Music direction for the stage: a view from the podium
Music directors must draw on a remarkably broad range of musical skills. Not only do they conduct during rehearsals and performances, but they must also be adept arrangers, choral directors, vocal coaches, and accompanists. Like a record producer, the successful music director must have the flexibil...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York, NY [u.a.]
Oxford Univ. Press
2015
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Music directors must draw on a remarkably broad range of musical skills. Not only do they conduct during rehearsals and performances, but they must also be adept arrangers, choral directors, vocal coaches, and accompanists. Like a record producer, the successful music director must have the flexibility to adjust as needed to a multifaceted job description, one which changes with each production and often with each performer. In Music Direction for the Stage, veteran music director and instructor Joseph Church demystifies the job in a book that offers aspiring and practicing music directors the practical tips and instruction they need in order to mount a successful musical production. Church, one of Broadway's foremost music directors, emerges from the orchestra pit to tell how the music is put into a musical show. He gives particular attention to the music itself, explaining how a music director can best plan the task of learning, analyzing, and teaching each new piece. Based on his years of professional experience, he offers a practical discussion of a music director's methods of analyzing, learning, and practicing a score, thoroughly illustrated by examples from the repertoire. The book also describes how a music director can effectively approach dramatic and choreographic rehearsals, including key tips on cueing music to dialogue and staging, determining incidental music and underscoring, making musical adjustments and revisions in rehearsal, and adjusting style and tempo to performers' needs. A key theme of the book is effective collaboration with other professionals, from the production team to the creative team to the performers themselves, all grounded in Church's real-world experience with professional, amateur, and even student performances. He concludes with a look at music direction as a career, offering invaluable advice on how the enterprising music director can find work and gain standing in the field. JOSEPH CHURCH is best known for his work as music director and supervisor of two groundbreaking Broadway musicals, The Who's Tommy and The Lion King. He has worked on countless other productions as music director, conductor, keyboardist, and/or arranger, on and Off-Broadway, nationwide, and worldwide, among them, In The Heights, Sister Act, Les Miserables, Little Shop Of Horrors, Randy Newman's Faust, and Radio City's Christmas Spectacular. Also an active composer, he has written for film, television, the concert stage, and over thirty plays and musicals. |
Beschreibung: | XVI, 392 S. Ill., Notenbeisp. |
ISBN: | 9780199993406 9780199993413 |
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505 | 0 | |a Introduction: The View From The Podium ; Part I: The Music Director: A Job Description ; Chapter 1: Music Direction Yesterday And Today ; Chapter 2: Musical Stage Production ; Chapter 3: Job Opportunities For Music Directors ; Part II: Personnel ; Chapter 4: The Production Team ; Chapter 5: The Creative Team ; Chapter 6: The Music Team ; Chapter 7: The Performers ; Part III: Preproduction ; Chapter 8: Mounting A Production ; Chapter 9: The Music: Assessment And Analysis ; Chapter 10: Arranging For Music Directors ; Part IV: Rehearsals 1: Singers And The Stage ; Chapter 11: Overview Of Rehearsal Process ; Chapter 12: Individual Vocal Rehearsals ; Chapter 13: Ensemble Vocal Rehearsals ; Chapter 14: Rehearsals With Directors And Choreographers ; Chapter 15: Adapting Music To The Production ; Part V: Rehearsals 2: Musicians, Technicians, And The Venue ; Chapter 16: Orchestras And Orchestrations ; Chapter 17: Instrumental Conducting For The Stage ; Chapter 18: From The Studio To The Stage ; Part VI: Performance ; Chapter 19: Conducting In Performance ; Chapter 20: Maintaining A Production And Preserving A Show ; Chapter 21: Working As A Music Director ; Appendix A: Putting It Together ; Appendix B: Bibliography, Suggested Reading, And List Of Musical ; Works Cited | |
