui composent pour la clarinette et le cor" (1764) offers composers concrete assistance in writing for the clarinet and horn. Louis-Joseph Francoeur's "Diapason général de tous les instrumens à vent" (1772) provides the same for all the winds and brass, as does Othon Vandenbroeck's "Traité général de tous les instrumens à vent à l'usage des compositeurs" (c.1793). This book is not a history of instrumentation per se, but an account of technological progress and ever-increasing knowledge. (Verlag) |
Beschreibung: | XIII, 160 Seiten Notenbeispiele |
ISBN: | 9782503564791 |
Internformat
MARC
LEADER | 00000nam a2200000 cb4500 | ||
---|---|---|---|
001 | BV042797838 | ||
003 | DE-604 | ||
005 | 20160518 | ||
007 | t | ||
008 | 150903s2015 gl|| |||| 00||| eng d | ||
020 | |a 9782503564791 |c hbk. |9 978-2-503-56479-1 | ||
035 | |a (OCoLC)921843167 | ||
035 | |a (DE-599)GBV829216863 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-703 |a DE-11 |a DE-20 | ||
084 | |a LR 11220 |0 (DE-625)109197:13528 |2 rvk | ||
084 | |a LR 55180 |0 (DE-625)109733:13528 |2 rvk | ||
084 | |a 9,2 |2 ssgn | ||
100 | 1 | |a Jerold, Beverly |d 1938- |e Verfasser |0 (DE-588)1024306313 |4 aut | |
245 | 1 | 0 | |a The complexities of early instrumentation |b winds and brass |c Beverly Jerold |
264 | 1 | |a Turnhout |b Brepols |c 2015 | |
300 | |a XIII, 160 Seiten |b Notenbeispiele | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Musical treatises |v Volume 3 | |
520 | |a This book focuses on the origins of instrumentation and orchestration. When a professional orchestra today plays an eighteenth-century work with parts for wind and brass instruments, nothing seems amiss. Yet writers in the eighteenth century and beyond indicate that many notes in these scores could not be played in tune by these instruments; certain notes could be produced only with difficulty or not at all. The present work concentrates on the time period least explored in modern writings - the years before Hector Berlioz's "Grand traité d'instrumentation et d'orchestration modernes" (1843) - and traces the development of instrumentation instruction for composers from its beginnings in the late eighteenth century, after the era of J. S. Bach and G. F. Handel. An introductory chapter includes background information on subjects related to the discussion: intonation, tuning, key action, the lack of a standard pitch level, and the difficulty of reed making. While earlier manuals supply little but the range of instruments, Valentin Roeser's "Essai d'instruction à l'usage de ceux qui composent pour la clarinette et le cor" (1764) offers composers concrete assistance in writing for the clarinet and horn. Louis-Joseph Francoeur's "Diapason général de tous les instrumens à vent" (1772) provides the same for all the winds and brass, as does Othon Vandenbroeck's "Traité général de tous les instrumens à vent à l'usage des compositeurs" (c.1793). This book is not a history of instrumentation per se, but an account of technological progress and ever-increasing knowledge. (Verlag) | ||
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Instrumentation |0 (DE-588)4027219-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Traktat |0 (DE-588)4203481-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Blasinstrument |0 (DE-588)4130897-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Komposition |g Musik |0 (DE-588)4133320-2 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Komposition |g Musik |0 (DE-588)4133320-2 |D s |
689 | 0 | 1 | |a Instrumentation |0 (DE-588)4027219-9 |D s |
689 | 0 | 2 | |a Blasinstrument |0 (DE-588)4130897-9 |D s |
689 | 0 | 3 | |a Traktat |0 (DE-588)4203481-4 |D s |
689 | 0 | 4 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
830 | 0 | |a Musical treatises |v Volume 3 |w (DE-604)BV041586271 |9 3 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-028227590 | ||
942 | 1 | 1 | |c 781 |e 22/bsb |
Datensatz im Suchindex
_version_ | 1804175030961045504 |
---|---|
any_adam_object | |
author | Jerold, Beverly 1938- |
author_GND | (DE-588)1024306313 |
author_facet | Jerold, Beverly 1938- |
author_role | aut |
author_sort | Jerold, Beverly 1938- |
author_variant | b j bj |
building | Verbundindex |
bvnumber | BV042797838 |
classification_rvk | LR 11220 LR 55180 |
ctrlnum | (OCoLC)921843167 (DE-599)GBV829216863 |
discipline | Musikwissenschaft |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03243nam a2200469 cb4500</leader><controlfield tag="001">BV042797838</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160518 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">150903s2015 gl|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9782503564791</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-2-503-56479-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)921843167</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBV829216863</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 11220</subfield><subfield code="0">(DE-625)109197:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 55180</subfield><subfield code="0">(DE-625)109733:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jerold, Beverly</subfield><subfield code="d">1938-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1024306313</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The complexities of early instrumentation</subfield><subfield code="b">winds and brass</subfield><subfield code="c">Beverly Jerold</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Turnhout</subfield><subfield code="b">Brepols</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XIII, 160 Seiten</subfield><subfield code="b">Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Musical treatises</subfield><subfield code="v">Volume 3</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book focuses on the origins of instrumentation and orchestration. When a professional orchestra today plays an eighteenth-century work with parts for wind and brass instruments, nothing seems amiss. Yet writers in the eighteenth century and beyond indicate that many notes in these scores could not be played in tune by these instruments; certain notes could be produced only with difficulty or not at all. The present work concentrates