Verfügbarkeit: Piano & keyboard all-in-one for dummies

Piano & keyboard all-in-one for dummies:

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Bibliographische Detailangaben
Format:	Buch
Sprache:	English
Veröffentlicht:	Chichester Wiley & Sons 2014
Schriftenreihe:	For dummies
Schlagworte:	Piano > Instruction and study Electronic keyboard (Synthesizer) > Instruction and study Music theory > Elementary works Klavierspiel Keyboardspiel Einführung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes index
Beschreibung:	XX, 623 S. Ill., zahlr. Notenbeisp. 24 cm
ISBN:	9781118837429 1118837428

Internformat

MARC


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245	1	0	\|a Piano & keyboard all-in-one for dummies \|c by Holly Day, Jerry Kovarsky, Blake Neely, David Pearl, and Michael Pilhofer
246	1	3	\|a Piano and keyboard all-in-one for dummies
264		1	\|a Chichester \|b Wiley & Sons \|c 2014
300			\|a XX, 623 S. \|b Ill., zahlr. Notenbeisp. \|c 24 cm
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500			\|a Includes index
650		4	\|a Piano \|x Instruction and study
650		4	\|a Electronic keyboard (Synthesizer) \|x Instruction and study
650		4	\|a Music theory \|v Elementary works
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650	0	7	\|a Keyboardspiel \|0 (DE-588)4332223-2 \|2 gnd \|9 rswk-swf
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Datensatz im Suchindex

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adam_text	Book V: Exercises: Practice, Practice, Practice ........... 357 Chapter 1: Developing Hand Technique .....................................................................359 Chapter 2: Extending Your Scales ................................................................................387 Chapter 3: Improving Finger Coordination and Footwork .......................................409 Chapter 4: Jumping Across the Keyboard ..................................................................429 Chapter 5: Exercising with Arpeggios and Alternating Hands .................................443 Chapter 6: Stepping Up to Octaves and Chord Progressions ..................................463 Book VU Exploring Electronic Keyboard Technology.... Ь79 Chapter 1: Choosing Sounds and Effects ....................................................................481 Chapter 2: Adding Accompaniment, Rhythm Patterns, and Arpeggiation .............499 Chapter 3: Recording and Editing Your Sounds ........................................................525 Chapter 4: Using Onboard Learning Systems ............................................................551 Chapter 5: Playing Along with Recordings and Using Music Software ...................565 Appendix: Accessing the Audio Tracks ....................... 593 index ......................................................................601 Table of Contents Introduction ................................................................. / About This Book ..............................................................................................1 Foolish Assumptions .......................................................................................2 Icons Used in This Book .................................................................................3 Beyond the Book .............................................................................................3 Where to Go from Here ...................................................................................4 Book I: Piano & Keyboard /01......................................5 Chapter 1: Warming Up to the Piano and Keyboard .................7 What s So Special About the Piano? ..............................................................7 Advantages to playing the piano .........................................................8 Advantages to learning music at the piano ........................................8 A skill and an art ....................................................................................9 Why People Learn to Play the Piano (and Why They Often Quit) ............9 Getting to Know the Piano as an Instrument .............................................11 Understanding the Language of Music .......................................................12 Developing an ear for horizontal and vertical music ......................13 Getting to know musical forms and styles ........................................13 The Best Way to Play ....................................................................................14 What You Already Know About Playing the Piano ....................................14 Electronic Keyboards and other Keyboard Instruments .........................15 Examining keyboard designs throughout the years ........................15 Touching on key weight ......................................................................16 Join the family: Grouping keyboards ................................................16 Making the Most of Your Keyboard s Basic Features ...............................17 Working with sounds ...........................................................................17 Exploring effects ..................................................................................18 Getting into automatic playing features ...........................................18 Delving into More Advanced Digital Features ...........................................19 Stepping into the virtual recording studio .......................................19 Shaping the sounds you play .............................................................19 Checking out the computer connection ...........................................19 Practicing with and without Help ................................................................20 (/f Piano & Keyboard All-in-One For Dummies Chapter 2: Looking at the Different Keyboard Options .............21 Acoustic Pianos .............................................................................................22 Lids ........................................................................................................24 String layout .........................................................................................24 Keys, hammers, and strings ...............................................................24 Electro-Mechanical Keyboards ....................................................................25 Electronic Keyboards ....................................................................................28 Combo organs ......................................................................................28 Synthesizers .........................................................................................29 Portable keyboards .............................................................................31 Workstations ........................................................................................32 Arrangers ..............................................................................................32 Controller keyboards ..........................................................................33 Appreciating How Digital Keyboards Make So Many Sounds ..................34 Considering Key Feel and Response ...........................................................35 Touch sensitivity .................................................................................35 Key weight ............................................................................................37 Paying Attention