520 | |a Music directors must draw on a remarkably broad range of musical skills. Not only do they conduct during rehearsals and performances, but they must also be adept arrangers, choral directors, vocal coaches, and accompanists. Like a record producer, the successful music director must have the flexibility to adjust as needed to a multifaceted job description, one which changes with each production and often with each performer. In Music Direction for the Stage, veteran music director and instructor Joseph Church demystifies the job in a book that offers aspiring and practicing music directors the practical tips and instruction they need in order to mount a successful musical production. Church, one of Broadway's foremost music directors, emerges from the orchestra pit to tell how the music is put into a musical show. He gives particular attention to the music itself, explaining how a music director can best plan the task of learning, analyzing, and teaching each new piece. Based on his years of professional experience, he offers a practical discussion of a music director's methods of analyzing, learning, and practicing a score, thoroughly illustrated by examples from the repertoire. The book also describes how a music director can effectively approach dramatic and choreographic rehearsals, including key tips on cueing music to dialogue and staging, determining incidental music and underscoring, making musical adjustments and revisions in rehearsal, and adjusting style and tempo to performers' needs. A key theme of the book is effective collaboration with other professionals, from the production team to the creative team to the performers themselves, all grounded in Church's real-world experience with professional, amateur, and even student performances. He concludes with a look at music direction as a career, offering invaluable advice on how the enterprising music director can find work and gain standing in the field. | ||
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Datensatz im Suchindex
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adam_text | Contents
Foreword by
Alan
Menken
xiii
Acknowledgments
xv
Introduction: The View from the Podium
1
part
ι
Music Direction: A Job Description
11
1.
Music Direction Today and Yesterday
13
What a Music Director Does
13
Historical Survey of Music Direction
19
Technology and the Shrinking Orchestra
22
Looking to the Future
27
2.
Musical Stage Production
34
Songs, Musicals, and Opera
34
A (Very) Brief History of Music for the Stage
38
Production in the Twenty-First Century
42
3.
Job Opportunities for Music Directors
45
Broadway and Off-Broadway
45
National Tours
49
Regional (Local), Repertory, and Stock Theater
51
Nightclubs, Cabarets, and Concerts
57
Revues, Special Events, and Industrials
62
Academic Theaters and Events
63
Amateur and Community Performances and Talent Shows
65
Workshops and Developmental Productions
67
viii
I Contents
PART II Personnel
71
4.
The Production Team
73
Producers
74
Stage Managers
76
General Managers, Company Managers, House Managers,
and Production Managers
79
5.
The Creative Team
81
Composers and Lyricists
81
Directors
84
Choreographers
88
Designers and Technicians
90
6.
The Music Team
93
Conductors, Associates, and Assistants
94
Contractors and Music Coordinators
96
Orchestrators and Copyists
98
Vocal and Dance Arrangers
103
Synthesizer Programmers
104
The Orchestra
108
7.
The Performers
110
Singers and Dancers
110
Singers and Actors
113
Star Performers and
Nontraditional
Casting
115
Casting Directors
116
part
ні
Preproduction
119
8.
Mounting a Production
121
Meetings and Agendas, Planning and Scheduling
121
Casting
126
Determining the Orchestration: Three Scenarios
132
Scenario
1:
Voice and Piano, or Maybe More
132
Scenario
2:
Small Ensembles
133
Scenario
3:
Orchestra Reductions
136
9.
The Music: Assessment and Analysis
138
Learning and Practicing Scores
139
Preparing Scores for Rehearsal
141
Transcribing
145
Practical Analysis for Music Direction
148
10.
Arranging for Music Directors
154
Starting an Arrangement: Approaches and Rightness
156
Technical Fundamentals of Arranging
159
Contents
( ix
Distribution, Registration, and Voicing
160
Dynamics and Articulation
161
Key
161
Feel and Style
162
Tempo
163
Structure
163
Notating
Arrangements
163
Arranging for Voices
164
Arranging for Movement
174
part
iv
Rehearsals
1:
Singers and the Stage
179
11.
