The Great War in popular British cinema of the 1920s: before "Journey's End"
"This book discusses British cinema's representation of the Great War during the 1920s in both battle reconstruction films and in popular romances. It argues that popular cinematic representations of the war offered surviving audiences a language through which to interpret their recent exp...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2015
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "This book discusses British cinema's representation of the Great War during the 1920s in both battle reconstruction films and in popular romances. It argues that popular cinematic representations of the war offered surviving audiences a language through which to interpret their recent experience, and traces the ways in which those interpretations changed during the decade. A focus on the distinctive language evolved for battle reconstruction films forms a central chapter - such films use a distinctive kind of 'staged reality' to address their veteran audiences, and were often viewed within a specific Remembrance context. Other chapters cover the representation of the returning soldier as a 'war touched man' in a range of fictional narratives, and the centrality of rituals of remembrance to many post-war narratives. 1920s British cinematic representations of the war are distinctively of their period, and are appraised as part of a wider culture of war representation in the decade. ".. |
| Beschreibung: | VIII, 234 S. Ill. |
| ISBN: | 9780230371705 |
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Datensatz im Suchindex
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| adam_text | THE GREAT WAR IN POPULAR BRITISH CINEMA OF THE 1920S
/ NAPPER, LAWRENCE.
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
LIST OF FIGURESACKNOWLEDGEMENTSINTRODUCTION: PEACE DAYS IN PICTURELAND1.
IN THE MIDST OF PEACE WE ARE AT WAR : THE FILM TRADE IN 19192. BATTLE
RECONSTRUCTIONS AND BRITISH INSTRUCTIONAL FILMS3. REMEMBRANCE AND THE
AMBIVALENT GAZE4. WHEN THE BOYS COME HOME BIBLIOGRAPHYINDEX
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents
List of Figures vii
Acknowledgements via
Introduction: Peace Days in Pictureland 1
A shift in language 4
Before journey s End 6
Peace days in pictureland 10
1 In the Midst of Peace, We Are at War : The British Film
Trade in 1919 12
Returning ex-servicemen i 7
A German trade invasion? 20
Political propaganda 23
The reception of American war films 27
Preserving a film record of the war 30
2 Battle Reconstructions and British Instructional
Films 33
The Battle of Jutland (Wooife, 1921) 42
Armageddon (Woolfe, 1923) 48
Zeebrugge (A.V. Bramble, 1924) 55
Ypres (Walter Summers, 1925) 80
Mons ( Walter Summers, 1926) 94
The Battles ofCoronel ami Falkland Islands (Walter Summers,
1927) and The Somme (M.A. Wetherell, 1927) 106
3 Remembrance and the Ambivalent Gaze 132
A Couple of Down and Outs (Walter Summers, 1923) 138
Reveille (George Pearson, 1924) and Remembrance
(Bert Wynne, 1927) 146
Land of Hope and Glory (Harley Knoies, 1927) 152
Blight} (Adrian Brunei, 1927) 155
4 When the Boys Come Home 159
The scrap of paper: Bigamy and the early 1920s 161
The war-touched man: Impotence in the late 1920s 17S
vi Contents
Conclusion: Teil England 195
Notes 202
Bibliography 222
Index 227
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| spelling | Napper, Lawrence Verfasser aut The Great War in popular British cinema of the 1920s before "Journey's End" Lawrence Napper 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2015 VIII, 234 S. Ill. txt rdacontent n rdamedia nc rdacarrier "This book discusses British cinema's representation of the Great War during the 1920s in both battle reconstruction films and in popular romances. It argues that popular cinematic representations of the war offered surviving audiences a language through which to interpret their recent experience, and traces the ways in which those interpretations changed during the decade. A focus on the distinctive language evolved for battle reconstruction films forms a central chapter - such films use a distinctive kind of 'staged reality' to address their veteran audiences, and were often viewed within a specific Remembrance context. Other chapters cover the representation of the returning soldier as a 'war touched man' in a range of fictional narratives, and the centrality of rituals of remembrance to many post-war narratives. 1920s British cinematic representations of the war are distinctively of their period, and are appraised as part of a wider culture of war representation in the decade. ".. Geschichte 1900-2000 Geschichte 1920-1930 gnd rswk-swf HISTORY / Europe / Great Britain bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Geschichte Weltkrieg (1939-1945) World War, 1939-1945 Motion pictures and the war Motion pictures Great Britain History 20th century HISTORY / Europe / Great Britain PERFORMING ARTS / Film & Video / History & Criticism Film (DE-588)4017102-4 gnd rswk-swf Erster Weltkrieg Motiv (DE-588)4189594-0 gnd rswk-swf Europa Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Film (DE-588)4017102-4 s Erster Weltkrieg Motiv (DE-588)4189594-0 s Geschichte 1920-1930 z DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028054377&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028054377&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Napper, Lawrence The Great War in popular British cinema of the 1920s before "Journey's End" HISTORY / Europe / Great Britain bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Geschichte Weltkrieg (1939-1945) World War, 1939-1945 Motion pictures and the war Motion pictures Great Britain History 20th century HISTORY / Europe / Great Britain PERFORMING ARTS / Film & Video / History & Criticism Film (DE-588)4017102-4 gnd Erster Weltkrieg Motiv (DE-588)4189594-0 gnd |
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| title | The Great War in popular British cinema of the 1920s before "Journey's End" |
| title_auth | The Great War in popular British cinema of the 1920s before "Journey's End" |
| title_exact_search | The Great War in popular British cinema of the 1920s before "Journey's End" |
| title_full | The Great War in popular British cinema of the 1920s before "Journey's End" Lawrence Napper |
| title_fullStr | The Great War in popular British cinema of the 1920s before "Journey's End" Lawrence Napper |
| title_full_unstemmed | The Great War in popular British cinema of the 1920s before "Journey's End" Lawrence Napper |
| title_short | The Great War in popular British cinema of the 1920s |
| title_sort | the great war in popular british cinema of the 1920s before journey s end |
| title_sub | before "Journey's End" |
| topic | HISTORY / Europe / Great Britain bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Geschichte Weltkrieg (1939-1945) World War, 1939-1945 Motion pictures and the war Motion pictures Great Britain History 20th century HISTORY / Europe / Great Britain PERFORMING ARTS / Film & Video / History & Criticism Film (DE-588)4017102-4 gnd Erster Weltkrieg Motiv (DE-588)4189594-0 gnd |
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