to Polyphony ....................................................................38 Chapter 3: Choosing and Buying Your Keyboard ................. .41 First Things First: Acoustic or Electric (or Both)? ....................................42 Pros and cons of acoustic keyboards ...............................................42 Pros and cons of digital keyboards ...................................................43 Looking At What s Important for the Beginner ..........................................45 Playing Well With Others and Alone ...........................................................46 Going solo .............................................................................................47 Accompanying vocalists .....................................................................47 Performing classical music with others ............................................48 Jamming in a pop, rock, or jazz band ................................................48 Picking the Perfect Acoustic Piano .............................................................49 Taking location into account ..............................................................49 Getting all the pedals you deserve ....................................................50 Finding good buys and avoiding scams ............................................50 If you ve heard one, you haven t heard them all .............................51 Looking at specific piano brands .......................................................51 Selecting a Digital Keyboard That Lasts .....................................................52 Digital pianos and organs ...................................................................53 Arrangers ..............................................................................................53 Stage pianos ..........................................................................................53 Workstations ........................................................................................54 Synthesizers .........................................................................................54 Avoiding obsolescence .......................................................................54 Knowing the digital features you want ..............................................55 Browsing some specific keyboard brands ........................................56 Before You Drive It Off the Lot: Sealing the Deal .......................................57 Take it for a spin ..................................................................................57 Love it and leave it ...............................................................................58 Table of Contents (/¡j Never pay the sticker price ................................................................58 Shopping online ...................................................................................59 The MIDI Places You Can Go ........................................................................59 A mini MIDI primer ..............................................................................60 Keyboard to computer ........................................................................60 Keyboard to keyboard ........................................................................61 MIDI and music notation .....................................................................61 Chapter 4: The Setup and Care of Your Instrument ................63 Unboxing Your New Keyboard ....................................................................63 Providing a Good Place to Put It ..................................................................65 Making It Shine ...............................................................................................66 Calling In a Pro for Tuning, Check-Ups, and Serious Repairs ..................67 Tuning pianos: Leave it to the experts ..............................................68 Keeping digital keyboards happy ......................................................69 Dealing with serious problems ..........................................................69 Setting Up Your Keyboard ............................................................................71 Hook Me Up: Keyboard Connections ..........................................................71 Making the electrical connection .......................................................72 Firing up your keyboard .....................................................................72 Working with headphones ..................................................................73 Connecting to external speakers and amps .....................................74 Protecting Your Investment: Care and Upkeep .........................................77 Avoiding temperature extremes ........................................................77 Combating dust with a keyboard cover ............................................77 Cleaning the keys and case .................................................................78 Moving from place to place ................................................................78 Solving Minor Technical Problems .............................................................79 Chapter 5: Getting Comfy at the Keyboard ........................81 Blake s E-Z Key Finder ...................................................................................81 The white keys .....................................................................................82 The black keys — sharps and flats ....................................................84 What Your Parents Never Told You About Posture .................................85 To sit or not to sit ................................................................................85 Chairs versus benches ........................................................................86 Stands and racks ..................................................................................89 It s All in the Hands .......................................................................................90 Arch those hands and fingers ............................................................90 Fingering ...............................................................................................91 When to give your hands and fingers a rest .....................................92 Pedal Power: Getting Your Feet in on the Action ......................................93 Piano pedals .........................................................................................93 Digital keyboard pedals ......................................................................94 é * * y Hi Piano & Keyboard All-in-One For Dummies Book II: Understanding Theory and the Language of Music........................ ........................ 