Overview of Rehearsal Process
181
12.
Individual Vocal Rehearsals
187
Coaching Singers
187
Rehearsal Process and Conduct
188
Background, Analysis, and Style
190
Key
194
Tempo
195
Vocal Technique
198
Accompanying and the Accompaniment
199
Text and Singing
202
Acting and Singing
203
13.
Ensemble Vocal Rehearsals
207
Ensemble Rehearsal Process
208
Choral Techniques for the Stage
213
Dynamics and Articulation
213
Breathing and Phrasing
216
Vocal Production and Technique
217
Intonation
218
Text and Diction
219
Acting and Characterization
220
Movement
221
Choral Conducting for the Stage
221
14.
Rehearsals with Directors and Choreographers
223
Staging and Dramatic Rehearsals
223
Movement and Dance Rehearsals
227
15.
Adapting Music to the Production
230
Cueing
231
Underscoring, Transitions, and Incidental Music
235
Overtures, Bows, and Exit Music
239
χ Ι
Contents
part v Rehearsals
2:
Musicians, Technicians,
and the Venue
241
16.
Orchestras and Orchestrations
243
Organizing the Musicians
243
The Orchestra: Sections and Setup
246
Rhythm Sections: Keyboards, Drums, Bass, and Guitar
247
Woodwinds and Brass
253
Strings
255
Orchestration: Notation and Parts
257
17.
Instrumental Conducting for the Stage
262
Rehearsal Process
264
Conducting Styles
267
Visibility and the Field
269
Baton, Head, and Hands
269
Conducting Techniques
271
Meter, Beat Patterns, and Subdivisions
272
Preparatory Beats and Cutoffs
278
Rests and Holds
282
Safeties and Vamps
284
Free Tempo, Recitative, and Following Singers
286
Tempo and Tempo Changes
289
Feels, Grooves, and Syncopations
291
Dynamics and Articulations
293
Cueing and the Stage
295
18.
From the Studio to the Stage
297
Run-throughs, Dress Rehearsals, and the
Sitzprobe 297
Load-ins, Seatings, and Sound Checks
302
The Podium
308
Technical Rehearsals, Previews, and Brush-ups
312
Giving and Receiving Notes
315
part
vi
Performance
321
19.
Conducting in Performance
323
The Pre-Show Routine
324
Showtime
326
Repeated Performances: Variations on a Theme
327
When Things Go Wrong
329
20.
Maintaining a Production and Preserving a Show
334
A Day in the Life
334
Keeping the Performance Fresh
335
Rehearsing after Opening
337
Contents I
xi
Subbing in the Orchestra
340
Subbing on the Podium
341
Disputes
343
Original Cast and Other Recordings
344
Repeatability and the Rehearsal Score
347
21.
