The Oxford handbook of dance and theater:
The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
2015
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| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning. Nadine George-Graves is Professor of Theater and Dance at the University of California, San Diego. She is the author of "The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900-1940" (2000) and "Urban Bush Women: Twenty Years of Dance Theater, Community Engagement and Working It Out" (2010) as well as numerous articles on American theater and dance. |
| Beschreibung: | 0-19-991749-3 |
| Beschreibung: | XXVI, 1021 Seiten Illustrationen 26 cm |
| ISBN: | 9780199917495 |
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| 505 | 8 | |a Magnetic fields : too dance for theater, too theater for dance / Nadine George-Graves -- Section I: In theory/in practice. Split intimacies : corporeality in contemporary theater and dance / Ann Cooper Albright -- Negotiating theatrics : dialogues of the working man / Anita Gonzalez -- How do I touch this text? : or, The interdisciplines between dance and theater in early modern archives / VK Preston -- Dance dramaturgy : definitions, perspectives, projections / Ray Miller -- Some fleshy thinking : improvisation, experience, perception / Vida L. Midgelow -- Section II: Genus (part 1). Fleshing out : physical theater, postmodern dance, and som[e]agency / Maiya Murphy -- Dance in musical theater / Liza Gennaro and Stacy Wolf -- Dance and theater : looking at television's deployment of theatricality through dance / Colleen Dunagan -- Why not 'improv everywhere'? / Susan Leigh Foster -- Section III: Genus (part 2). A theater of bodily presence : Pina Bausch and Tanztheater Wuppertal / Royd Climenhaga -- The total theater aesthetic paradigm in African theater / Praise Zenenga -- Jean Gascon's theatricalist approach to Molière and Shakespeare / Jane Baldwin -- Dancing drama : ancient Greek theater in modern shoes and shows / Marianne McDonald -- Section IV: Historiographical presence and absence. The Post Natyam Collective : innovating Indian dance and theater via Abhinaya and multimedia / Ketu H. Katrak -- Persistent pagans : dancing for Dionysos in the year of years / Odai Johnson -- A witch in the Morris : hobbyhorse tricks and early modern erotic transformations / Erika T. Lin -- Designed bodies : a historiographical study of costume design and Asian American theater / Esther Kim Lee -- Moving American history : an examination of works by Ken Burns and Bill T. Jones / Ann Dils -- | |
| 505 | 8 | |a Section V: Place, space, and landscape. From landscape to climatescape in contemporary dance-theater : Meredith Monk, the Wooster Group, and the TEAM / Amy Strahler Holzapfel -- Colonial theatrics in Canada : managing Blackfoot dance during Western expansionism / Lisa Doolittle and Anne Flynn -- A slip on the cables : touristic rituals and landscape performance in Yosemite National Park / Sally Ann Ness -- Orientations as materializations : the Love Art Laboratory's Eco-sexual blue wedding to the sea / Michael J. Morris -- Section VI: Affect, somatics, and cognition. Social somatics and community performance : touching presence in public / Petra Kuppers -- Bodied forth : a cognitive scientific approach to performance analysis / Amy Cook -- Images of love and power : Butoh, Bausch, and Streb / Sondra Horton Fraleigh -- Thoughts on the discursive imagery of Robert Lepage's theater / Darcey Callison -- Section VII: Unruly bodies. A slender pivot : empathy, public space, and the choreographic imperative / Patrick Anderson -- Conjuring magic as survival : hip-hop theater and dance / Halifu Osumare -- Notorious Jeffrey Hudson : the 'court wonder' of the Caroline masques (1626-1640) / Thomas Postlewait -- 'What do women want, my God, what do they want?' : mimesis, fantasy and female sexuality in Ann Liv Young's Michael / Krista K. Miranda -- Section VIII: Biopolitics. Dance your opera, mime your words : (mis)translate the Chinese body on the international stage / Daphne P. Lei -- El Güegüence, post-Sandinista Nicaragua, and the resistant politics of dancing / E.J. Westlake -- From Soberao to stage : Afro-Puerto Rican Bomba and the speaking body / Jade Y. Power Sotomayor -- Lindy hop, community, and the isolation of appropriation / William Given -- | |
