Music and the exotic from the Renaissance to Mozart:
During the years 1500-1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish "Gypsies", Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
|
| Ausgabe: | First published |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | During the years 1500-1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish "Gypsies", Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history and by the challenges of cross-cultural (mis)understanding. - Ralph P. Locke is Professor and former Chair of Musicology at the University of Rochester's Eastman School of Music. His previous books include Music, Musicians, and the Saint-Simonians (1986), Musical Exoticism: Images and Reflections (Cambridge University Press, 2009) and the co-edited Cultivating Music in America: Women Patrons since 1860 (1997). He has published numerous articles and book chapters and contributed to major reference works, including Grove Dictionary of Music and American National Biography. His study of conceptions of the exotic Other in Verdi's opera Aida (Cambridge Opera Journal) won the H. Colin Slim Award from the American Musicological Society. |
| Beschreibung: | XXI, 449 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781107012370 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV042384236 | ||
| 003 | DE-604 | ||
| 005 | 20180915 | ||
| 007 | t | ||
| 008 | 150227s2015 xxuagl| |||| 00||| eng d | ||
| 010 | |a 014043416 | ||
| 020 | |a 9781107012370 |c hbk. |9 978-1-107-01237-0 | ||
| 035 | |a (OCoLC)910784605 | ||
| 035 | |a (DE-599)BVBBV042384236 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-703 |a DE-12 |a DE-11 |a DE-B170 |a DE-355 | ||
| 050 | 0 | |a ML160 | |
| 082 | 0 | |a 780.9/03 |2 23 | |
| 084 | |a LR 56800 |0 (DE-625)109811:13528 |2 rvk | ||
| 084 | |a LR 56820 |0 (DE-625)109812:13528 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Locke, Ralph P. |d 1949- |e Verfasser |0 (DE-588)1027687741 |4 aut | |
| 245 | 1 | 0 | |a Music and the exotic from the Renaissance to Mozart |c Ralph P. Locke |
| 250 | |a First published | ||
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2015 | |
| 300 | |a XXI, 449 Seiten |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 0 | |a Part I. Introduction: A Rich and Complex Heritage: 1. Images and principles; 2. Exotic in style?: Paradigms and interpretations; Part II. The West and its Others: 3. The early cultural background; 4. Encounters; Part III. Songs and Dance-Types: 5. Popular songs; 6. Dances and instrumental styles from (or 'from') elsewhere; Part IV. Exotic Portrayals on Stage, in Concert, in Church: 7. Courtly ballets; 8. Distinctive developments in Venice and other Italian cities and courts; 9. Oratorio and other religious genres; 10. Early opera and partly sung stage-works; 11. French and Italian serious opera, especially Lully and Handel; 12. Eighteenth-century comic operas and short danced works; 13. Obsession with the Middle East: from the Parisian fairs to Mozart; Afterword: a helpfully troubling term. | |
| 520 | |a During the years 1500-1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish "Gypsies", Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history and by the challenges of cross-cultural (mis)understanding. - Ralph P. Locke is Professor and former Chair of Musicology at the University of Rochester's Eastman School of Music. His previous books include Music, Musicians, and the Saint-Simonians (1986), Musical Exoticism: Images and Reflections (Cambridge University Press, 2009) and the co-edited Cultivating Music in America: Women Patrons since 1860 (1997). He has published numerous articles and book chapters and contributed to major reference works, including Grove Dictionary of Music and American National Biography. His study of conceptions of the exotic Other in Verdi's opera Aida (Cambridge Opera Journal) won the H. Colin Slim Award from the American Musicological Society. | ||
| 648 | 4 | |a Geschichte 1700-1800 | |
| 648 | 4 | |a Geschichte 1600-1700 | |
| 648 | 4 | |a Geschichte 1500-1600 | |
| 648 | 7 | |a Geschichte 1500-1800 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |x History and criticism |y 16th century | |
| 650 | 4 | |a Music |x History and criticism |y 17th century | |
| 650 | 4 | |a Music |x History and criticism |y 18th century | |
| 650 | 4 | |a Exoticism in music | |
| 650 | 4 | |a Exoticism in opera | |
| 650 | 0 | 7 | |a Exotismus |0 (DE-588)4015993-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Exotik |0 (DE-588)4153341-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 1 | |a Oper |0 (DE-588)4043582-9 |D s |
| 689 | 0 | 2 | |a Exotismus |0 (DE-588)4015993-0 |D s |
| 689 | 0 | 3 | |a Geschichte 1500-1800 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 1 | 1 | |a Exotik |0 (DE-588)4153341-0 |D s |