Working as a Music Director
359
Starting Out
359
Career Philosophy
361
Maintaining a Career
364
How to Get a Gig
367
Appendix A Putting It Together
373
In The Heights
#1:
in The Heights
374
The Lion King
#/;
Circle of Life
378
Appendix
В
Bibliography, Suggested Reading, and List
of Musical Works Cited
383
Index
387
|
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author | Church, Joseph 1957- |
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author_sort | Church, Joseph 1957- |
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building | Verbundindex |
bvnumber | BV042382281 |
classification_rvk | AP 72800 LR 56070 |
contents | Introduction: The View From The Podium ; Part I: The Music Director: A Job Description ; Chapter 1: Music Direction Yesterday And Today ; Chapter 2: Musical Stage Production ; Chapter 3: Job Opportunities For Music Directors ; Part II: Personnel ; Chapter 4: The Production Team ; Chapter 5: The Creative Team ; Chapter 6: The Music Team ; Chapter 7: The Performers ; Part III: Preproduction ; Chapter 8: Mounting A Production ; Chapter 9: The Music: Assessment And Analysis ; Chapter 10: Arranging For Music Directors ; Part IV: Rehearsals 1: Singers And The Stage ; Chapter 11: Overview Of Rehearsal Process ; Chapter 12: Individual Vocal Rehearsals ; Chapter 13: Ensemble Vocal Rehearsals ; Chapter 14: Rehearsals With Directors And Choreographers ; Chapter 15: Adapting Music To The Production ; Part V: Rehearsals 2: Musicians, Technicians, And The Venue ; Chapter 16: Orchestras And Orchestrations ; Chapter 17: Instrumental Conducting For The Stage ; Chapter 18: From The Studio To The Stage ; Part VI: Performance ; Chapter 19: Conducting In Performance ; Chapter 20: Maintaining A Production And Preserving A Show ; Chapter 21: Working As A Music Director ; Appendix A: Putting It Together ; Appendix B: Bibliography, Suggested Reading, And List Of Musical ; Works Cited |
ctrlnum | (OCoLC)912471775 (DE-599)BVBBV042382281 |
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illustrated | Illustrated |
indexdate | 2024-07-10T01:20:03Z |
institution | BVB |
isbn | 9780199993406 9780199993413 |
language | English |
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oclc_num | 912471775 |
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physical | XVI, 392 S. Ill., Notenbeisp. |
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publisher | Oxford Univ. Press |
record_format | marc |
spelling | Church, Joseph 1957- Verfasser (DE-588)134839900 aut Music direction for the stage a view from the podium Joseph Church New York, NY [u.a.] Oxford Univ. Press 2015 XVI, 392 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Introduction: The View From The Podium ; Part I: The Music Director: A Job Description ; Chapter 1: Music Direction Yesterday And Today ; Chapter 2: Musical Stage Production ; Chapter 3: Job Opportunities For Music Directors ; Part II: Personnel ; Chapter 4: The Production Team ; Chapter 5: The Creative Team ; Chapter 6: The Music Team ; Chapter 7: The Performers ; Part III: Preproduction ; Chapter 8: Mounting A Production ; Chapter 9: The Music: Assessment And Analysis ; Chapter 10: Arranging For Music Directors ; Part IV: Rehearsals 1: Singers And The Stage ; Chapter 11: Overview Of Rehearsal Process ; Chapter 12: Individual Vocal Rehearsals ; Chapter 13: Ensemble Vocal Rehearsals ; Chapter 14: Rehearsals With Directors And Choreographers ; Chapter 15: Adapting Music To The Production ; Part V: Rehearsals 2: Musicians, Technicians, And The Venue ; Chapter 16: Orchestras And Orchestrations ; Chapter 17: Instrumental Conducting For The Stage ; Chapter 18: From The Studio To The Stage ; Part VI: Performance ; Chapter 19: Conducting In Performance ; Chapter 20: Maintaining A Production And Preserving A Show ; Chapter 21: Working As A Music Director ; Appendix A: Putting It Together ; Appendix B: Bibliography, Suggested Reading, And List Of Musical ; Works Cited Music directors must draw on a remarkably broad range of musical skills. Not only do they conduct during rehearsals and performances, but they must also be adept arrangers, choral directors, vocal coaches, and accompanists. Like a record producer, the successful music director must have the flexibility to adjust as needed to a multifaceted job description, one which changes with each production and often with each performer. In Music Direction for the Stage, veteran music director and instructor Joseph Church demystifies the job in a book that offers aspiring and practicing music directors the practical tips and instruction they need in order to mount a successful musical production. Church, one of Broadway's