| 505 | 8 | |a Section IX: National scales and mass movements. Russian mass spectacle and the Bolshevik regime / Sandy Peterson -- Movement choirs and the Nazi Olympics / Marie C. Percy -- Talchum : an embodied inquiry / J.L. Murdoch -- Circus echoes : dancing the human-equine relationship under the millennial big top / Kim Marra -- Capital city camp : gay Carnival and capitalist display / Neal Hebert -- Section X: Infection. Borrowed crowds : the Living Theatre's contagious revolution / Miriam Felton-Dansky -- The Salome epidemic : degeneracy, disease, and race suicide / Marlis Schweitzer -- Choreographing a cause : Broadway bares as philanthroproduction and embodied index to changing attitudes toward HIV/AIDS / Virginia Anderson -- Dance and the plague : epidemic choreomania and Artaud / Michael Lueger | |
| 520 | |a The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning. | ||
| 520 | |a Nadine George-Graves is Professor of Theater and Dance at the University of California, San Diego. She is the author of "The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900-1940" (2000) and "Urban Bush Women: Twenty Years of Dance Theater, Community Engagement and Working It Out" (2010) as well as numerous articles on American theater and dance. | ||
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Datensatz im Suchindex
| _version_ | 1804153292736954368 |
|---|---|
| adam_text | to contemporary flash mobs and television
dance contests. Ideologically, the essays
investigate critical race theory, affect theory,
cognitive science» historiography, dance
Contents
Acknowledgments xm
Contributors xv
About the Companion Website xxvii
1. Magnetic Fields: Too Dance for Theater, Too Theater for Dance 1
Nadine George-Graves
SECTION I IN THEORY/IN PRACTICE
2. Split Intimacies: Corporeality in Contemporary Theater and Dance 19
Ann Cooper Albright
3. Negotiating Theatrics: Dialogues of the Working Man 35
Anita Gonzalez
4. How do I touch this text?: Or, The Interdisciplines Between:
Dance and Theater in Early Modern Archives 56
VK Preston
5. Dance Dramaturgy: Definitions, Perspectives, Projections 90
Ray Miller
6. Some Fleshy Thinking: Improvisation, Experience, Perception 109
Vida L. Midgelow
SECTION II GENUS (PART 1)
7. Fleshing Out: Physical Theater, Postmodern Dance,
andSom[e]agency 125
Maiya Murphy
8. Dance in Musical Theater
Liza Gennaro and Stacy Wolf
148
viii
CONTENTS
9. Dance and Theater: Looking at Televisions Deployment
of Theatricality through Dance 169
Colleen Dunagan
10. Why Not Tmprov Everywhere’? 196
Susan Leigh Foster
SECTION III GENUS (PART 2)
11. A Theater of Bodily Presence: Pina Bausch
and Tanztheater Wuppertal 213
Royd Climenhaga
12. The Total Theater Aesthetic Paradigm in African Theater 236
Praise Zenenga
13. Jean Gascon’s Theatricalist Approach to Molière
and Shakespeare 252
Jane Baldwin
14. Dancing Drama: Ancient Greek Theater in Modern
Shoes and Shows 279
Marianne McDonald
SECTION IV HISTORIOGRAPHICAL
PRESENCE AND ABSENCE
15. The Post Natyam Collective: Innovating Indian Dance
and Theater via Abhinaya and Multimedia 303
Ketu H. Katrak
16. Persistent Pagans: Dancing for Dionysos in the Year of Years 326
Odai Johnson
17. A Witch in the Morris: Hobbyhorse Tricks and Early Modern
Erotic Transformations 335
Erika T. Lin
18. Designed Bodies: A Historiographical Study of Costume
Design and Asian American Theater 362
Esther Kim Lee
CONTENTS IX
19. Moving American History: An Examination of Works
by Ken Burns and Bill T. Jones 380
Ann Dils
SECTION V PLACE, SPACE, AND LANDSCAPE
20. From Landscape to Climatescape in Contemporary
Dance-Theater: Meredith Monk, The Wooster Group,
and The TEAM 401
Amy Strahler Holzapfel
21. Colonial Theatrics in Canada: Managing Blackfoot
Dance during Western Expansionism 429
Lisa Doolittle and Anne Flynn
22. A Slip on the Cables: Touristic Rituals and Landscape
Performance in Yosemite National Park 452
Sally Ann Ness
23. Orientations as Materializations: The Love Art Laboratory’s
Eco-Sexual Blue Wedding to the Sea 480
Michael J. Morris
SECTION VI AFFECT, SOMATICS,
AND COGNITION
24. Social Somatics and Community Performance: Touching
Presence in Public 507
Petra Kuppers
25. Bodied Forth: A Cognitive Scientific Approach
to Performance Analysis 523
Amy Cook
26. Images of Love and Power: Butoh, Bausch, and Streb 545
Sondra Horton Fraleigh
27. Thoughts on the Discursive Imagery of Robert Lepage’s Theater