on the time period least explored in modern writings - the years before Hector Berlioz's "Grand traité d'instrumentation et d'orchestration modernes" (1843) - and traces the development of instrumentation instruction for composers from its beginnings in the late eighteenth century, after the era of J. S. Bach and G. F. Handel. An introductory chapter includes background information on subjects related to the discussion: intonation, tuning, key action, the lack of a standard pitch level, and the difficulty of reed making. While earlier manuals supply little but the range of instruments, Valentin Roeser's "Essai d'instruction à l'usage de ceux qui composent pour la clarinette et le cor" (1764) offers composers concrete assistance in writing for the clarinet and horn. Louis-Joseph Francoeur's "Diapason général de tous les instrumens à vent" (1772) provides the same for all the winds and brass, as does Othon Vandenbroeck's "Traité général de tous les instrumens à vent à l'usage des compositeurs" (c.1793). This book is not a history of instrumentation per se, but an account of technological progress and ever-increasing knowledge. (Verlag)</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Instrumentation</subfield><subfield code="0">(DE-588)4027219-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Traktat</subfield><subfield code="0">(DE-588)4203481-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Blasinstrument</subfield><subfield code="0">(DE-588)4130897-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Instrumentation</subfield><subfield code="0">(DE-588)4027219-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Blasinstrument</subfield><subfield code="0">(DE-588)4130897-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Traktat</subfield><subfield code="0">(DE-588)4203481-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Musical treatises</subfield><subfield code="v">Volume 3</subfield><subfield code="w">(DE-604)BV041586271</subfield><subfield code="9">3</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028227590</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection> |
id | DE-604.BV042797838 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:09:49Z |
institution | BVB |
isbn | 9782503564791 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028227590 |
oclc_num | 921843167 |
open_access_boolean | |
owner | DE-12 DE-703 DE-11 DE-20 |
owner_facet | DE-12 DE-703 DE-11 DE-20 |
physical | XIII, 160 Seiten Notenbeispiele |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Brepols |
record_format | marc |
series | Musical treatises |
series2 | Musical treatises |
spelling | Jerold, Beverly 1938- Verfasser (DE-588)1024306313 aut The complexities of early instrumentation winds and brass Beverly Jerold Turnhout Brepols 2015 XIII, 160 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musical treatises Volume 3 This book focuses on the origins of instrumentation and orchestration. When a professional orchestra today plays an eighteenth-century work with parts for wind and brass instruments, nothing seems amiss. Yet writers in the eighteenth century and beyond indicate that many notes in these scores could not be played in tune by these instruments; certain notes could be produced only with difficulty or not at all. The present work concentrates on the time period least explored in modern writings - the years before Hector Berlioz's "Grand traité d'instrumentation et d'orchestration modernes" (1843) - and traces the development of instrumentation instruction for composers from its beginnings in the late eighteenth century, after the era of J. S. Bach and G. F. Handel. An introductory chapter includes background information on subjects related to the discussion: intonation, tuning, key action, the lack of a standard pitch level, and the difficulty of reed making. While earlier manuals supply little but the range of instruments, Valentin Roeser's "Essai d'instruction à l'usage de ceux qui composent pour la clarinette et le cor" (1764) offers composers concrete assistance in writing for the clarinet and horn. Louis-Joseph Francoeur's "Diapason général de tous les instrumens à vent" (1772) provides the same for all the winds and brass, as does Othon Vandenbroeck's "Traité général de tous les instrumens à vent à l'usage des compositeurs" (c.1793). This book is not a history of instrumentation per se, but an account of technological progress and ever-increasing knowledge. (Verlag) Geschichte gnd rswk-swf Instrumentation (DE-588)4027219-9 gnd rswk-swf Traktat (DE-588)4203481-4 gnd rswk-swf Blasinstrument (DE-588)4130897-9 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Komposition Musik (DE-588)4133320-2 s Instrumentation (DE-588)4027219-9 s Blasinstrument (DE-588)4130897-9 s Traktat (DE-588)4203481-4 s Geschichte z DE-604 Musical treatises Volume 3 (DE-604)BV041586271 3 |
spellingShingle | Jerold, Beverly 1938- The complexities of early instrumentation winds and brass Musical treatises Instrumentation (DE-588)4027219-9 gnd Traktat (DE-588)4203481-4 gnd Blasinstrument (DE-588)4130897-9 gnd Komposition Musik (DE-588)4133320-2 gnd |
subject_GND | (DE-588)4027219-9 (DE-588)4203481-4 (DE-588)4130897-9 (DE-588)4133320-2 |
title | The complexities of early instrumentation winds and brass |
title_auth | The complexities of early instrumentation winds and brass |
title_exact_search | The complexities of early instrumentation winds and brass |
title_full | The complexities of early instrumentation winds and brass Beverly Jerold |
title_fullStr | The complexities of early instrumentation winds and brass Beverly Jerold |
title_full_unstemmed | The complexities of early instrumentation winds and brass Beverly Jerold |
title_short | The complexities of early instrumentation |
title_sort | the complexities of early instrumentation winds and brass |
title_sub | winds and brass |
topic | Instrumentation (DE-588)4027219-9 gnd Traktat (DE-588)4203481-4 gnd Blasinstrument (DE-588)4130897-9 gnd Komposition Musik (DE-588)4133320-2 gnd |
topic_facet | Instrumentation Traktat Blasinstrument Komposition Musik |
volume_link | (DE-604)BV041586271 |
work_keys_str_mv | AT jeroldbeverly thecomplexitiesofearlyinstrumentationwindsandbrass |