97 Chapter 1: Looking at Notes and Beats ..........................99 Meeting the Beat ..........................................................................................100 Recognizing Notes and Note Values ..........................................................101 Examining the notes and their components ..................................101 Looking at note values ......................................................................103 Whole notes ........................................................................................103 Half notes ............................................................................................104 Quarter notes .....................................................................................104 Eighth notes and beyond ..................................................................105 Extending Notes with Dots and Ties .........................................................106 Using dots to increase a note s value ..............................................106 Adding notes together with ties .......................................................107 Mixing All the Note Values Together ........................................................107 Chapter 2: Stopping for a Rest .................................109 Getting to Know the Rests ..........................................................................109 Whole and half rests ..........................................................................110 Quarter and eighth rests and beyond ............................................. Ill Dotted rests ........................................................................................113 Practicing Beats with Notes and Rests .....................................................113 Chapter 3: Tempo, Measures, and Time Signatures ..............115 Playing Fast and Slow: Tempo ...................................................................115 Grouping Beats into Measures ...................................................................116 Counting Out Common Time Signatures ..................................................118 Common time: 4/4 meter ..................................................................119 Waltz time: 3/4 meter ........................................................................120 March time: 2/4 meter .......................................................................121 6/8 time ................................................................................................122 Chapter 4: Navigating Sheet Music ............................125 Meeting the Staff, Clefs, and Notes ............................................................125 The treble clef ....................................................................................126 The bass clef .......................................................................................127 The grand staff and ledger lines ......................................................127 Climbing beyond the staff .................................................................129 An octave above, an octave below ..................................................129 Identifying Half Steps, Whole Steps, and Accidentals on the Staff ........130 Working with half steps ....................................................................131 Taking whole steps ............................................................................132 Changing pitch with accidentals ......................................................133 Musical Punctuation: Bar Lines .................................................................136 Table of Contents Chapter 5: Varying Beats and Rhythms .........................137 Getting a Jump on the Start: Pickup Beats and Measures ......................137 Adding Time to Your Notes with Ties and Dots ......................................138 Linking notes using ties .....................................................................139 Extending notes using dots ..............................................................139 Playing Offbeat Rhythms ............................................................................142 Triplets love chocolate .....................................................................142 Swing and shuffle time ......................................................................143 Syncopation ........................................................................................145 Playing Songs with Challenging Rhythms ................................................146 Book III: Beginning to №#,.„.«..„..„.„.«..„.«.„.«..«... 153 Chapter 1: Playing a Melody ..................................155 Let Your Fingers Do the Walking ...............................................................155 Positions, Everyone! ....................................................................................156 С position ............................................................................................157 G position ............................................................................................161 Shifting your hand position as you play .........................................163 Cross Your Fingers and Hope It Works .....................................................163 Crossing over your thumb ................................................................164 Passing your thumb under ...............................................................165 Playing Melodies in the Right Hand ..........................................................166 Chapter 2: Working with Scales ...............................171 Building a Scale, Step-by-Step ....................................................................172 Introducing Major Scales ............................................................................173 Understanding major scales .............................................................173 Why sharps and flats are involved ..................................................174 Major scale degrees ...........................................................................176 Trying a major scale exercise ...........................................................177 Introducing Minor Scales ............................................................................177 Natural minor scales .........................................................................178 Harmonic minor scales .....................................................................180 Melodic minor scales ....................................;...................................180 Trying minor scale exercises ...........................................................181 Checking Out Blues Scales .........................................................................182 Playing Songs Made of Scales ....................................................................184 Chapter 3: Adding the Left Hand ...............................187 Exploring the Keyboard s West Side .........................................................187 Moving into position .........................................................................188 Getting used to the new neighborhood ..........................................188 Left-Hand Melodies ......................................................................................190 Piano & Keyboard Ail-In-One For Dummies South-Paw Scales .........................................................................................192 C, G, and F major ................................................................................192 A, E, and D natural minor ..................................................................193 A harmonic and melodic minor .......................................................193 Accompaniment Patterns ...........................................................................194 Three-note patterns ...........................................................................194 Four-note patterns .............................................................................196 Adding the Left Hand to the Right Hand ...................................................198 Sharing the melody in both hands ...................................................199 Melody plus one note ........................................................................200 Melody plus three-note accompaniment pattern ................................200 Melody in unison octaves .................................................................201 Playing Songs with Both Hands .................................................................203 Chapter 4: Examining Form: Melody, Harmony, and Song Form .....209 Shaping the Melody .....................................................................................210 Measuring Melodic Intervals ......................................................................212 Interval shorthand .............................................................................213 Seconds ...............................................................................................214 Thirds ..................................................................................................215 Fourths and fifths ...............................................................................217 Sixths and sevenths ...........................................................................219 Octaves ................................................................................................220 Combining Notes for Harmonic Intervals .................................................220 Playing two notes together ...............................................................221 Adding intervals to the melody ........................................................221 Harmonizing with the left hand ........................................................223 Working with Musical Phrases and Periods .............................................225 Linking Musical Parts to Create Forms .....................................................226 One-part form (A) ..............................................................................227 Binary form (AB)................................................................................227 Three-part form (ABA) ......................................................................227 Arch form (ABCBA) ...........................................................................228 Playing Songs with More Harmony ...........................................................228 Chapter 5: Keys, Key Signatures, and the Circle of Fifths ..........235 Home Sweet Home Key ...............................................................................235 A whole ring of keys ..........................................................................236 Using keys to play music ..................................................................238 Reading key signatures .....................................................................238 The Circle of Fifths ......................................................................................240 Key signatures with sharps ..............................................................241 Key signatures with flats ...................................................................242 Leaving and returning to the home key ..........................................243 Finding minor key signatures and relative minors .......................244 Table of Contents Reviewing All the Key Signatures ..............................................................245 С major and A natural minor ............................................................246 G major and E natural minor ............................................................246 D major and В natural minor ............................................................247 A major and F sharp natural minor .................................................248 E major and С sharp natural minor .................................................248 B/C flat major and G sharp/A flat natural minor ............................249 F sharp/G flat major and D sharp/E flat natural minor .................250 С sharp major/D flat and A sharp/B flat natural minor .................251 A flat major and F natural minor ......................................................251 E flat major and С natural minor ......................................................252 В flat major and G natural minor .....................................................252 F major and D natural minor ............................................................253 Playing Songs with Key Signatures ............................................................253 Chapter 6: Building Chords to Accompany Melodies .............257 The Anatomy of a Triad ..............................................................................258 Starting Out with Major Chords .................................................................259 Branching Out with Minor Chords ............................................................260 Exploring Other Types of Chords ..............................................................260 Tweaking the fifth: Augmented and diminished chords ...............261 Waiting for resolution: Suspended chords .....................................262 Adding the Seventh for Four-Note Chords ...............................................264 Reading Chord Symbols ..............................................................................265 Relating Chords to a Scale or Key Signature ............................................268 Recognizing the major scale chord tones .......................................268 Trying a few common chord progressions .....................................269 Rearranging the Order of the Notes: Chord Inversions ..........................270 The three triad inversions ................................................................270 Three-note chords in your left hand ...............................................272 Two-handed chords in a pianistic style ..........................................273 Playing Songs with Chords .........................................................................274 Book W: Refining lour Technique and Exploring Styles ........................................................ 281 Chapter 1: Adding Effects and Flair to Your Piano Playing ........283 Dynamically Speaking .................................................................................283 Starting with basic volume changes ................................................284 Widening the range ............................................................................284 Making gradual shifts in volume ......................................................285 Articulate the Positive ................................................................................286 Interpreting articulation symbols ....................................................286 The power of articulation .................................................................288 Piano & Keyboard All-ln-One For Dummies Control the Tempo...................................................................................... 