Darcey Callison
576
X
CONTENTS
SECTION VII UNRULY BODIES
28. A Slender Pivot: Empathy, Public Space, and the
Choreographic Imperative 59*
Patrick Anderson
29. Conjuring Magic as Survival: Hip-Hop Theater and Dance 604
Halifu Osumare
30. Notorious Jeffrey Hudson: The ‘Court Wonder’ of the
Caroline Masques (1626-1640) 624
Thomas Postlewait
31. ‘What Do Women Want, My God, What Do They Want?’:
Mimesis, Fantasy, and Female Sexuality in Ann Liv
Young’s Michael 646
Krista K. Miranda
SECTION VIII BIOPOLITICS
32. Dance Your Opera, Mime Your Words: (Mis)translate the
Chinese Body on the International Stage 669
Daphne P. Lei
33. El Giiegiiettce, post-Sandinista Nicaragua, and the Resistant
Politics of Dancing 691
E. J. Westlake
34. From Soberao to Stage: Afro-Puerto Rican Bomba and the
Speaking Body 706
Jade Y. Power Sotomayor
35. Lindy Hop, Community, and the Isolation of Appropriation 729
William Given
SECTION IX NATIONAL SCALES
AND MASS MOVEMENTS
36. Russian Mass Spectacle and the Bolshevik Regime 753
Sandy Peterson
37. Movement Choirs and the Nazi Olympics 775
Marie C. Percy
CONTENTS ХІ
38. Talchum: An Embodied Inquiry 794
J. L. Murdoch
39. Circus Echoes: Dancing the Human-Equine Relationship
under the Millennial Big Top 813
Kim Marra
40. Capital City Camp: Gay Carnival and Capitalist Display 840
Neal Hebert
SECTION X INFECTION
41. Borrowed Crowds: The Living Theatres Contagious Revolution 867
Miriam Felton-Dansky
42. The Salome Epidemic: Degeneracy, Disease, and Race Suicide 890
Marlis Schweitzer
43. Choreographing a Cause: Broadway Bares as
Philanthroproduction and Embodied Index to Changing
Attitudes toward HIV/AIDS 922
Virginia Anderson
44. Dance and the Plague: Epidemic Choreomania and Artaud 948
Michael Lueger
Index
965
|
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| contents | Magnetic fields : too dance for theater, too theater for dance / Nadine George-Graves -- Section I: In theory/in practice. Split intimacies : corporeality in contemporary theater and dance / Ann Cooper Albright -- Negotiating theatrics : dialogues of the working man / Anita Gonzalez -- How do I touch this text? : or, The interdisciplines between dance and theater in early modern archives / VK Preston -- Dance dramaturgy : definitions, perspectives, projections / Ray Miller -- Some fleshy thinking : improvisation, experience, perception / Vida L. Midgelow -- Section II: Genus (part 1). Fleshing out : physical theater, postmodern dance, and som[e]agency / Maiya Murphy -- Dance in musical theater / Liza Gennaro and Stacy Wolf -- Dance and theater : looking at television's deployment of theatricality through dance / Colleen Dunagan -- Why not 'improv everywhere'? / Susan Leigh Foster -- Section III: Genus (part 2). A theater of bodily presence : Pina Bausch and Tanztheater Wuppertal / Royd Climenhaga -- The total theater aesthetic paradigm in African theater / Praise Zenenga -- Jean Gascon's theatricalist approach to Molière and Shakespeare / Jane Baldwin -- Dancing drama : ancient Greek theater in modern shoes and shows / Marianne McDonald -- Section IV: Historiographical presence and absence. The Post Natyam Collective : innovating Indian dance and theater via Abhinaya and multimedia / Ketu H. Katrak -- Persistent pagans : dancing for Dionysos in the year of years / Odai Johnson -- A witch in the Morris : hobbyhorse tricks and early modern erotic transformations / Erika T. Lin -- Designed bodies : a historiographical study of costume design and Asian American theater / Esther Kim Lee -- Moving American history : an examination of works by Ken Burns and Bill T. Jones / Ann Dils -- Section V: Place, space, and landscape. From landscape to climatescape in contemporary dance-theater : Meredith Monk, the Wooster Group, and the TEAM / Amy Strahler Holzapfel -- Colonial theatrics in Canada : managing Blackfoot dance during Western expansionism / Lisa Doolittle and Anne Flynn -- A slip on the cables : touristic rituals and landscape performance in Yosemite National Park / Sally Ann Ness -- Orientations as materializations : the Love Art Laboratory's Eco-sexual blue wedding to the sea / Michael J. Morris -- Section VI: Affect, somatics, and cognition. Social somatics and community performance : touching presence in public / Petra Kuppers -- Bodied forth : a cognitive scientific approach to performance analysis / Amy Cook -- Images of love and power : Butoh, Bausch, and Streb / Sondra Horton Fraleigh -- Thoughts on the discursive imagery of Robert Lepage's theater / Darcey Callison -- Section VII: Unruly bodies. A slender pivot : empathy, public space, and the choreographic imperative / Patrick Anderson -- Conjuring magic as survival : hip-hop theater and dance / Halifu Osumare -- Notorious Jeffrey Hudson : the 'court wonder' of the Caroline masques (1626-1640) / Thomas Postlewait -- 'What do women want, my God, what do they want?' : mimesis, fantasy and female sexuality in Ann Liv Young's Michael / Krista K. Miranda -- Section VIII: Biopolitics. Dance your opera, mime your words : (mis)translate the Chinese body on the international stage / Daphne P. Lei -- El Güegüence, post-Sandinista Nicaragua, and the resistant politics of dancing / E.J. Westlake -- From Soberao to stage : Afro-Puerto Rican Bomba and the speaking body / Jade Y. Power Sotomayor -- Lindy hop, community, and the isolation of appropriation / William Given -- Section IX: National scales and mass movements. Russian mass spectacle and the Bolshevik regime / Sandy Peterson -- Movement choirs and the Nazi Olympics / Marie C. Percy -- Talchum : an embodied inquiry / J.L. Murdoch -- Circus echoes : dancing the human-equine relationship under the millennial big top / Kim Marra -- Capital city camp : gay Carnival and capitalist display / Neal Hebert -- Section X: Infection. Borrowed crowds : the Living Theatre's contagious revolution / Miriam Felton-Dansky -- The Salome epidemic : degeneracy, disease, and race suicide / Marlis Schweitzer -- Choreographing a cause : Broadway bares as philanthroproduction and embodied index to changing attitudes toward HIV/AIDS / Virginia Anderson -- Dance and the plague : epidemic choreomania and Artaud / Michael Lueger |
| ctrlnum | (OCoLC)915653266 (DE-599)BVBBV042532591 |
| dewey-full | 790.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 790 - Recreational and performing arts |
| dewey-raw | 790.2 |
| dewey-search | 790.2 |
| dewey-sort | 3790.2 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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A theater of bodily presence : Pina Bausch and Tanztheater Wuppertal / Royd Climenhaga -- The total theater aesthetic paradigm in African theater / Praise Zenenga -- Jean Gascon's theatricalist approach to Molière and Shakespeare / Jane Baldwin -- Dancing drama : ancient Greek theater in modern shoes and shows / Marianne McDonald -- Section IV: Historiographical presence and absence. The Post Natyam Collective : innovating Indian dance and theater via Abhinaya and multimedia / Ketu H. Katrak -- Persistent pagans : dancing for Dionysos in the year of years / Odai Johnson -- A witch in the Morris : hobbyhorse tricks and early modern erotic transformations / Erika T. Lin -- Designed bodies : a historiographical study of costume design and Asian American theater / Esther Kim Lee -- Moving American history : an examination of works by Ken Burns and Bill T. Jones / Ann Dils --</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Section V: Place, space, and landscape. From landscape to climatescape in contemporary dance-theater : Meredith Monk, the Wooster Group, and the TEAM / Amy Strahler Holzapfel -- Colonial theatrics in Canada : managing Blackfoot dance during Western expansionism / Lisa Doolittle and Anne Flynn -- A slip on the cables : touristic rituals and landscape performance in Yosemite National Park / Sally Ann Ness -- Orientations as materializations : the Love Art Laboratory's Eco-sexual blue wedding to the sea / Michael J. Morris -- Section VI: Affect, somatics, and cognition. Social somatics and community performance : touching presence in public / Petra Kuppers -- Bodied forth : a cognitive scientific approach to performance analysis / Amy Cook -- Images of love and power : Butoh, Bausch, and Streb / Sondra Horton Fraleigh -- Thoughts on the discursive imagery of Robert Lepage's theater / Darcey Callison -- Section VII: Unruly bodies. A slender pivot : empathy, public space, and the choreographic imperative / Patrick Anderson -- Conjuring magic as survival : hip-hop theater and dance / Halifu Osumare -- Notorious Jeffrey Hudson : the 'court wonder' of the Caroline masques (1626-1640) / Thomas Postlewait -- 'What do women want, my God, what do they