| 689 | 1 | 2 | |a Geschichte 1500-1800 |A z |
| 689 | 1 | |8 1\p |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027820255&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n by | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027820255 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 09031 |g 4 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09033 |g 4 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09031 |g 4 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09033 |g 4 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 09032 |g 4 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09033 |g 433 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 09033 |g 4 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09033 |g 433 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09032 |g 4 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09031 |g 4 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09032 |g 4 |
Datensatz im Suchindex
| _version_ | 1804153028818763776 |
|---|---|
| adam_text | Contents
List of figures [page xi]
Music examples [xiv]
Acknowledgements [xvi]
Notes to the reader [xix]
PART I introduction: a rich and complex
HERITAGE [l]
1 Images and principles [3]
Images of Otherness [3]
Trends and instances [5]
Organizing principles [9]
Performance then and now [11]
2 Exotic in style?: paradigms and interpretations [17]
Two paradigms: narrow and broad [17]
Mozart’s famous letter revisited [26]
Appropriate contexts and interpretations [27]
The limits of the exotic, and the problem of authorial intention
Exoticism, nationalism, cultural transfer [31]
Representation(s) and empire [33]
How exotic meanings are conveyed [34]
Instrumental dances bearing an ethnic/national label [34]
Instrumental pieces without verbal indication of ethnicity [36]
Vocal music in operas and oratorios: meaning-centered
approaches ... [37]
.. . and meaning-neutral principles [40]
PART II THE WEST AND ITS OTHERS [45]
3 The early cultural background [47]
From the Greek tragedies ... [47]
... to the church fathers [49]
Interactions with the Ottoman world [56]
Impressions of the Middle East and Middle Easterners [64]
4 Encounters [75]
A world of heathens - and its impact on Europe [75]
viii
Contents
Ancient Greece and Rome as models [84]
“Moors” and stage makeup [86]
Natives of the Americas [88]
The beginnings of cultural relativism [91]
Portraying non-European peoples [92]
Many cultures, many musics [95]
PART III SONGS AND DANCE-TYPES [lOl]
5 Popular songs [103]
New words to well-known tunes [103]
Piracy and foreign captivity [105]
English songs [107]
Cherokee chiefs in London: a song and its tune [109]
6 Dances and instrumental styles from (or “from”)
Elsewhere [113]
Dances not only for dancing [113]
Specific foreign/exotic dances and dance-types [114]
The moresca [117]
Changing uses of the dances [125]
The sarabande [126]
The chaconne [128]
Exotic dance-types - and instrumental styles - from not
so far away [131]
Scotland, rural France, Spain, Hungary, Poland, and
the English “country dance” [131]
PART IV EXOTIC PORTRAYALS ON STAGE, IN CONCERT,
IN CHURCH [137]
7 Courtly ballets [139]
Entertainment for aristocrats, often danced by aristocrats [139]
Exotic peoples in ballets [142]
Gypsies - by whatever name [142]
Middle Eastern Muslims [143]
Savages and dark “Indians” [146]
Foreign rulers [146]
Natives of North America and the Caribbean [149]
East Asians [149]
Multiple meanings [150]
Music, choreography, and instruments [155]
Musical “strangenesse” [155]
Unusual instruments ֊ and finding appropriate tunes [159]
Enhancing a characterization in performance [163]
Contents
IX
8 Distinctive developments in Venice and other Italian cities
and courts [165]
Theatrical intermedi [165]
Moresche and other secular vocal pieces [168]
Dance, street life, and improvised theater in Venice [171]
Commedia delVarte [172]
Ball։ in Venetian opera [174]
Music for the Venetian operatic balli [175]
9 Oratorio and other religious genres [181]
Exoticism in liturgical music [181]
Epiphany [182]
The Song of Songs [182]
Mass settings and the Turks [184]
The viUancico and its Others, including “blacks” [186]
Religious works on stage and in concert [187]
Biblical spoken dramas with music [188]
Operas in the service of religion [190]
Oratorios: chorus-heavy concert dramas [192]
“Biblical” instruments and appropriate moods [194]
The Holy Family as exotic [195]
Vivaldi’s Holofernes as the current-day sultan [197]
Bach’s listeners and the Jerusalemite mob [198]
Israelites, their enemies, and political allegory in Handel oratorios [201]
The ideal king and his vile enemies [201]
England as virtuous conqueror and colonizer [204]
Interpreting the Bible’s Philistines [205]
10 Early opera and partly sung stage works [208]
Italy and operatic experiment [208]
Venice: crossroads and crucible [210]
Exotic plots and “life” Elsewhere [218]
