Early Mughal Painting:
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge, Mass.
Harvard University Press
[1987]
|
| Series: | Polsky Lectures in Indian and Southeast Asian Art and Archaeology
|
| Subjects: | |
| Online Access: | Volltext |
| Item Description: | 92 schw.-w. Abb., 1 map Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar the Great's interests and changing tastes, he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar |
| Physical Description: | 1 Online-Ressource (viii,164p.) |
| ISBN: | 9780674729940 9780674729933 |
| DOI: | 10.4159/harvard.9780674729940 |
Staff View
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| 500 | |a One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar | ||
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Record in the Search Index
| _version_ | 1824508358598590464 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Beach, Milo Cleveland |
| author_facet | Beach, Milo Cleveland |
| author_role | aut |
| author_sort | Beach, Milo Cleveland |
| author_variant | m c b mc mcb |
| building | Verbundindex |
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| dewey-full | 745.6/7/0954 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 745 - Decorative arts |
| dewey-raw | 745.6/7/0954 |
| dewey-search | 745.6/7/0954 |
| dewey-sort | 3745.6 17 3954 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.4159/harvard.9780674729940 |
| era | Geschichte 1550-1600 gnd |
| era_facet | Geschichte 1550-1600 |
| format | Electronic eBook |
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| geographic | Indien Mogulreich (DE-588)4074930-7 gnd |
| geographic_facet | Indien Mogulreich |
| id | DE-604.BV042345630 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-19T17:39:21Z |
| institution | BVB |
| isbn | 9780674729940 9780674729933 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027782111 |
| oclc_num | 897160790 |
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| owner_facet | DE-Y3 DE-Y2 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 Online-Ressource (viii,164p.) |
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| publishDate | 1987 |
| publishDateSearch | 1987 |
| publishDateSort | 1987 |
| publisher | Harvard University Press |
| record_format | marc |
| series2 | Polsky Lectures in Indian and Southeast Asian Art and Archaeology |
| spelling | Beach, Milo Cleveland Verfasser aut Early Mughal Painting Milo Cleveland Beach Cambridge, Mass. Harvard University Press [1987] 1 Online-Ressource (viii,164p.) txt rdacontent c rdamedia cr rdacarrier Polsky Lectures in Indian and Southeast Asian Art and Archaeology 92 schw.-w. Abb., 1 map Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar the Great's interests and changing tastes, he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar In English Geschichte 1550-1600 gnd rswk-swf Islamic illumination of books and manuscripts / India Kings and rulers / Art patronage Grafik, angewandte Kunst Illumination of books and manuscripts, Mogul Iluminación de libros y manuscritos islámicos Islamic illumination of books and manuscripts Malerei (DE-588)4037220-0 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Indien Mogulreich (DE-588)4074930-7 gnd rswk-swf Malerei (DE-588)4037220-0 s Mogulreich (DE-588)4074930-7 g Geschichte (DE-588)4020517-4 s 1\p DE-604 Geschichte 1550-1600 z 2\p DE-604 https://doi.org/10.4159/harvard.9780674729940 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Beach, Milo Cleveland Early Mughal Painting Islamic illumination of books and manuscripts / India Kings and rulers / Art patronage Grafik, angewandte Kunst Illumination of books and manuscripts, Mogul Iluminación de libros y manuscritos islámicos Islamic illumination of books and manuscripts Malerei (DE-588)4037220-0 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4037220-0 (DE-588)4020517-4 (DE-588)4074930-7 |
| title | Early Mughal Painting |
| title_auth | Early Mughal Painting |
| title_exact_search | Early Mughal Painting |
| title_full | Early Mughal Painting Milo Cleveland Beach |
| title_fullStr | Early Mughal Painting Milo Cleveland Beach |
| title_full_unstemmed | Early Mughal Painting Milo Cleveland Beach |
| title_short | Early Mughal Painting |
| title_sort | early mughal painting |
| topic | Islamic illumination of books and manuscripts / India Kings and rulers / Art patronage Grafik, angewandte Kunst Illumination of books and manuscripts, Mogul Iluminación de libros y manuscritos islámicos Islamic illumination of books and manuscripts Malerei (DE-588)4037220-0 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Islamic illumination of books and manuscripts / India Kings and rulers / Art patronage Grafik, angewandte Kunst Illumination of books and manuscripts, Mogul Iluminación de libros y manuscritos islámicos Islamic illumination of books and manuscripts Malerei Geschichte Indien Mogulreich |
| url | https://doi.org/10.4159/harvard.9780674729940 |
| work_keys_str_mv | AT beachmilocleveland earlymughalpainting |