Art, aesthetics and the brain:
Gespeichert in:
| Weitere Verfasser: | , , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford Univ. Press
2015
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XX, 545 S. Ill., graph. Darst. |
| ISBN: | 9780199670000 |
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| adam_text | Titel: Art, aesthetics and the brain
Autor: Huston, Joseph P
Jahr: 2015
Contents
Contributors xv
Abbreviations xix
Section 1 Foundational issues
1 Neuroculture: A new cultural revolution? 3
Francisco Mora
1.1 Introduction 3
1.2 Neuroscience and the human brain 4
1.3 Biological evolution and the brain and the mind 5
1.4 Neuroculture 6
1.5 Neurophilosophy, consciousness, and the mind-brain problem 8
1.6 Knowledge, pleasure, beauty, and neuroculture 11
1.7 Neuroculture and the unity of knowledge 13
1.8 Conclusion 14
2 Art, meaning, and aesthetics: The case for a cognitive neuroscience of art 19
William P. Seeley
2.1 Introduction 19
2.2 Art, aesthetics, and psychology 20
2.3 Hierarchical models and attentional engines 29
2.4 Artistic salience, artistic appreciation, affective and embodied responses to
artworks 32
3 States, people, and contexts: Three psychological challenges for the
neuroscience of aesthetics 40
Kirill Fayn and Paul}. Silvia
3.1 States: the diversity of emotional response to the arts 41
3.2 People: the challenge of individual differences in aesthetic experiences 45
3.3 Contexts: the diversity of aesthetic objects and environments 48
3.4 Conclusion 51
4 Aesthetic appreciation: Convergence from experimental aesthetics and
physiology 57
Helmut Leder, Gemot Gerger, and David Brieber
4.1 Introduction-strange behaviors? 57
4.2 How do psychologists understand aesthetic experiences of art? 58
4.3 Components of aesthetic experience of art-behavioral and physiological
approaches 64
4.4 Conclusion 73
CONTENTS
5 The moving eye of the beholder: Eye tracking and the perception of
paintings 79
Raphael Rosenberg and Christoph Klein
5.1 Gaze movements as a literary model in art history 79
5.2 Analysis of gaze movements as a psychological method 82
5.3 Visual attention and gaze movements 86
5.4 Gaze movements during the beholding of paintings 88
5.5 Conclusion and directions for future research 101
Section 2 Cognitive neuroscience of visual aesthetics and art
6 Neural mechanisms for evaluating the attractiveness of faces 111
Spas Getov and JoelS. Winston
6.1 Introduction 111
6.2 What makes a face attractive 111
6.3 Conceptual frameworks for studying brain processing of facial attractiveness 114
6.4 Studies of the neural mechanisms for evaluating facial attractiveness 118
6.5 Discussion 131
6.6 Conclusion 137
7 Indeterminate artworks and the human brain 143
Robert G Pepperell and Alumit Ishai
7.1 Visual indeterminacy in art history 143
7.2 Scientific background to visual indeterminacy 146
7.3 Scientific experiments on visual indeterminacy 148
7.4 Object recognition in Cubist paintings 153
8 Contextual bias and insulation against bias during aesthetic rating:
The roles of VMPFC and DLPFC in neural valuation 158
Ulrich. Kirk and David Freedberg
8.1 Neural aesthetic valuation 158
8.2 Ventromedial prefrontal cortex involvement in evaluation 160
8.3 Neural correlates of aesthetic expertise 164
8.4 The influence of favors on valuation and decision making 166
8.5 Mitigation of the effects of favors by domain expertise 168
9 Neuroimaging studies of making aesthetic products 174
Oshin A. Vartanian
9.1 Creative drawing 175
9.2 Creative writing 177
9.3 Jazz improvisation 179
9.4 Artistic creativity 181
9.5 Mirror model of art 182
9.6 Aesthetic processing in the brain 183
CONTENTS J xi
Section 3 Cognitive neuroscience of dance
10 Beautiful embodiment: The shaping of aesthetic preference by personal
experience 189
Emily S. Cross
10.1 Introduction 189
10.2 The shaping of perception by action 190
10.3 The shaping of action by perception 193
10.4 Aesthetics of action 196
10.5 How action experience shapes preferences in dance spectators 198
10.6 Next steps in using dance to explore embodiment and aesthetics 202
11 Sensorimotor aesthetics: Neural correlates of aesthetic perception of dance 209
Beatriz Calvo-Merino
11.1 Do we need a neuroaesthetics of dance? 209
