Dumitru Ţepeneag, originalul onirograf:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Romanian |
| Veröffentlicht: |
Bucureşti
Ideea Europeană
2013
|
| Schriftenreihe: | Colecţia Biblioteca europeană
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 501 Seiten |
| ISBN: | 9786065942363 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804153267141214208 |
|---|---|
| adam_text | Cuprins
Partea întâi
ÎNTRE ONIRISM, TEXTUALISM,
POSTMODERNISM................................
I. ONIRISMUL ESTETIC (STRUCTURAL) - UN
CURENT LITERAR ÎN ESTUL TOTALITAR......
Dificultăţile avangardel................
Creator şi istoric al onirismului estetic.
Grupul oniric...........................
Noua teorie literară....................
Momentul noiembrie 1968......................21
Onirismul şi visul...........................27
Realitatea şi visul..........................40
Onirism şi politic...........................45
Onirismul şi genurile literare...............47
Curentele literare şi onirismul. Sinteza onirică.
Romantism. Suprarealism. De la onirism la
textualism. Noul roman. Post modernismul. Este
onirismul un nou clasicism?..................49
Critica onirismului estetic..................55
Receptarea ca excomunicare (1968-1969)....55
Receptarea teoriei onirice............... 60
II. PRIN ONIRISM SPRE TEXTUALISM............... 3
Autotransformarea textului...................73
Textul şi realul oniric......................78
De la paratext la hipertext..................80
Serii şi grupuri textualiste.................83
Pro textualism: Crăciun contra Ţepeneag......86
Anti-textualism..............................93
III. ONTO-RETORICA NARAŢIUNII ŞI
A TEXTULUI.....................................95
Marian Victor Висш
498
A. ONTOLOGIA NARAŢIUNII ŞI A
TEXTULUI...............1.........................95
Fiinţa............j..............................95
Fiinţa depeizată. Fiinţa este limba.
Omul fără defecte şi identitate...............95
Fiinţe incerte................................97
O lume a păsărilor proliferante.............100
Metamorfoze ihtiologice......................104
Cum îl prinde broasca ţestoasă pe Pamfile....107
Târârea fiinţei..............................108
Semnul leului................................109
Alte vietăţi retorice........................110
înjunghierea porcului: relaţii de
de-semnificare...............................112
Obiecte informate............................114
Anatomia şi fiziologia sordidului...............117
„Puterea mea de stăpânire (sau frică?)”.........118
Suferinţa ca mod ocult de expresie..............121
Simularea (înscenarea) fiinţei..................122
Perspectivele fugii.............................125
„Nişte comici nomazi”...........................128
Chip fără nume..................................128
O societate a lămuririlor violente.............129
Figura spiritului etnic.........................130
„M-am trezit închis”; „Mai bine anarhist decât
comunist”.......................................132
Etica disuasiv-persuasivă.......................136
„Care realitate?”...............................139
Mitul textualizat...............................140
Transcendenţa nimicului.........................142
Eros: voyeurismey transparenţă, ambiguitate.....142
„O umbră va cădea peste toate”..................147
B. RETORICA NARAŢIUNII ŞI A TEXTULUI............148
Naratorul.......................................148
Naratorul nesigur şi naratorul reduplicat....148
Naratorul (autorul) ireal şi ubicuu..........150
Personajul auctorial, existenţial, relaţional...155
Poetica retorică a naraţiunii (textului)........157
Moartea şi renaşterea literaturii............157
Premisele textului sunt în poveste/ mythos....159
Imaginaţia şi obnubilarea sursei.............160
499 Dumitru Ţepeneag, originalul onirograf
Poetica onirică/textualistă...................162
Anti-povestirea...............................163
Structure en echo.............................166
Naraţiunea anti-speculară.....................166
Repetiţia ca manie(ră)........................167
Metamorfoza necesară..........................169
Jocul de-a (anti)֊romanul şi metaromanul......170
Spaţiu..........................................175
Timp............................................179
Textul, un „interminabil palimpsest”............181
(Re)scriitura: ecorşare şi agonie onto-retorică.184
Poetica retorică................................187
Textul tăcut. Bilingvism. Omofonic/
omonimie. Cui aparţine limba..................187
Jocurile de cuvinte: între calambur şi mit....188
Vorbăria. Libidoul trăncănelii. Amnezia
numelui. Parasintaxă / dis-topologie.
Cuvântul: „motor al fricii” Privire, gest vs.
vorbire.......................................189
Primejdiile comunicării; telefonul............193
Figuri. Pseudo-simboluri. Epifanii
amfibologice. Comparaţia, metafora,
ironia........................................193
Anti-hermeneutica. „Ce mai e şi cu sensul ăsta...”
Disciplina lecturii.............................198
IV- „DOSAR” PROBLEMATIC............................201
A. BIOGRAFIE....................................201
Predecesori.....................................203
Despre el însuşi....................-..........206
Un creator de şcoală literară...................208
Despre critică..................................218
B. EXISTENTA....................................220
Social..........................................221
Etnic...........................................222
Psihologic......................................222
Politic.........................................225
Etic............................................231
Estetic.........................................233
Real............................................235
Mit........................................... 240
Imaginar........................................245
Marian Victor Висш
500
Religios.....................................246
Eros.........................................247
Thanatos......................................248
C. NARATOR/AUTOR.............................248
Personaj.....................................252
Naraţiune.................................. 254
Spaţiu.......................................271
Timp.........................................272
Retorica naraţiunii (textului)...............273
Comunicarea. Cuvântul......................273
Figuri. Imagerie personală. Simbolul, alegoria,
metafora, ironia...........................274
Scriitura..................................279
Lectura.....................................281
Poeticul, farsa, parabola, fabula, fragmentarismul
282
Umor, tragic, grotesc, absurd, fantastic,
ambiguitate, exhibarea convenţiei..........285
Curente literare: baroc, romantism, simbolism,
expresionism, suprarealism, noul roman,
postmodernism..............................287
Stil.........................................295
Interpretare.................................296
Partea a doua.