want?' : mimesis, fantasy and female sexuality in Ann Liv Young's Michael / Krista K. Miranda -- Section VIII: Biopolitics. Dance your opera, mime your words : (mis)translate the Chinese body on the international stage / Daphne P. Lei -- El Güegüence, post-Sandinista Nicaragua, and the resistant politics of dancing / E.J. Westlake -- From Soberao to stage : Afro-Puerto Rican Bomba and the speaking body / Jade Y. Power Sotomayor -- Lindy hop, community, and the isolation of appropriation / William Given --</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Section IX: National scales and mass movements. Russian mass spectacle and the Bolshevik regime / Sandy Peterson -- Movement choirs and the Nazi Olympics / Marie C. Percy -- Talchum : an embodied inquiry / J.L. Murdoch -- Circus echoes : dancing the human-equine relationship under the millennial big top / Kim Marra -- Capital city camp : gay Carnival and capitalist display / Neal Hebert -- Section X: Infection. Borrowed crowds : the Living Theatre's contagious revolution / Miriam Felton-Dansky -- The Salome epidemic : degeneracy, disease, and race suicide / Marlis Schweitzer -- Choreographing a cause : Broadway bares as philanthroproduction and embodied index to changing attitudes toward HIV/AIDS / Virginia Anderson -- Dance and the plague : epidemic choreomania and Artaud / Michael Lueger</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. 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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV042532591 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:24:18Z |
| institution | BVB |
| isbn | 9780199917495 |
| language | English |
| lccn | 014046000 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027966779 |
| oclc_num | 915653266 |
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| owner_facet | DE-11 DE-703 DE-355 DE-BY-UBR DE-12 DE-19 DE-BY-UBM DE-739 |
| physical | XXVI, 1021 Seiten Illustrationen 26 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | The Oxford handbook of dance and theater edited by Nadine George-Graves Dance and theatre New York, NY Oxford University Press 2015 XXVI, 1021 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier 0-19-991749-3 Magnetic fields : too dance for theater, too theater for dance / Nadine George-Graves -- Section I: In theory/in practice. Split intimacies : corporeality in contemporary theater and dance / Ann Cooper Albright -- Negotiating theatrics : dialogues of the working man / Anita Gonzalez -- How do I touch this text? : or, The interdisciplines between dance and theater in early modern archives / VK Preston -- Dance dramaturgy : definitions, perspectives, projections / Ray Miller -- Some fleshy thinking : improvisation, experience, perception / Vida L. Midgelow -- Section II: Genus (part 1). Fleshing out : physical theater, postmodern dance, and som[e]agency / Maiya Murphy -- Dance in musical theater / Liza Gennaro and Stacy Wolf -- Dance and theater : looking at television's deployment of theatricality through dance / Colleen Dunagan -- Why not 'improv everywhere'? / Susan Leigh Foster -- Section III: Genus (part 2). A theater of bodily presence : Pina Bausch and Tanztheater Wuppertal / Royd Climenhaga -- The total theater aesthetic paradigm in African theater / Praise Zenenga -- Jean Gascon's theatricalist approach to Molière and Shakespeare / Jane Baldwin -- Dancing drama : ancient Greek theater in modern shoes and shows / Marianne McDonald -- Section IV: Historiographical presence and absence. The Post Natyam Collective : innovating Indian dance and theater via Abhinaya and multimedia / Ketu H. Katrak -- Persistent pagans : dancing for Dionysos in the year of years / Odai Johnson -- A witch in the Morris : hobbyhorse tricks and early modern erotic transformations / Erika T. Lin -- Designed bodies : a historiographical study of costume design and Asian American theater / Esther Kim Lee -- Moving American history : an examination of works by Ken Burns and Bill T. Jones / Ann Dils -- Section V: Place, space, and landscape. From landscape to climatescape in contemporary dance-theater : Meredith Monk, the Wooster Group, and the TEAM / Amy Strahler Holzapfel -- Colonial theatrics in Canada : managing Blackfoot dance during Western expansionism / Lisa Doolittle and Anne Flynn -- A slip on the cables : touristic rituals and