11.2 The body as a dynamic human canvas 210
11.3 Neural correlates of aesthetics experience of dance 215
11.4 Neural correlates of dances physical properties 217
11.5 Future directions 219
12 Moving towards ecological validity in empirical aesthetics of dance 223
Julia F. Christensen and Corinne Jola
12.1 Far from ecological validity 223
12.2 Defining dance 235
12.3 Dance employed as ecologically valid stimuli 245
12.4 Challenges-past and present 248
12.5 Requirements for the future 252
12.6 Conclusion 253
Section 4 Cognitive neuroscience of music
13 Liking music: Genres, contextual factors, and individual differences 263
Kathleen A. Corrigall and E. Glenn Schellenberg
13.1 Introduction 263
13.2 Liking different genres of music 264
13.3 Liking for individual musical pieces 270
13.4 Future directions 278
14 Tension-resolution patterns as a key element of aesthetic experience:
Psychological principles and underlying brain mechanisms 285
Moritz Lehne and Stefan Koelsch
14.1 Introduction 285
14.2 Tension-resolution patterns: psychological principles 287
14.3 Musical tension 292
14.4 Summary 298
XU CONTENTS
15 From pleasure to liking and back: Bottom-up and top-down neural routes
to the aesthetic enjoyment of music 303
Elvira Brattico
15.1 Music and aesthetic emotions 303
15.2 The bottom-up neural route to sensory pleasure 304
15.3 The top-down neural route to conscious liking 307
15.4 The role of context: social and person-related factors 310
15.5 The role of genes in idiosyncratic aesthetic emotions 312
15.6 Conclusion 314
16 Effects of expertise on the cognitive and neural processes involved in musical
appreciation 319
Marcus T. Pearce
16.1 Introduction 319
16.2 What is music? 320
16.3 Frameworks for understanding expertise 321
16.4 Musical expertise 322
16.5 Expertise effects on perception and cognition of musical structure 323
16.6 Expertise effects on frequency of exposure to music 326
16.7 Expertise effects on emotional experience 327
16.8 Expertise effects on emotional and aesthetic experience of music 327
16.9 Conclusion 331
Section 5 Neuropsychology of art and aesthetics
17 The neuropsychology of visual art 341
Anjan Chatterjee
17.1 Introduction 341
17.2 The paradoxical facilitation of visual art 343
17.3 Quantification in the neuropsychology of art 349
17.4 Art production 349
17.5 Art perception 352
17.6 Conclusion 353
18 The creation of art in the setting of dementia 357
Indre V. Viskontas and Suzee E. Lee
18.1 Introduction 357
18.2 The path of degeneration in dementia 357
18.3 The emergence of art in the setting of dementia 359
18.4 Left versus right brain thinking 360
18.5 A study of drawing in patients with dementia 362
18.6 Perseverative, obsessive, and visually dominated behaviors in svPPA
patients 365
18.7 A comprehensive case study 368
CONTENTS xüi
18.8 Theory of creativity in patients with dementia: release of inhibition 369
18.9 Conclusion and future directions 370
19 Hemispheric specialization, art, and aesthetics 373
Dahlia W. Zaidel
19.1 Introduction 373
19.2 Historical background for hemispheric lateralization in art 374
19.3 The right hemisphere and art? 375
19.4 Perceptual effects of right hemisphere damage in artists 376
19.5 Perception of paintings in the left and right hemispheres 377
19.6 Drawings and the right hemisphere 378
19.7 Lateralized and bilateral brain activation with EEG and fMRI 379
19.8 Painted portraits: lateralization of the face in art and viewers aesthetic reactions 380
19.9 Conclusion 381
Section 6 The evolution of art, aesthetics, and the brain
20 Towards a comparative approach to empirical aesthetics 385
Gesche Westphal-Fitch and W. Tecumseh Fitch
20.1 Introduction 385
20.2 Pervasive issues in aesthetic inquiry 386
20.3 Some implications of non-representational human artifacts 389
20.4 Animal aesthetics? 393
20.5 Discussion 400
21 Art and brain co-evolution 408
Camilo J. Cela-Conde and Francisco J. Ayala
21.1 Neuroaesthetics 408
21.2 Neural networks 410
21.3 Functional connectivity 413
21.4 Perceiving beauty as a human trait 418
21.5 Patterns of the evolution of the brain 420
21.6 Comparative studies 421
21.7 Aesthetic appreciation as an exaptation 421
21.8 The question of quale 423
