Go figure!: new perspectives on Guston
In the past few decades, several major exhibitions and scholarly publications have revisited the distinguished career of American painter Philip Guston (1913-1980), a fellow at the American Academy in Rome in 1949 and a resident there in 1960 and again in 1971. Once known as "Abstract Expressio...
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
New York
Review Books
2014
|
| Series: | American Academy in Rome book
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | In the past few decades, several major exhibitions and scholarly publications have revisited the distinguished career of American painter Philip Guston (1913-1980), a fellow at the American Academy in Rome in 1949 and a resident there in 1960 and again in 1971. Once known as "Abstract Expressionism's odd-man out," a respected, but often misunderstood, member of the New York School, Guston is now celebrated for his magisterial paintings of the late 1960s and 1970s. Combining painterly virtuosity and narrative power, they cast a long shadow over the current landscape of contemporary art. In light of both a profusion of recent scholarship and the lasting currency of Guston's vision among artists working today, the time appears right to take stock of his career. To that end, the American Acaedmy in Rome organized a two-day conference with an international roster of critics and art historians to discuss the significance and critical fortunes of Guston's work, paying special attention to his life-long attentiveness to Italian art and culture. Emerging out of that symposium are the texts in 'Go Figure!' |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | 155 S. zahlr. Ill. |
| ISBN: | 9781590178782 |
Staff View
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| 520 | |a In the past few decades, several major exhibitions and scholarly publications have revisited the distinguished career of American painter Philip Guston (1913-1980), a fellow at the American Academy in Rome in 1949 and a resident there in 1960 and again in 1971. Once known as "Abstract Expressionism's odd-man out," a respected, but often misunderstood, member of the New York School, Guston is now celebrated for his magisterial paintings of the late 1960s and 1970s. Combining painterly virtuosity and narrative power, they cast a long shadow over the current landscape of contemporary art. In light of both a profusion of recent scholarship and the lasting currency of Guston's vision among artists working today, the time appears right to take stock of his career. To that end, the American Acaedmy in Rome organized a two-day conference with an international roster of critics and art historians to discuss the significance and critical fortunes of Guston's work, paying special attention to his life-long attentiveness to Italian art and culture. Emerging out of that symposium are the texts in 'Go Figure!' | ||
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| spelling | Go figure! new perspectives on Guston ed. by Peter Benson Miller. [Preface by Robert Storr] New York Review Books 2014 155 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier American Academy in Rome book Includes bibliographical references and index In the past few decades, several major exhibitions and scholarly publications have revisited the distinguished career of American painter Philip Guston (1913-1980), a fellow at the American Academy in Rome in 1949 and a resident there in 1960 and again in 1971. Once known as "Abstract Expressionism's odd-man out," a respected, but often misunderstood, member of the New York School, Guston is now celebrated for his magisterial paintings of the late 1960s and 1970s. Combining painterly virtuosity and narrative power, they cast a long shadow over the current landscape of contemporary art. In light of both a profusion of recent scholarship and the lasting currency of Guston's vision among artists working today, the time appears right to take stock of his career. To that end, the American Acaedmy in Rome organized a two-day conference with an international roster of critics and art historians to discuss the significance and critical fortunes of Guston's work, paying special attention to his life-long attentiveness to Italian art and culture. Emerging out of that symposium are the texts in 'Go Figure!' Guston, Philip, 1913-1980 Criticism and interpretation Guston, Philip 1913-1980 (DE-588)119205637 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Guston, Philip 1913-1980 (DE-588)119205637 p Malerei (DE-588)4037220-0 s DE-604 Miller, Peter Benson Sonstige (DE-588)140927360 oth Guston, Philip 1913-1980 Sonstige (DE-588)119205637 oth Storr, Robert 1949- Sonstige (DE-588)131882422 oth V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz435292854inh.htm Inhaltsverzeichnis |
| spellingShingle | Go figure! new perspectives on Guston Guston, Philip, 1913-1980 Criticism and interpretation Guston, Philip 1913-1980 (DE-588)119205637 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)119205637 (DE-588)4037220-0 (DE-588)4143413-4 |
| title | Go figure! new perspectives on Guston |
| title_auth | Go figure! new perspectives on Guston |
| title_exact_search | Go figure! new perspectives on Guston |
| title_full | Go figure! new perspectives on Guston ed. by Peter Benson Miller. [Preface by Robert Storr] |
| title_fullStr | Go figure! new perspectives on Guston ed. by Peter Benson Miller. [Preface by Robert Storr] |
| title_full_unstemmed | Go figure! new perspectives on Guston ed. by Peter Benson Miller. [Preface by Robert Storr] |
| title_short | Go figure! |
| title_sort | go figure new perspectives on guston |
| title_sub | new perspectives on Guston |
| topic | Guston, Philip, 1913-1980 Criticism and interpretation Guston, Philip 1913-1980 (DE-588)119205637 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Guston, Philip, 1913-1980 Criticism and interpretation Guston, Philip 1913-1980 Malerei Aufsatzsammlung |
| url | http://swbplus.bsz-bw.de/bsz435292854inh.htm |
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