landscape performance in Yosemite National Park / Sally Ann Ness -- Orientations as materializations : the Love Art Laboratory's Eco-sexual blue wedding to the sea / Michael J. Morris -- Section VI: Affect, somatics, and cognition. Social somatics and community performance : touching presence in public / Petra Kuppers -- Bodied forth : a cognitive scientific approach to performance analysis / Amy Cook -- Images of love and power : Butoh, Bausch, and Streb / Sondra Horton Fraleigh -- Thoughts on the discursive imagery of Robert Lepage's theater / Darcey Callison -- Section VII: Unruly bodies. A slender pivot : empathy, public space, and the choreographic imperative / Patrick Anderson -- Conjuring magic as survival : hip-hop theater and dance / Halifu Osumare -- Notorious Jeffrey Hudson : the 'court wonder' of the Caroline masques (1626-1640) / Thomas Postlewait -- 'What do women want, my God, what do they want?' : mimesis, fantasy and female sexuality in Ann Liv Young's Michael / Krista K. Miranda -- Section VIII: Biopolitics. Dance your opera, mime your words : (mis)translate the Chinese body on the international stage / Daphne P. Lei -- El Güegüence, post-Sandinista Nicaragua, and the resistant politics of dancing / E.J. Westlake -- From Soberao to stage : Afro-Puerto Rican Bomba and the speaking body / Jade Y. Power Sotomayor -- Lindy hop, community, and the isolation of appropriation / William Given -- Section IX: National scales and mass movements. Russian mass spectacle and the Bolshevik regime / Sandy Peterson -- Movement choirs and the Nazi Olympics / Marie C. Percy -- Talchum : an embodied inquiry / J.L. Murdoch -- Circus echoes : dancing the human-equine relationship under the millennial big top / Kim Marra -- Capital city camp : gay Carnival and capitalist display / Neal Hebert -- Section X: Infection. Borrowed crowds : the Living Theatre's contagious revolution / Miriam Felton-Dansky -- The Salome epidemic : degeneracy, disease, and race suicide / Marlis Schweitzer -- Choreographing a cause : Broadway bares as philanthroproduction and embodied index to changing attitudes toward HIV/AIDS / Virginia Anderson -- Dance and the plague : epidemic choreomania and Artaud / Michael Lueger The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning. Nadine George-Graves is Professor of Theater and Dance at the University of California, San Diego. She is the author of "The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900-1940" (2000) and "Urban Bush Women: Twenty Years of Dance Theater, Community Engagement and Working It Out" (2010) as well as numerous articles on American theater and dance. Dance Handbooks, manuals, etc Theater Handbooks, manuals, etc Performing arts Handbooks, manuals, etc Theater (DE-588)4059702-7 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Tanz (DE-588)4059028-8 s Theater (DE-588)4059702-7 s DE-604 George-Graves, Nadine ca. 20. Jh. (DE-588)107687357X edt Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027966779&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027966779&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Oxford handbook of dance and theater Magnetic fields : too dance for theater, too theater for dance / Nadine George-Graves -- Section I: In theory/in practice. Split intimacies : corporeality in contemporary theater and dance / Ann Cooper Albright -- Negotiating theatrics : dialogues of the working man / Anita Gonzalez -- How do I touch this text? : or, The interdisciplines between dance and theater in early modern archives / VK Preston -- Dance dramaturgy : definitions, perspectives, projections / Ray Miller -- Some fleshy thinking : improvisation, experience, perception / Vida L. Midgelow -- Section II: Genus (part 1). Fleshing out : physical theater, postmodern dance, and som[e]agency / Maiya Murphy -- Dance in musical theater / Liza Gennaro and Stacy Wolf -- Dance and theater : looking at television's deployment of theatricality through dance / Colleen Dunagan -- Why not 'improv everywhere'? / Susan Leigh Foster -- Section III: Genus (part 2). A theater of bodily presence : Pina Bausch and Tanztheater Wuppertal / Royd Climenhaga -- The total theater aesthetic paradigm in African theater / Praise Zenenga -- Jean Gascon's theatricalist approach to Molière and Shakespeare / Jane Baldwin -- Dancing drama : ancient Greek theater in modern