foremost music directors, emerges from the orchestra pit to tell how the music is put into a musical show. He gives particular attention to the music itself, explaining how a music director can best plan the task of learning, analyzing, and teaching each new piece. Based on his years of professional experience, he offers a practical discussion of a music director's methods of analyzing, learning, and practicing a score, thoroughly illustrated by examples from the repertoire. The book also describes how a music director can effectively approach dramatic and choreographic rehearsals, including key tips on cueing music to dialogue and staging, determining incidental music and underscoring, making musical adjustments and revisions in rehearsal, and adjusting style and tempo to performers' needs. A key theme of the book is effective collaboration with other professionals, from the production team to the creative team to the performers themselves, all grounded in Church's real-world experience with professional, amateur, and even student performances. He concludes with a look at music direction as a career, offering invaluable advice on how the enterprising music director can find work and gain standing in the field. JOSEPH CHURCH is best known for his work as music director and supervisor of two groundbreaking Broadway musicals, The Who's Tommy and The Lion King. He has worked on countless other productions as music director, conductor, keyboardist, and/or arranger, on and Off-Broadway, nationwide, and worldwide, among them, In The Heights, Sister Act, Les Miserables, Little Shop Of Horrors, Randy Newman's Faust, and Radio City's Christmas Spectacular. Also an active composer, he has written for film, television, the concert stage, and over thirty plays and musicals. Musicals / Production and direction Musicals / Production and direction fast Dirigieren (DE-588)4012435-6 gnd rswk-swf Musical (DE-588)4040801-2 gnd rswk-swf Musical (DE-588)4040801-2 s Dirigieren (DE-588)4012435-6 s DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027818336&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Church, Joseph 1957- Music direction for the stage a view from the podium Introduction: The View From The Podium ; Part I: The Music Director: A Job Description ; Chapter 1: Music Direction Yesterday And Today ; Chapter 2: Musical Stage Production ; Chapter 3: Job Opportunities For Music Directors ; Part II: Personnel ; Chapter 4: The Production Team ; Chapter 5: The Creative Team ; Chapter 6: The Music Team ; Chapter 7: The Performers ; Part III: Preproduction ; Chapter 8: Mounting A Production ; Chapter 9: The Music: Assessment And Analysis ; Chapter 10: Arranging For Music Directors ; Part IV: Rehearsals 1: Singers And The Stage ; Chapter 11: Overview Of Rehearsal Process ; Chapter 12: Individual Vocal Rehearsals ; Chapter 13: Ensemble Vocal Rehearsals ; Chapter 14: Rehearsals With Directors And Choreographers ; Chapter 15: Adapting Music To The Production ; Part V: Rehearsals 2: Musicians, Technicians, And The Venue ; Chapter 16: Orchestras And Orchestrations ; Chapter 17: Instrumental Conducting For The Stage ; Chapter 18: From The Studio To The Stage ; Part VI: Performance ; Chapter 19: Conducting In Performance ; Chapter 20: Maintaining A Production And Preserving A Show ; Chapter 21: Working As A Music Director ; Appendix A: Putting It Together ; Appendix B: Bibliography, Suggested Reading, And List Of Musical ; Works Cited Musicals / Production and direction Musicals / Production and direction fast Dirigieren (DE-588)4012435-6 gnd Musical (DE-588)4040801-2 gnd |
subject_GND | (DE-588)4012435-6 (DE-588)4040801-2 |
title | Music direction for the stage a view from the podium |
title_auth | Music direction for the stage a view from the podium |
title_exact_search | Music direction for the stage a view from the podium |
title_full | Music direction for the stage a view from the podium Joseph Church |
title_fullStr | Music direction for the stage a view from the podium Joseph Church |
title_full_unstemmed | Music direction for the stage a view from the podium Joseph Church |
title_short | Music direction for the stage |
title_sort | music direction for the stage a view from the podium |
title_sub | a view from the podium |
topic | Musicals / Production and direction Musicals / Production and direction fast Dirigieren (DE-588)4012435-6 gnd Musical (DE-588)4040801-2 gnd |
topic_facet | Musicals / Production and direction Dirigieren Musical |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027818336&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT churchjoseph musicdirectionforthestageaviewfromthepodium |