DUMITRU TEPENEAG ÎN PREZENT.......................299
FICŢIONÂRUL.....................................301
Romanul lecturii, dincolo de formă şi sens...301
Maramureş — sfârşit de trilogie..............306
„Metamorfoza” lui Ţepeneag...................360
Literaturiada................................370
TEORETICIANUL................................. 391
Deceniul „tentativei onirice” (1964-1974) şi
urmările sale ...............................391
Onirism estetic (structural) şi suprarealism.407
PUBLICISTUL.....................................413
Cartea care ne priveşte......................413
Convorbiri cu Dumitru Ţepeneag...............419
Ţepeneag, polemistul.........................430
O personalitate pronunţată a istoriei noastre.434
DIALOGURI.......................................441
501
Dumitru Ţepeneag, originalul onirograf
Despre revizuiri, spirit critic, mondializarea
literaturii... Dialog M. V. Buciu — D. Ţepeneag.441
Teoria literară în dialog: Dumitru Ţepeneag —
Marian Victor Buciu Pentru reconstrucţia
canonului estetic...............................450
D. Ţepeneag: „Să vă spun un secret: eu am
răbdare.Dialog cu M. V. Buciu despre
deconspirarea Securităţii.......................460
M.V.Buciu — D. Ţepeneag. Scriitorul şi
editorul său: un cuplu conflictual în România...469
REACŢII, RECENZII................................ 477
„Mafia” sincronistă versus mafia protocronistă..477
Omagiul conducătorului iubit şi amintirile
sup r arealis te.............................. 484
Un reper........................................487
O introducere în opera lui D. Ţepeneag..........489
Onirismul văzut azi........................... 492
Bayerische
Staatsbibliothek
München
|
| any_adam_object | 1 |
| author | Buciu, Marian Victor 1954- |
| author_GND | (DE-588)138947317 |
| author_facet | Buciu, Marian Victor 1954- |
| author_role | aut |
| author_sort | Buciu, Marian Victor 1954- |
| author_variant | m v b mv mvb |
| building | Verbundindex |
| bvnumber | BV042518131 |
| ctrlnum | (OCoLC)891525932 (DE-599)BVBBV042518131 |
| format | Book |
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| geographic_facet | Rumänien Frankreich |
| id | DE-604.BV042518131 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:23:53Z |
| institution | BVB |
| isbn | 9786065942363 |
| language | Romanian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027952525 |
| oclc_num | 891525932 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 501 Seiten |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Ideea Europeană |
| record_format | marc |
| series2 | Colecţia Biblioteca europeană |
| spelling | Buciu, Marian Victor 1954- Verfasser (DE-588)138947317 aut Dumitru Ţepeneag, originalul onirograf Marian Victor Buciu Bucureşti Ideea Europeană 2013 501 Seiten txt rdacontent n rdamedia nc rdacarrier Colecţia Biblioteca europeană Ţepeneag, Dumitru / 1937- gnd Ţepeneag, Dumitru 1937- (DE-588)122393651 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Interpretation (DE-588)4072905-9 gnd rswk-swf Surrealismus (DE-588)4058665-0 gnd rswk-swf Literaturkritik (DE-588)4036020-9 gnd rswk-swf Rumänien (DE-588)4050939-4 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Ţepeneag, Dumitru 1937- (DE-588)122393651 p Literatur (DE-588)4035964-5 s Surrealismus (DE-588)4058665-0 s Literaturkritik (DE-588)4036020-9 s Interpretation (DE-588)4072905-9 s Rumänien (DE-588)4050939-4 g DE-604 Frankreich (DE-588)4018145-5 g Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027952525&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Buciu, Marian Victor 1954- Dumitru Ţepeneag, originalul onirograf Ţepeneag, Dumitru / 1937- gnd Ţepeneag, Dumitru 1937- (DE-588)122393651 gnd Literatur (DE-588)4035964-5 gnd Interpretation (DE-588)4072905-9 gnd Surrealismus (DE-588)4058665-0 gnd Literaturkritik (DE-588)4036020-9 gnd |
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| title | Dumitru Ţepeneag, originalul onirograf |
| title_auth | Dumitru Ţepeneag, originalul onirograf |
| title_exact_search | Dumitru Ţepeneag, originalul onirograf |
| title_full | Dumitru Ţepeneag, originalul onirograf Marian Victor Buciu |
| title_fullStr | Dumitru Ţepeneag, originalul onirograf Marian Victor Buciu |
| title_full_unstemmed | Dumitru Ţepeneag, originalul onirograf Marian Victor Buciu |
| title_short | Dumitru Ţepeneag, originalul onirograf |
| title_sort | dumitru tepeneag originalul onirograf |
| topic | Ţepeneag, Dumitru / 1937- gnd Ţepeneag, Dumitru 1937- (DE-588)122393651 gnd Literatur (DE-588)4035964-5 gnd Interpretation (DE-588)4072905-9 gnd Surrealismus (DE-588)4058665-0 gnd Literaturkritik (DE-588)4036020-9 gnd |
| topic_facet | Ţepeneag, Dumitru / 1937- Ţepeneag, Dumitru 1937- Literatur Interpretation Surrealismus Literaturkritik Rumänien Frankreich |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027952525&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT buciumarianvictor dumitrutepeneagoriginalulonirograf |