Landscapes of Loss: The National Past in Postwar French Cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
1999
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext Volltext |
| Beschreibung: | Main description: In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930s, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images and myths that have helped determine the contours of French memory. This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-called rétro films of the 1970s and 1980s. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a remembered paradis perdu, of French cinema itself |
| Beschreibung: | 1 Online-Ressource (240 S.) |
| ISBN: | 9781400823048 |
| DOI: | 10.1515/9781400823048 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV042522063 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 150423s1999 |||| o||u| ||||||eng d | ||
| 020 | |a 9781400823048 |9 978-1-4008-2304-8 | ||
| 024 | 7 | |a 10.1515/9781400823048 |2 doi | |
| 035 | |a (OCoLC)704482259 | ||
| 035 | |a (DE-599)BVBBV042522063 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-859 |a DE-860 |a DE-473 |a DE-Aug4 |a DE-739 |a DE-1046 |a DE-1043 |a DE-858 | ||
| 100 | 1 | |a Greene, Naomi |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Landscapes of Loss |b The National Past in Postwar French Cinema |
| 264 | 1 | |a Princeton, N.J. |b Princeton University Press |c 1999 | |
| 300 | |a 1 Online-Ressource (240 S.) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Main description: In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930s, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images and myths that have helped determine the contours of French memory. This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-called rétro films of the 1970s and 1980s. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a remembered paradis perdu, of French cinema itself | ||
| 648 | 7 | |a Geschichte 1945-1999 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1945- |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Vergangenheitsbewältigung |0 (DE-588)4061672-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Nationalsozialismus |0 (DE-588)4041316-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschichte |0 (DE-588)4020517-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Nationalsozialismus |0 (DE-588)4041316-0 |D s |
| 689 | 0 | 3 | |a Vergangenheitsbewältigung |0 (DE-588)4061672-1 |D s |
| 689 | 0 | 4 | |a Geschichte 1945- |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 1 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 1 | 2 | |a Geschichte 1945-1999 |A z |
| 689 | 1 | 3 | |a Geschichte |0 (DE-588)4020517-4 |D s |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781400823048 |x Verlag |3 Volltext |
| 856 | 4 | 0 | |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400823048&searchTitles=true |x Verlag |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027956402 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u https://doi.org/10.1515/9781400823048?locatt=mode:legacy |l FAB01 |p ZDB-23-DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781400823048?locatt=mode:legacy |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781400823048?locatt=mode:legacy |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781400823048?locatt=mode:legacy |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781400823048?locatt=mode:legacy |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781400823048?locatt=mode:legacy |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781400823048?locatt=mode:legacy |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781400823048?locatt=mode:legacy |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804153274478100481 |
|---|---|
| any_adam_object | |
| author | Greene, Naomi |
| author_facet | Greene, Naomi |
| author_role | aut |
| author_sort | Greene, Naomi |
| author_variant | n g ng |
| building | Verbundindex |
| bvnumber | BV042522063 |
| collection | ZDB-23-DGG |
| ctrlnum | (OCoLC)704482259 (DE-599)BVBBV042522063 |
| doi_str_mv | 10.1515/9781400823048 |
| era | Geschichte 1945-1999 gnd Geschichte 1945- gnd |
| era_facet | Geschichte 1945-1999 Geschichte 1945- |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04763nmm a2200649zc 4500</leader><controlfield tag="001">BV042522063</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">150423s1999 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781400823048</subfield><subfield code="9">978-1-4008-2304-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781400823048</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)704482259</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042522063</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Greene, Naomi</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Landscapes of Loss</subfield><subfield code="b">The National Past in Postwar French Cinema</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, N.J.</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">1999</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (240 S.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Main description: In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930s, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images and myths that have helped determine the contours of French memory. This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-called rétro films of the 1970s and 1980s. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a remembered paradis perdu, of French cinema itself</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1945-1999</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1945-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Vergangenheitsbewältigung</subfield><subfield code="0">(DE-588)4061672-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Nationalsozialismus</subfield><subfield code="0">(DE-588)4041316-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Nationalsozialismus</subfield><subfield code="0">(DE-588)4041316-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Vergangenheitsbewältigung</subfield><subfield code="0">(DE-588)4061672-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1945-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1945-1999</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781400823048</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400823048&searchTitles=true</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027956402</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400823048?locatt=mode:legacy</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400823048?locatt=mode:legacy</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400823048?locatt=mode:legacy</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400823048?locatt=mode:legacy</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400823048?locatt=mode:legacy</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400823048?locatt=mode:legacy</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400823048?locatt=mode:legacy</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400823048?locatt=mode:legacy</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Frankreich (DE-588)4018145-5 gnd |
| geographic_facet | Frankreich |
| id | DE-604.BV042522063 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:24:00Z |
| institution | BVB |
| isbn | 9781400823048 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027956402 |
| oclc_num | 704482259 |
| open_access_boolean | |
| owner | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| owner_facet | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 Online-Ressource (240 S.) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 1999 |
| publishDateSearch | 1999 |
| publishDateSort | 1999 |
| publisher | Princeton University Press |
| record_format | marc |
| spelling | Greene, Naomi Verfasser aut Landscapes of Loss The National Past in Postwar French Cinema Princeton, N.J. Princeton University Press 1999 1 Online-Ressource (240 S.) txt rdacontent c rdamedia cr rdacarrier Main description: In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930s, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images and myths that have helped determine the contours of French memory. This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-called rétro films of the 1970s and 1980s. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a remembered paradis perdu, of French cinema itself Geschichte 1945-1999 gnd rswk-swf Geschichte 1945- gnd rswk-swf Vergangenheitsbewältigung (DE-588)4061672-1 gnd rswk-swf Nationalsozialismus (DE-588)4041316-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Film (DE-588)4017102-4 s Nationalsozialismus (DE-588)4041316-0 s Vergangenheitsbewältigung (DE-588)4061672-1 s Geschichte 1945- z 1\p DE-604 Geschichte 1945-1999 z Geschichte (DE-588)4020517-4 s 2\p DE-604 https://doi.org/10.1515/9781400823048 Verlag Volltext http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400823048&searchTitles=true Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Greene, Naomi Landscapes of Loss The National Past in Postwar French Cinema Vergangenheitsbewältigung (DE-588)4061672-1 gnd Nationalsozialismus (DE-588)4041316-0 gnd Film (DE-588)4017102-4 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4061672-1 (DE-588)4041316-0 (DE-588)4017102-4 (DE-588)4020517-4 (DE-588)4018145-5 |
| title | Landscapes of Loss The National Past in Postwar French Cinema |
| title_auth | Landscapes of Loss The National Past in Postwar French Cinema |
| title_exact_search | Landscapes of Loss The National Past in Postwar French Cinema |
| title_full | Landscapes of Loss The National Past in Postwar French Cinema |
| title_fullStr | Landscapes of Loss The National Past in Postwar French Cinema |
| title_full_unstemmed | Landscapes of Loss The National Past in Postwar French Cinema |
| title_short | Landscapes of Loss |
| title_sort | landscapes of loss the national past in postwar french cinema |
| title_sub | The National Past in Postwar French Cinema |
| topic | Vergangenheitsbewältigung (DE-588)4061672-1 gnd Nationalsozialismus (DE-588)4041316-0 gnd Film (DE-588)4017102-4 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Vergangenheitsbewältigung Nationalsozialismus Film Geschichte Frankreich |
| url | https://doi.org/10.1515/9781400823048 http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400823048&searchTitles=true |
| work_keys_str_mv | AT greenenaomi landscapesoflossthenationalpastinpostwarfrenchcinema |