shoes and shows / Marianne McDonald -- Section IV: Historiographical presence and absence. The Post Natyam Collective : innovating Indian dance and theater via Abhinaya and multimedia / Ketu H. Katrak -- Persistent pagans : dancing for Dionysos in the year of years / Odai Johnson -- A witch in the Morris : hobbyhorse tricks and early modern erotic transformations / Erika T. Lin -- Designed bodies : a historiographical study of costume design and Asian American theater / Esther Kim Lee -- Moving American history : an examination of works by Ken Burns and Bill T. Jones / Ann Dils -- Section V: Place, space, and landscape. From landscape to climatescape in contemporary dance-theater : Meredith Monk, the Wooster Group, and the TEAM / Amy Strahler Holzapfel -- Colonial theatrics in Canada : managing Blackfoot dance during Western expansionism / Lisa Doolittle and Anne Flynn -- A slip on the cables : touristic rituals and landscape performance in Yosemite National Park / Sally Ann Ness -- Orientations as materializations : the Love Art Laboratory's Eco-sexual blue wedding to the sea / Michael J. Morris -- Section VI: Affect, somatics, and cognition. Social somatics and community performance : touching presence in public / Petra Kuppers -- Bodied forth : a cognitive scientific approach to performance analysis / Amy Cook -- Images of love and power : Butoh, Bausch, and Streb / Sondra Horton Fraleigh -- Thoughts on the discursive imagery of Robert Lepage's theater / Darcey Callison -- Section VII: Unruly bodies. A slender pivot : empathy, public space, and the choreographic imperative / Patrick Anderson -- Conjuring magic as survival : hip-hop theater and dance / Halifu Osumare -- Notorious Jeffrey Hudson : the 'court wonder' of the Caroline masques (1626-1640) / Thomas Postlewait -- 'What do women want, my God, what do they want?' : mimesis, fantasy and female sexuality in Ann Liv Young's Michael / Krista K. Miranda -- Section VIII: Biopolitics. Dance your opera, mime your words : (mis)translate the Chinese body on the international stage / Daphne P. Lei -- El Güegüence, post-Sandinista Nicaragua, and the resistant politics of dancing / E.J. Westlake -- From Soberao to stage : Afro-Puerto Rican Bomba and the speaking body / Jade Y. Power Sotomayor -- Lindy hop, community, and the isolation of appropriation / William Given -- Section IX: National scales and mass movements. Russian mass spectacle and the Bolshevik regime / Sandy Peterson -- Movement choirs and the Nazi Olympics / Marie C. Percy -- Talchum : an embodied inquiry / J.L. Murdoch -- Circus echoes : dancing the human-equine relationship under the millennial big top / Kim Marra -- Capital city camp : gay Carnival and capitalist display / Neal Hebert -- Section X: Infection. Borrowed crowds : the Living Theatre's contagious revolution / Miriam Felton-Dansky -- The Salome epidemic : degeneracy, disease, and race suicide / Marlis Schweitzer -- Choreographing a cause : Broadway bares as philanthroproduction and embodied index to changing attitudes toward HIV/AIDS / Virginia Anderson -- Dance and the plague : epidemic choreomania and Artaud / Michael Lueger Dance Handbooks, manuals, etc Theater Handbooks, manuals, etc Performing arts Handbooks, manuals, etc Theater (DE-588)4059702-7 gnd Tanz (DE-588)4059028-8 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4059028-8 (DE-588)4143413-4 |
| title | The Oxford handbook of dance and theater |
| title_alt | Dance and theatre |
| title_auth | The Oxford handbook of dance and theater |
| title_exact_search | The Oxford handbook of dance and theater |
| title_full | The Oxford handbook of dance and theater edited by Nadine George-Graves |
| title_fullStr | The Oxford handbook of dance and theater edited by Nadine George-Graves |
| title_full_unstemmed | The Oxford handbook of dance and theater edited by Nadine George-Graves |
| title_short | The Oxford handbook of dance and theater |
| title_sort | the oxford handbook of dance and theater |
| topic | Dance Handbooks, manuals, etc Theater Handbooks, manuals, etc Performing arts Handbooks, manuals, etc Theater (DE-588)4059702-7 gnd Tanz (DE-588)4059028-8 gnd |
| topic_facet | Dance Handbooks, manuals, etc Theater Handbooks, manuals, etc Performing arts Handbooks, manuals, etc Theater Tanz Aufsatzsammlung |
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