288 Pedal Power ..................................................................................................289 Using the damper pedal ....................................................................290 Hard facts on soft-pedaling ...............................................................291 The pedal in the middle ....................................................................292 Touching on Grace Notes ...........................................................................292 Just Trillin ....................................................................................................294 Don t Miss the Gliss .....................................................................................295 Trembling Tremolos ....................................................................................297 Dressing Up Your Songs .............................................................................299 Chapter 2: Getting into the Groove ............................ .305 Great Left-Hand Accompaniment Patterns ..............................................305 Fixed and broken chords ..................................................................306 Chord picking .....................................................................................308 Octave hammering .............................................................................308 Bouncy rock patterns ........................................................................310 Melodic bass lines .............................................................................313 Applying Great Intros and Finales .............................................................315 The big entrance ................................................................................317 Exit, stage left .....................................................................................320 Playing Songs with Left-Hand Grooves .....................................................322 Chapter 3: Going Classical ....................................325 Counterpoint as a Classical Revelation ....................................................327 Sussing Out the Sonata ...............................................................................328 Starting with the exposition .............................................................328 Moving on to something new: Development ..................................329 Taking a rest with recapitulation .....................................................330 Rounding Up the Rondo ..............................................................................331 Figuring Out the Fugue ................................................................................332 Combining Forms into a Symphony ..........................................................333 Observing Other Classical Forms ..............................................................334 Concerto ..............................................................................................334 Duet .....................................................................................................335 Etude ....................................................................................................335 Fantasia ...............................................................................................335 Chapter 4: Perusing Popular Genres and Forms ..................337 Feeling the Blues ..........................................................................................337 12-bar blues ........................................................................................338 8-bar blues ..........................................................................................339 16-bar blues ........................................................................................339 24-bar blues ........................................................................................340 32-bar blues ballads and country ....................................................340 л л л Table of Contents Playing the blues ................................................................................341 12-bar ditties .......................................................................................342 Changing it up ....................................................................................343 Having Fun with Rock and Pop ..................................................................344 Playing rock and pop songs ..............................................................346 Pop! Goes the Piano ....................................................................................347 Popular picks ......................................................................................347 Topping the charts ............................................................................347 A Little Bit Country ......................................................................................348 Country-style cooking .......................................................................348 Finger-pickin good ............................................................................349 Improvising with Jazz ..................................................................................350 Jazzing it up. .......................................................................................350 It s up to you .......................................................................................351 Substituting chords ...........................................................................352 Soul Searching ..............................................................................................353 Saving your soul .................................................................................354 Motown sounds ..................................................................................354 Funky sounds goin round ................................................................356 Book V: Exercises: Practice, Practice, Practice.........^ 357 Chapter 1: Developing Hand Technique .........................359 Passing Over and Crossing Under .............................................................359 One under two, two over one ...........................................................360 One under three, three over one .....................................................361 One under four, four over one .........................................................362 Extending scales with crossovers and pass-unders ......................363 Performance piece: Aria from La Cenerentola ...............................366 Playing Intervals ..........................................................................................367 Playing seconds with different finger combinations .....................367 Playing thirds with different finger combinations .........................372 Playing fourths with finger combinations .......................................376 Playing fifths, sixths, and sevenths .................................................378 Performance piece: Take Me Out to the Ballgame .....................381 Playing Chords Without Tension ...............................................................382 Chord relaxation ................................................................................382 Voicing chords ...................................................................................384 Chapter 2: Extending Your Scales ..............................387 The 12 Major, Harmonic Minor, and Melodic Minor Scales ...................387 С major, harmonic minor, melodic minor ......................................388 G major, harmonic minor, melodic minor ......................................389 D major, harmonic minor, melodic minor ......................................390 )C( (/ Piano & Keyboard All-ln-One For Dummies A major, harmonic minor, melodic minor ......................................391 E major, harmonic