The sorceress Medea [220]
Partly sung stage works in France: comédie-ballet [222]
Lighting the spark: Le bourgeois gentilhomme [223]
Plays with music in England [227]
Allegorizing recent events: Purcell’s Indian Queen [229]
The early eighteenth century: partly sung stage works continue [232]
Les Indes galantes՝, a world tour in song and dance [235]
11 French and Italian serious opera, especially
Lully and Handel [239]
Opera purified [239]
What makes a serious opera exotic? [241]
Tragédie lyrique [242]
Advantages of a distant locale [243]
Lully’s Syrian sorceress: Armide [244]
X
Contents
Opera seria [248]
A Chinese lesson in loyalty to one’s emperor [248]
Exoticism in Handel’s not-quite-serzn operas [250]
A nest of Egyptian vipers: Handel’s Giulio Cesare [253]
Otherness and the moral center [256]
Sympathy for an imprisoned sultan [258]
The Montezuma conundrum [258]
Persian wizard and Christian mission [260]
Reception by Handel’s contemporaries [261]
12 Eighteenth-century comic operas and short danced works
Everyday characters and quirky ones [268]
Comedic commentary on exotic peoples [271]
Casual reference: the African slave trade in The Beggar’s Opera
Onstage embodiment of the exotic Other: Jewish characters
in Singspiel [273]
Which exotic locales were fun to watch? [273]
Comic operas and the complexities of North America [280]
Chinese aristocrats are like us [284]
13 Obsession with the Middle East: from the Parisian Fairs
to Mozart [287]
The Middle East in the three phases of opéra-comique [290]
The Fair theaters, and Arlequin in a harem woman’s veil [290]
Opéra-comique gains musical substance [294]
Gluck’s Cairo, and selective use of alia turca [296]
Social criticism under the surface [299]
Alla turca style: when it is used, when not, and why [299]
Serio-comic Middle Easts (Grétry, Salieri) [301]
Persian woman, French man, and Egyptian slavery [302]
A Persian-Hindu ֊ or European? - tyrant [304]
Turkish and “black” males in Mozart’s Entführung and Zauberflöte
Power in Mozart’s harem opera [308]
A “black” slave-driver in Die Zauberflöte [311]
Why the quasi-Turkish disguises in Cost fan tutte7 [318]
Images of Otherness continue [322]
Afterword: A helpfully troubling term [324]
Notes [327]
Bibliography [394]
I Books and articles cited [394]
II Online sites and databases [436]
III Recordings and videos [437]
Index [445]
[267]
[272]
[308]
|
| any_adam_object | 1 |
| author | Locke, Ralph P. 1949- |
| author_GND | (DE-588)1027687741 |
| author_facet | Locke, Ralph P. 1949- |
| author_role | aut |
| author_sort | Locke, Ralph P. 1949- |
| author_variant | r p l rp rpl |
| building | Verbundindex |
| bvnumber | BV042384236 |
| callnumber-first | M - Music |
| callnumber-label | ML160 |
| callnumber-raw | ML160 |
| callnumber-search | ML160 |
| callnumber-sort | ML 3160 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 56800 LR 56820 |
| contents | Part I. Introduction: A Rich and Complex Heritage: 1. Images and principles; 2. Exotic in style?: Paradigms and interpretations; Part II. The West and its Others: 3. The early cultural background; 4. Encounters; Part III. Songs and Dance-Types: 5. Popular songs; 6. Dances and instrumental styles from (or 'from') elsewhere; Part IV. Exotic Portrayals on Stage, in Concert, in Church: 7. Courtly ballets; 8. Distinctive developments in Venice and other Italian cities and courts; 9. Oratorio and other religious genres; 10. Early opera and partly sung stage-works; 11. French and Italian serious opera, especially Lully and Handel; 12. Eighteenth-century comic operas and short danced works; 13. Obsession with the Middle East: from the Parisian fairs to Mozart; Afterword: a helpfully troubling term. |
| ctrlnum | (OCoLC)910784605 (DE-599)BVBBV042384236 |
| dewey-full | 780.9/03 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9/03 |
| dewey-search | 780.9/03 |
| dewey-sort | 3780.9 13 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | First published |
| era | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1500-1800 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1500-1800 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05507nam a2200817 c 4500</leader><controlfield tag="001">BV042384236</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180915 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">150227s2015 xxuagl| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">014043416</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107012370</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-107-01237-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)910784605</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042384236</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML160</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.9/03</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56800</subfield><subfield code="0">(DE-625)109811:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56820</subfield><subfield code="0">(DE-625)109812:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Locke, Ralph P.