The Galitzin Quartets of Beethoven: Opp. 127, 132, 130
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
[1995]
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Beschreibung: | This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K. L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized.Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues.Originally published in 1995.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 Online-Ressource (296p.) |
| ISBN: | 9781400864201 |
| DOI: | 10.1515/9781400864201 |
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| 500 | |a This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K. L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized.Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues.Originally published in 1995.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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| author | Chua, Daniel K. L. 1966- |
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| author_role | aut |
| author_sort | Chua, Daniel K. L. 1966- |
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| bvnumber | BV042524094 |
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| dewey-ones | 785 - Ensembles with one instrument per part |
| dewey-raw | 785/.7194/092 |
| dewey-search | 785/.7194/092 |
| dewey-sort | 3785 47194 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1515/9781400864201 |
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| isbn | 9781400864201 |
| language | English |
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| spelling | Chua, Daniel K. L. 1966- Verfasser (DE-588)133485722 aut The Galitzin Quartets of Beethoven Opp. 127, 132, 130 Daniel K. L. Chua Princeton, N.J. Princeton University Press [1995] 1 Online-Ressource (296p.) txt rdacontent c rdamedia cr rdacarrier This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K. L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized.Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues.Originally published in 1995.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English Beethoven, Ludwig van 1770-1827 Quartette op. 132 (DE-588)300016042 gnd rswk-swf Beethoven, Ludwig van 1770-1827 Quartette op. 130 (DE-588)300016026 gnd rswk-swf Beethoven, Ludwig van 1770-1827 Quartette op. 127 (DE-588)4234706-3 gnd rswk-swf Musik String quartets / Analysis, appreciation MUSIC / Genres & Styles / Classical bisacsh Beethoven, Ludwig van 1770-1827 Quartette op. 130 (DE-588)300016026 u 1\p DE-604 Beethoven, Ludwig van 1770-1827 Quartette op. 127 (DE-588)4234706-3 u 2\p DE-604 Beethoven, Ludwig van 1770-1827 Quartette op. 132 (DE-588)300016042 u 3\p DE-604 https://doi.org/10.1515/9781400864201 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Chua, Daniel K. L. 1966- The Galitzin Quartets of Beethoven Opp. 127, 132, 130 Beethoven, Ludwig van 1770-1827 Quartette op. 132 (DE-588)300016042 gnd Beethoven, Ludwig van 1770-1827 Quartette op. 130 (DE-588)300016026 gnd Beethoven, Ludwig van 1770-1827 Quartette op. 127 (DE-588)4234706-3 gnd Musik String quartets / Analysis, appreciation MUSIC / Genres & Styles / Classical bisacsh |
| subject_GND | (DE-588)300016042 (DE-588)300016026 (DE-588)4234706-3 |
| title | The Galitzin Quartets of Beethoven Opp. 127, 132, 130 |
| title_auth | The Galitzin Quartets of Beethoven Opp. 127, 132, 130 |
| title_exact_search | The Galitzin Quartets of Beethoven Opp. 127, 132, 130 |
| title_full | The Galitzin Quartets of Beethoven Opp. 127, 132, 130 Daniel K. L. Chua |
| title_fullStr | The Galitzin Quartets of Beethoven Opp. 127, 132, 130 Daniel K. L. Chua |
| title_full_unstemmed | The Galitzin Quartets of Beethoven Opp. 127, 132, 130 Daniel K. L. Chua |
| title_short | The Galitzin Quartets of Beethoven |
| title_sort | the galitzin quartets of beethoven opp 127 132 130 |
| title_sub | Opp. 127, 132, 130 |
| topic | Beethoven, Ludwig van 1770-1827 Quartette op. 132 (DE-588)300016042 gnd Beethoven, Ludwig van 1770-1827 Quartette op. 130 (DE-588)300016026 gnd Beethoven, Ludwig van 1770-1827 Quartette op. 127 (DE-588)4234706-3 gnd Musik String quartets / Analysis, appreciation MUSIC / Genres & Styles / Classical bisacsh |
| topic_facet | Beethoven, Ludwig van 1770-1827 Quartette op. 132 Beethoven, Ludwig van 1770-1827 Quartette op. 130 Beethoven, Ludwig van 1770-1827 Quartette op. 127 Musik String quartets / Analysis, appreciation MUSIC / Genres & Styles / Classical |
| url | https://doi.org/10.1515/9781400864201 |
| work_keys_str_mv | AT chuadanielkl thegalitzinquartetsofbeethovenopp127132130 |