minor, melodic minor .......................................392 В major, harmonic minor, melodic minor ......................................393 Fft major, harmonic minor, melodic minor .....................................394 Db major, Cţt harmonic minor, Cţt melodic minor ..........................395 Ab major, harmonic minor, melodic minor .....................................396 Eb major, harmonic minor, melodic minor .....................................397 Bb major, harmonic minor, melodic minor .....................................398 F major, harmonic minor, melodic minor .......................................399 The Three Diminished Scales ....................................................................399 Starting on С .......................................................................................400 Starting on Db .........................................................................................400 Starting on D .......................................................................................401 The Chromatic Scale ...................................................................................401 The 12 Blues Scales .....................................................................................402 С blues .................................................................................................402 G blues .................................................................................................402 D blues .................................................................................................402 A blues .................................................................................................403 E blues .................................................................................................403 В blues .................................................................................................403 F(í blues ...............................................................................................404 Db blues ...............................................................................................404 Ab blues ...............................................................................................404 Eb blues ...............................................................................................405 Bb blues ...............................................................................................405 F blues .................................................................................................405 Gaining Greater Command of Scales .........................................................406 Varied articulation .............................................................................406 Varied rhythmic groupings ...............................................................407 Performance Piece: Variations on Twinkle, Twinkle, Little Star ................................................................................................408 Chapter 3: Improving Finger Coordination and Footwork ..........409 Parallel Movement at the Octave ..............................................................409 Parallel octave exercise #1...............................................................410 Parallel octave exercise #2...............................................................411 Parallel Movement at the Interval .............................................................412 Parallel sixths .....................................................................................412 Parallel tenths ....................................................................................413 Contrary Motion Away from the Center ...................................................414 Scalewise motion away from the center .........................................414 Chromatic motion away from the center ........................................415 Contrary Motion Toward the Center ........................................................416 Scalewise motion toward the center ...............................................416 Patterns toward the center ...............................................................417 Table of Contents Combination Movement Exercise ..............................................................418 Performance Piece: Turkey in the Straw ...............................................419 Using the Damper Pedal .............................................................................420 Pedaling Chords ...........................................................................................420 Broken-chord pedaling ......................................................................422 Block-chord pedaling ........................................................................423 Uniform Pedal Changes on One Line .........................................................424 Varied Pedal Changes on One Line ...........................................................425 Pedaling for Effect .......................................................................................426 Sustaining as the Hands Move ...................................................................427 Performance Piece: Simple Gifts ............................................................428 Chapter 4: Jumping Across the Keyboard .......................429 Jumping and Landing Accuracy .................................................................429 Note-to-note jumps ............................................................................430 Note-to-chord jumps ..........................................................................431 Chord-to-chorď jumps .......................................................................432 Accents on the downbeat .................................................................433 Accents on the upbeat ......................................................................434 Jumping with Both Hands Together .........................................................434 Two-hand parallel motion jumps .....................................................435 Two-hand contrary motion jumps ...................................................436 Left-Hand Accompaniment Patterns .........................................................436 Bass note-to-chord pattern in 4/4....................................................437 Bass note-to-chord pattern in 3/4....................................................438 Ragtime and stride pattern ...............................................................439 Waltz pattern ......................................................................................440 Performance Piece: Lily Pad Rag ............................................................441 Chapter 5: Exercising with Arpeggios and Alternating Hands .....443 Finger Jumps ................................................................................................443 Jumping thirds ...................................................................................444 Jumping fourths .................................................................................445 Jumping fifths .....................................................................................446 The Arpeggiator ...........................................................................................446 Triad arpeggio exercise #1...............................................................447 Triad arpeggio exercise #2...............................................................448 Seventh-chord arpeggio exercise ....................................................449 Broken Chords .............................................................................................449 Alberti bass exercise .........................................................................450 Guitar-style broken chord exercise .................................................451 Blues-style broken chord exercise ..................................................452 Octave, extended broken chord exercise .......................................453 Performance Piece: Harp Heaven ...........................................................454 Piano & Keyboard All-in-One For Dummies Playing with Alternating Hands: Hand-to-Hand Scale Handoffs.............456 Scale handoff exercise #1..................................................................456 Scale handoff exercise #2..................................................................458 Arpeggio handoff exercise #1...........................................................459 Arpeggio handoff exercise #2...........................................................460 Crossing over with the right hand ...................................................461 Crossing over with the left hand ......................................................462 Chapter 6: Stepping Up to Octaves and Chord Progressions .......463 Opening Up to the Octave ..........................................................................463 Octave scale exercise ........................................................................464 Octave interval exercise ...................................................................465 Octave Jumps ...............................................................................................466 Exercise with shorter jumps ............................................................466 Exercise with longer jumps ..............................................................467 Broken octave exercise with wrist rotation ...................................468 Broken octave exercise with hand contraction and expansion .................................................................................469 Octave Chords .............................................................................................470 Adding one inner note .......................................................................470 Adding two inner notes .....................................................................471 Performance Piece: Schumann s Octave Workout ...............................472 Seventh Chord Progressions ......................................................................473 Seventh chord progressions exercise #1........................................473 Seventh chord progressions exercise #2........................................474 Chord Cadences, Familiar Patterns ...........................................................475 Extended Chord Progressions ...................................................................477 Extended major-key chord progression .........................................477 Extended minor-key chord progression .........................................478 Book Vi: Exploring Electronic Keyboard Technology ..... Ą79 Chapter 1: Choosing Sounds and Effects ........................481 First Things First: Understanding Some Important Terminology .........482 A sound by any other name: Recognizing the various terms ......482 MIDI: Defining GM/GM2 .....................................................................484 Knowing and Using Effects: ........................................................................485 Meeting the Main Types of Effects ............................................................486 Reverb .................................................................................................486 Delay ....................................................................................................488 Chorus/flanging/phase shifting ........................................................488 EQ .........................................................................................................490 Distortion ............................................................................................492 Rotary speaker ...................................................................................493 Table of Contents Jftf¡¡ Filter .....................................................................................................493 Wah-wah and auto-wah .....................................................................494 Choosing Effects for Each Type Of Sound ................................................495 Piano-type and synth sounds ...........................................................495 Guitar sounds .....................................................................................497 Other sounds ......................................................................................497 Chapter 2: Adding Accompaniment Rhythm Patterns, and tion ................................................499 Getting Your Groove On: Working with Onboard Drum Rhythms ........500 Selecting a drum pattern ...................................................................501 Starting the pattern playing ..............................................................504 Digging into natural drum fills ..........................................................505 Incorporating intros ..........................................................................506 Playing with Accompaniment ....................................................................506 How auto-accompaniment works ....................................................507 Starting a pattern playing .................................................................507 Breaking down an accompaniment pattern ...................................508 Feeding the band the chord changes: Chord triggering ...............509 Mixing the sound of the band ...........................................................512 Letting the Keyboard Make the Choices for You ....................................514 Taking advantage of one-touch settings .........................................514 Diving into the music database ........................................................515 Using Some Fancy Extras ............................................................................516 Adding harmony to your melodies ..................................................516 Hitting the chord pads ......................................................................517 Exploring Arpeggiation ...............................................................................517 Looking at some arp examples .........................................................518 Exploring More Arpeggiator Features .......................................................520 Extending the range ...........................................................................520 Changing the timing/speed ...............................................................520 Getting into the swing of things .......................................................521 Making the notes shorter/longer .....................................................521 Hearing the notes being held along with the arp ...........................521 Keeping the arp playing without holding the keys ........................522 Adding variety with