</subfield><subfield code="d">1949-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1027687741</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music and the exotic from the Renaissance to Mozart</subfield><subfield code="c">Ralph P. Locke</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First published</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XXI, 449 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Part I. Introduction: A Rich and Complex Heritage: 1. Images and principles; 2. Exotic in style?: Paradigms and interpretations; Part II. The West and its Others: 3. The early cultural background; 4. Encounters; Part III. Songs and Dance-Types: 5. Popular songs; 6. Dances and instrumental styles from (or 'from') elsewhere; Part IV. Exotic Portrayals on Stage, in Concert, in Church: 7. Courtly ballets; 8. Distinctive developments in Venice and other Italian cities and courts; 9. Oratorio and other religious genres; 10. Early opera and partly sung stage-works; 11. French and Italian serious opera, especially Lully and Handel; 12. Eighteenth-century comic operas and short danced works; 13. Obsession with the Middle East: from the Parisian fairs to Mozart; Afterword: a helpfully troubling term.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">During the years 1500-1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish "Gypsies", Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history and by the challenges of cross-cultural (mis)understanding. - Ralph P. Locke is Professor and former Chair of Musicology at the University of Rochester's Eastman School of Music. His previous books include Music, Musicians, and the Saint-Simonians (1986), Musical Exoticism: Images and Reflections (Cambridge University Press, 2009) and the co-edited Cultivating Music in America: Women Patrons since 1860 (1997). He has published numerous articles and book chapters and contributed to major reference works, including Grove Dictionary of Music and American National Biography. His study of conceptions of the exotic Other in Verdi's opera Aida (Cambridge Opera Journal) won the H. Colin Slim Award from the American Musicological Society.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1600-1700</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1500-1600</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1500-1800</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">History and criticism</subfield><subfield code="y">16th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">History and criticism</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">History and criticism</subfield><subfield code="y">18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Exoticism in music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Exoticism in opera</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Exotismus</subfield><subfield code="0">(DE-588)4015993-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Exotik</subfield><subfield code="0">(DE-588)4153341-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Exotismus</subfield><subfield code="0">(DE-588)4015993-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1500-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Exotik</subfield><subfield code="0">(DE-588)4153341-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1500-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027820255&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">by</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027820255</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09031</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09031</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">433</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">433</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09031</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">4</subfield></datafield></record></collection> |
| id | DE-604.BV042384236 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:20:06Z |
| institution | BVB |
| isbn | 9781107012370 |
| language | English |
| lccn | 014043416 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027820255 |
| oclc_num | 910784605 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-11 DE-B170 DE-355 DE-BY-UBR |
| owner_facet | DE-703 DE-12 DE-11 DE-B170 DE-355 DE-BY-UBR |