22 Art as a human instinct-like behavior emerging from the exaptation
of the communication processes 426
Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe
22.1 Introduction 426
22.2 General premise 427
22.3 Why human beings are artwork makers? 429
22.4 Artwork production/appreciation: a hub role for insula and anterior cingulate
cortex? 434
22.5 Conclusion 441
Xiv CONTENTS
Section 7 Integrative approaches
23 Neurobiological foundations of art and aesthetics 453
Edmund T. Rolls
23.1 Introduction 453
23.2 Emotions as states elicited by rewards and punishers 453
23.3 The functions of emotion 455
23.4 Dual routes to action: gene-defined goals, and syntactic reasoning 457
23.5 A theory of the neurobiological foundations of aesthetics and art 457
23.6 Is what is attractive also beautiful and aesthetic? 472
23.7 Comparison with other theories of aesthetics 473
24 Aesthetic evaluation of art: A formal approach 479
Alexander J. Huston and Joseph P. Huston
24.1 Introduction 479
24.2 Qualia (Qs) and aesthetic evaluation 481
24.3 Violation and extraction of qualia 483
24.4 Taxonomy of qualia 484
24.5 Viewing art on the basis of qualia 485
24.6 Eliminating a Q 486
24.7 Rapport between producer and viewer 486
24.8 Invariance of qualia 488
24.9 The problem of concurrent qualia: poignancy, fading, and interplay of Q 489
24.10 Poignancy 489
24.11 Fading or decay of Q 489
24.12 Interplay of Qs 490
24.13 Qualia in architecture 491
24.14 Antique 491
24.15 Classical modern 494
24.16 Minimalism 494
24.17 How does the brain process qualia? 496
25 Tempos of eternity: Music, volition, and playing with time 500
Barbara G. Goodrich
25.1 Introduction 500
25.2 Preliminary considerations 500
25.3 Rhythm, anticipation, and motility/volition 502
25.4 Music and the temporality of consciousness 506
25.5 Give Wearings enduring musical gifts 512
25.6 Conclusion 514
Index 519
|
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| indexdate | 2024-07-10T07:06:28Z |
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| isbn | 9780199670000 |
| language | English |
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| spelling | Art, aesthetics and the brain ed. by Joseph P. Huston ; Marcos Nadal, Francisco Mora ; Luigi F. Agnati ; Camilo J. Cela-Conde 1. ed. Oxford Oxford Univ. Press 2015 XX, 545 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Gehirn (DE-588)4019752-9 gnd rswk-swf Neurologie (DE-588)4041888-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunst (DE-588)4114333-4 s Ästhetik (DE-588)4000626-8 s Wahrnehmung (DE-588)4064317-7 s Gehirn (DE-588)4019752-9 s Neurologie (DE-588)4041888-1 s Geschichte z DE-604 Huston, Joseph P. 1940- (DE-588)1061194027 edt Nadal, Marcos ca. 20./21. Jh. (DE-588)1192767918 edt Mora Teruel, Francisco (DE-588)1011993309 edt Agnati, Luigi F. 1940- (DE-588)1254060804 edt Cela Conde, Camilo José 1946- (DE-588)134067991 edt HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028070509&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Art, aesthetics and the brain |
| title_auth | Art, aesthetics and the brain |
| title_exact_search | Art, aesthetics and the brain |
| title_full | Art, aesthetics and the brain ed. by Joseph P. Huston ; Marcos Nadal, Francisco Mora ; Luigi F. Agnati ; Camilo J. Cela-Conde |
| title_fullStr | Art, aesthetics and the brain ed. by Joseph P. Huston ; Marcos Nadal, Francisco Mora ; Luigi F. Agnati ; Camilo J. Cela-Conde |
| title_full_unstemmed | Art, aesthetics and the brain ed. by Joseph P. Huston ; Marcos Nadal, Francisco Mora ; Luigi F. Agnati ; Camilo J. Cela-Conde |
| title_short | Art, aesthetics and the brain |
| title_sort | art aesthetics and the brain |
| topic | Wahrnehmung (DE-588)4064317-7 gnd Gehirn (DE-588)4019752-9 gnd Neurologie (DE-588)4041888-1 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Wahrnehmung Gehirn Neurologie Kunst Ästhetik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028070509&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hustonjosephp artaestheticsandthebrain AT nadalmarcos artaestheticsandthebrain AT morateruelfrancisco artaestheticsandthebrain AT agnatiluigif artaestheticsandthebrain AT celacondecamilojose artaestheticsandthebrain |