different patterns ............................................522 Trying Out Some Different Sounds: Matching Sounds and Arp Patterns ......522 Adding Fun Sound and Effects Tweaks .....................................................523 Chapter 3: Recording and Editing Your Sounds ..................525 Audio Recording versus MIDI Recording .................................................526 Recording with analog and digital audio ........................................526 Making sense of MIDI recording .......................................................529 Capturing What You Hear As It Happens: One-Pass Recording ............530 Tackling audio recording in one pass .............................................531 Grabbing a one pass MIDI recording ...............................................532 і л * Kvílí Piano & Keyboard All-in-One For Dummies Recording Multitrack MIDI .........................................................................533 Setting up your session .....................................................................533 Recording the first track ...................................................................535 Adding more tracks ...........................................................................535 Refining Your MIDI Recordings ..................................................................536 Fixing small mistakes .........................................................................536 Mixing your MIDI song ......................................................................540 Trying Some Common Sound Edits ...........................................................542 Varying the basic timbre (waveform) .............................................543 Changing the brightness (filter) .......................................................545 Adjusting the amp parameters (volume over time) ......................546 Personalizing the touch response of a sound ................................547 Getting Your Song out of the Keyboard and into the World ..................549 Chapter 4: Using Onboard Learning Systems ....................551 Working with Built-in Songs .......................................................................551 Selecting a song ..................................................................................552 Slowing down the tempo ...................................................................553 Turning off one of the parts (RH or LH) ..........................................554 Repeating small sections ..................................................................554 Introducing Casio s Step-up Lesson System ............................................555 Following the steps: Listen, watch, and remember .......................555 Getting started: Picking what to work on .......................................556 Lesson 1: Listening and letting the teacher show you how .........557 Lesson 2: Playing and watching the display for guidance ............559 Lesson 3: Progressing from watch to remember ...........................559 Turning off some of the helpers .......................................................560 Playing the whole song yourself ......................................................562 Exploring Yamaha s Educational Suite Lesson System ..........................562 Following the steps: Listening, waiting, your tempo, and minus one ................................................................................563 Starting off by deciding what to work on ........................................564 Chapter 5: Playing Along with Recordings and Using Music Software .............................................565 Exploring the Advantages of Playing Along .............................................566 Connecting an Audio Device to Your Keyboard to Hear Both Together .................................................................................567 Finding a line input and getting connected ....................................567 No input? No worries: Moving forward with a mixer ....................569 Getting in Tune ............................................................................................570 Figuring Out a Song You Don t Know ........................................................571 Training your ear by trial and error ................................................571 Listening to a phrase to learn it .......................................................572 Using your computer to help ...........................................................573 Table of Contents The Computer Connection: Using Software to Enhance Your Music-Making ............................................................................................575 How MIDI works: Explaining common MIDI messages ..................575 Examining MIDI ports ........................................................................577 Connecting Your Keyboard to Your Computer .......................................578 Using a direct USB connection .........................................................579 Utilizing a MIDI interface ...................................................................579 Working with drivers and plug-and-play .........................................581 Hooking Up to Your iPad ............................................................................584 Exploring Popular Types of Music Software ............................................585 Sequencer/MIDI recorder .................................................................585 Educational/learning software .........................................................587 Music notation software ...................................................................588 Digital sheet music ............................................................................589 Additional instruments/sounds .......................................................589 Appendix: Accessing the Audio Tracks.. ...................... 593 Index .......................................................................601
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spellingShingle	Piano & keyboard all-in-one for dummies Piano Instruction and study Electronic keyboard (Synthesizer) Instruction and study Music theory Elementary works Klavierspiel (DE-588)4030996-4 gnd Keyboardspiel (DE-588)4332223-2 gnd
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title	Piano & keyboard all-in-one for dummies
title_alt	Piano and keyboard all-in-one for dummies
title_auth	Piano & keyboard all-in-one for dummies
title_exact_search	Piano & keyboard all-in-one for dummies
title_full	Piano & keyboard all-in-one for dummies by Holly Day, Jerry Kovarsky, Blake Neely, David Pearl, and Michael Pilhofer
title_fullStr	Piano & keyboard all-in-one for dummies by Holly Day, Jerry Kovarsky, Blake Neely, David Pearl, and Michael Pilhofer
title_full_unstemmed	Piano & keyboard all-in-one for dummies by Holly Day, Jerry Kovarsky, Blake Neely, David Pearl, and Michael Pilhofer
title_short	Piano & keyboard all-in-one for dummies
title_sort	piano keyboard all in one for dummies
topic	Piano Instruction and study Electronic keyboard (Synthesizer) Instruction and study Music theory Elementary works Klavierspiel (DE-588)4030996-4 gnd Keyboardspiel (DE-588)4332223-2 gnd
topic_facet	Piano Instruction and study Electronic keyboard (Synthesizer) Instruction and study Music theory Elementary works Klavierspiel Keyboardspiel Einführung
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