| physical | XXI, 449 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Locke, Ralph P. 1949- Verfasser (DE-588)1027687741 aut Music and the exotic from the Renaissance to Mozart Ralph P. Locke First published Cambridge Cambridge University Press 2015 XXI, 449 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Part I. Introduction: A Rich and Complex Heritage: 1. Images and principles; 2. Exotic in style?: Paradigms and interpretations; Part II. The West and its Others: 3. The early cultural background; 4. Encounters; Part III. Songs and Dance-Types: 5. Popular songs; 6. Dances and instrumental styles from (or 'from') elsewhere; Part IV. Exotic Portrayals on Stage, in Concert, in Church: 7. Courtly ballets; 8. Distinctive developments in Venice and other Italian cities and courts; 9. Oratorio and other religious genres; 10. Early opera and partly sung stage-works; 11. French and Italian serious opera, especially Lully and Handel; 12. Eighteenth-century comic operas and short danced works; 13. Obsession with the Middle East: from the Parisian fairs to Mozart; Afterword: a helpfully troubling term. During the years 1500-1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish "Gypsies", Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history and by the challenges of cross-cultural (mis)understanding. - Ralph P. Locke is Professor and former Chair of Musicology at the University of Rochester's Eastman School of Music. His previous books include Music, Musicians, and the Saint-Simonians (1986), Musical Exoticism: Images and Reflections (Cambridge University Press, 2009) and the co-edited Cultivating Music in America: Women Patrons since 1860 (1997). He has published numerous articles and book chapters and contributed to major reference works, including Grove Dictionary of Music and American National Biography. His study of conceptions of the exotic Other in Verdi's opera Aida (Cambridge Opera Journal) won the H. Colin Slim Award from the American Musicological Society. Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1500-1800 gnd rswk-swf Musik Music History and criticism 16th century Music History and criticism 17th century Music History and criticism 18th century Exoticism in music Exoticism in opera Exotismus (DE-588)4015993-0 gnd rswk-swf Exotik (DE-588)4153341-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Musik (DE-588)4040802-4 s Oper (DE-588)4043582-9 s Exotismus (DE-588)4015993-0 s Geschichte 1500-1800 z DE-604 Exotik (DE-588)4153341-0 s 1\p DE-604 Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027820255&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Locke, Ralph P. 1949- Music and the exotic from the Renaissance to Mozart Part I. Introduction: A Rich and Complex Heritage: 1. Images and principles; 2. Exotic in style?: Paradigms and interpretations; Part II. The West and its Others: 3. The early cultural background; 4. Encounters; Part III. Songs and Dance-Types: 5. Popular songs; 6. Dances and instrumental styles from (or 'from') elsewhere; Part IV. Exotic Portrayals on Stage, in Concert, in Church: 7. Courtly ballets; 8. Distinctive developments in Venice and other Italian cities and courts; 9. Oratorio and other religious genres; 10. Early opera and partly sung stage-works; 11. French and Italian serious opera, especially Lully and Handel; 12. Eighteenth-century comic operas and short danced works; 13. Obsession with the Middle East: from the Parisian fairs to Mozart; Afterword: a helpfully troubling term. Musik Music History and criticism 16th century Music History and criticism 17th century Music History and criticism 18th century Exoticism in music Exoticism in opera Exotismus (DE-588)4015993-0 gnd Exotik (DE-588)4153341-0 gnd Musik (DE-588)4040802-4 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4015993-0 (DE-588)4153341-0 (DE-588)4040802-4 (DE-588)4043582-9 |
| title | Music and the exotic from the Renaissance to Mozart |
| title_auth | Music and the exotic from the Renaissance to Mozart |
| title_exact_search | Music and the exotic from the Renaissance to Mozart |
| title_full | Music and the exotic from the Renaissance to Mozart Ralph P. Locke |
| title_fullStr | Music and the exotic from the Renaissance to Mozart Ralph P. Locke |
| title_full_unstemmed | Music and the exotic from the Renaissance to Mozart Ralph P. Locke |
| title_short | Music and the exotic from the Renaissance to Mozart |
| title_sort | music and the exotic from the renaissance to mozart |
| topic | Musik Music History and criticism 16th century Music History and criticism 17th century Music History and criticism 18th century Exoticism in music Exoticism in opera Exotismus (DE-588)4015993-0 gnd Exotik (DE-588)4153341-0 gnd Musik (DE-588)4040802-4 gnd Oper (DE-588)4043582-9 gnd |
| topic_facet | Musik Music History and criticism 16th century Music History and criticism 17th century Music History and criticism 18th century Exoticism in music Exoticism in opera Exotismus Exotik Oper |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027820255&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT lockeralphp musicandtheexoticfromtherenaissancetomozart |