The history of the book:
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
London
Modern Humanities Research Assoc.
2015
|
| Series: | The yearbook of English studies
45 |
| Subjects: | |
| Online Access: | Klappentext Inhaltsverzeichnis |
| Physical Description: | XVI, 279 S. Ill. |
| ISBN: | 9781781882122 |
Staff View
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Record in the Search Index
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Edited bv Sandro Jung and Stephen Colclough, the dOIS number of the MHRA Yearbook of
English Studies features contributions that investigate the materiality of texts, their advertising
and marketing, as well as readerlv engagements with different works that are, as part of their
attempts at classification, conceived of as acts of canon formation. Extending from the late
seventeenth to the rwentv-Hrsr centuries, the contributions revolve around questions related to
the reading and interpretation of texts, the shaping of authorial reputations, and the role that
booksellers and/or publishers played in introducing new print objects into a highly competitive
marketplace for print commodities. Devoted to the subject of 'The History of the Book', the
essays in this volume examine texts that range from the cheaply produced ego documents for
daily use (stick as almanacs and pocket diaries) to the conceptual artist Brian Dettmers extremely
limited edition sculpted volumes. Essays investigate the functions of printed visual culture, the
significance of illustrations for cultural literacy, and the interrelationship between engraved
image a ilei typographical text. Booksellers decisions to promote paratextual interpretations of
literary texts are discussed in contributions on eighteenth-century anthologies, the illustrations
* c - v
to l bonus Baker s Royal t'ruuuuuit m Rocket Atlas, and early rwentieth-centurv illustratesi editions
of Shakespeare. W hile paratextual readings furnished bv editors and designers are central to a
number of the essavs, the uses of print forms, as well as the collecting of books, are investigated
b\ others. C .ontributors consider seventeenth-centurv illustrated media such as commemorative
broadsheets jnel offer considerations of the significance of jobbing printinu and paper-based
ephemera in the eighteenth-century marketplace. Essavs on Charles Dickens and Catharine
Sedgwick study the transatlantic travels of books — often through the medium of pirate
editions — and the wavs in which publishers sought to make a profit bv reprinting works, both
vv ith and without the authors permission. The volumes concern with the production, history
and different wavs of reading literature is illustrated bv detailed examinations of both canonical
».
w o rhs in codex format and alternative print objects not usually considered bv literary historians.
Contents
PAGE
Abstracts.viii
Notes on contributors.xiii
Introduction
Sandro Jung and Stephen Colclough. 1
The Times Displayed: Late Seventeenth-Century English Commemorative
Broadsheets and Media Hybridity
Margaret J. M. Ezell.12
Choice Reading: Anthologies, Reading Practices and the Canon, 1680-1800
Barbara M. Benedict.35
Why Ephemera Were Not Ephemeral: The Effectiveness of Innovative Print in
the Eighteenth Century
James Raven.56
Book-Collecting and Literature in Eighteenth-Century Britain
David Allan.74
Generous Liberal-Minded Men: Booksellers and Poetic Careers in Johnson’s
Lives of the Poets
Jack Lynch.93
Furnishings: English and Scottish Poetry Series in the Late Eighteenth Century
Thomas F. Bonnell.109
Thomas Stothard, Milton and the Illustrative Vignette: The Houghton Library
Designs for The Royal Engagement Pocket Atlas
Sandro Jung.137
Pocket Books and Portable Writing: The Pocket Memorandum Book in
Eighteenth-Century England and Wales
Stephen Colclough.159
Tracking Piracy through the Digital Archive: The Case of Dickens
Mary Hammond.178
American Novelist Catharine Sedgwick Negotiates British Copyright, 1822-57
Melissa J. Homestead.196
Shakespeare in Colour: Illustrated Editions, 1908-14
Stuart Sillars.216
Readers and Reading in the First World War
Shafquat Towheed, Francesca Benatti and Edmund G. C. King . . 239
Visualizing the Book, Virtualizing the Reader
Garrett Stewart.262 |
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