Tonal counterpoint for the 21st-century musician: an introduction
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Lanham ; Boulder ; New York ; London
Rowman & Littlefield
2015
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XXII, 237 Seiten Notenbeispiele |
Staff View
MARC
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| 245 | 1 | 0 | |a Tonal counterpoint for the 21st-century musician |b an introduction |c Teresa Davidian |
| 264 | 1 | |a Lanham ; Boulder ; New York ; London |b Rowman & Littlefield |c 2015 | |
| 300 | |a XXII, 237 Seiten |b Notenbeispiele | ||
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Record in the Search Index
| _version_ | 1804153288313012224 |
|---|---|
| adam_text | Contents
Preface
xv
Introduction
xvii
Melody
1
General
Characteristics
1
Contour
1
Melodic
Motion
З
Scale
5
Range
9
Harmonic Implications
10
Meter
11
Rhythm
12
Melodic Organization
13
The Building Blocks
14
Step Progressions
15
Compound Lines
16
Putting It AH Together
17
How to Get Started
18
How to Write the Rest of the Melody
18
vii
viii Contents
Beyond the Rules
19
Exercises
20
2
First Species
— 1:1 27
General Characteristics
28
Cantus Firmus
28
The
Counte rpointing
Voice
29
Interplay between the Lines
30
Putting It All Together
37
Getting Started
38
How to Write the Rest of the Counterpoint
38
Conclusion
39
Exercises
40
3
Second Species
— 2:1 43
General Characteristics
44
Vertical Intervals
44
Melodic Motion
45
Harmonic Considerations
47
How to Construct
2:1 51
Convert
1:1 51
The Direct Approach
52
Conclusion
55
Exercises
56
Contents ix
Third Species
— 3:1
and
4:1 59
Three Notes Against One
(3:1) 59
Melodic Configurations
60
Harmonic Considerations
62
How to Construct
3:1 64
Four Notes Against One
(4:1) 65
Melodic Configurations
66
Harmonic Considerations
69
How to Construct
4:1 71
Rhythmic Interplay between the Lines
71
Beyond Third Species
73
Fourth Species
73
Fifth Species
75
Exercises
76
Analyzing
&
Composing a Simple Piece in Two Parts
81
General Characteristics of Musical Form
81
Analyzing Form
83
Binary Form
84
Composing a Binary-Form Piece
88
Getting Started
88
Writing the Rest of the Piece
89
Beyond Form and Analysis
90
Exercises
92
Contents
Double
Counterpoint
99
General
Remarks and Principles
100
Double Counterpoint at the Octave
102
Double Counterpoint at the Twelfth
105
Double Counterpoint at the Tenth
108
How to Construct Double Counterpoint
110
Make Th
ree
Staves
110
Do It in Your Head 111
Exercises 111
Two-Part Canon
117
General Remarks and Principles
118
Common Canons
121
Canon at the Unison
122
Canon at the Octave
122
Canon at Other Intervals
123
How to Write a Two-Part Canon
125
Canon Transformations
127
Inverted Canon
127
Augmentation (or Sloth) Canon
129
Diminution Canon
130
Retrograde Canon
131
Combination Canon
132
Still More Canons
132
Accompanied Canon
133
Double Canon
134
Spiral Canon
134
Conclusion
135
Puzzle Canon
135
Contents xi
Exercises
136
8
J. S.
Bach s Two-Part Inventions
145
Analyzing Inventions
146
Section
1 149
Exposition
149
Episode
1 152
Section
2 155
Re-entries
155
More on Sequences
156
Tonal Plans
157
Learned Devices
158
Concluding Measures
162
Overall Construction
163
Composing Inventions
165
Continuing to Invent
166
Exercises
167
9
Counterpoint in Three and Four Parts
175
Back to the Species
175
First Species
175
Second Species
176
Third Species and Beyond
178
General Characteristics
180
Melody
180
Harmony
182
Harmony and Voice Leading
184
xii Contents
The Difference between Harmony and
187
Counterpoint
How to Construct Species Counterpoint in Three Parts
188
How to Construct Species Counterpoint in Four Parts
190
Beyond Four-Part Counterpoint
192
Exercises
194
10
Fugue
201
Bach and the Fugue
202
Section
1:
Exposition
207
Subject
207
Answer
208
Countersubject
210
Bridge
211
Other Entries
212
Exposition Design(s)
214
Section
2:
Development
216
Episodes
216
Re-entries
217
Learned Devices
218
Final Portion
220
Overall Construction
222
Composing Fugues
223
Getting Started
223
Exercises
224
Bibliography of Works Cited
229
Contents xiii
Index 231
About the Author
237
|
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| indexdate | 2024-07-10T01:24:13Z |
| institution | BVB |
| language | English |
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| physical | XXII, 237 Seiten Notenbeispiele |
| publishDate | 2015 |
| publishDateSearch | 2015 |
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| spelling | Davidian, Teresa Maria 1956- Verfasser (DE-588)1071090755 aut Tonal counterpoint for the 21st-century musician an introduction Teresa Davidian Lanham ; Boulder ; New York ; London Rowman & Littlefield 2015 XXII, 237 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Counterpoint Counterpoint fast Kontrapunkt (DE-588)4032307-9 gnd rswk-swf Einführung gnd rswk-swf Kontrapunkt (DE-588)4032307-9 s Einführung f DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027963859&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Davidian, Teresa Maria 1956- Tonal counterpoint for the 21st-century musician an introduction Counterpoint Counterpoint fast Kontrapunkt (DE-588)4032307-9 gnd |
| subject_GND | (DE-588)4032307-9 |
| title | Tonal counterpoint for the 21st-century musician an introduction |
| title_auth | Tonal counterpoint for the 21st-century musician an introduction |
| title_exact_search | Tonal counterpoint for the 21st-century musician an introduction |
| title_full | Tonal counterpoint for the 21st-century musician an introduction Teresa Davidian |
| title_fullStr | Tonal counterpoint for the 21st-century musician an introduction Teresa Davidian |
| title_full_unstemmed | Tonal counterpoint for the 21st-century musician an introduction Teresa Davidian |
| title_short | Tonal counterpoint for the 21st-century musician |
| title_sort | tonal counterpoint for the 21st century musician an introduction |
| title_sub | an introduction |
| topic | Counterpoint Counterpoint fast Kontrapunkt (DE-588)4032307-9 gnd |
| topic_facet | Counterpoint Kontrapunkt Einführung |
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