Neue Ausgabe sämtlicher Werke: 10 Consolations, grand solo de concert : (Frühfassungen) und andere Werke
Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolations the third movement was a style hongrois piece who...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Partitur Buch |
| Sprache: | Hungarian English German |
| Veröffentlicht: |
Budapest
Ed. Musica
2014
|
| Zusammenfassung: | Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolations the third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did not include the slow "movement" that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor. A detailed preface in English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously with the cloth-bound Complete Edition volume, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume. |
| Beschreibung: | Enth.: La Romanesca : Mélodie du 16e siecle, R 91, SW 252a, NG2 A14 ; 1st version SH 252i. Canzone napolitana : Notturno, R 92, SW 248, NG2 A85 ; 1st version SH 248i. Consolations, R12, SW 172 : 1st version SH171a, NG2 A111a ; No. 1, No. 2, No. 3 (D'apres une mélodie hongroise), No. 4 (D'apres un L. D. S. A. I. M. P........), No. 5, No. 6. Grand solo de concert = Großes Konzertsolo, R18, SW 176, NG2 A167 : 1st version SH 175a. Wilde Jagd : Scherzo, R20, SW 177, NG2 A174 ; 1st version SH 176a. Huldigungsmarsch, R 49, SW 228, NG2 A182 : 1st version SH 228i. Berceuse, R 57a, SW 174, NG2 A186 : 1st version SH 174i. Berceuse, R 57a, SW 174, NG2 A186 : 1st version SH 174i. Magnificat, R 68/1, SW 183/1, NG2 A216 : 1st version SH 182a. Ave Maria, R 193a, SW 504, NG2 A247 : 1st version SH 504i. Ave Maria aus den Kirchenchorgesängen, R 193a, SW 504, NG2 A247 : 1st version SH 504i. – Anhang: Madrigal, R-, SW/SH-, NG2-. Consolations, R 12, SW 172 : 1st version SH 171a, NG2 A111a - No. 6 Albumblatt. Consolations , R 12, SW/SH 172, NG2 A111b No. 1 Albumblatt. Consolations R 12, SW/SH 172, NG2 A111b No. 3 Skizze. - Kritischer Bericht |
| Beschreibung: | LXXI, 151 S. Faks. |
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| 500 | |a Enth.: La Romanesca : Mélodie du 16e siecle, R 91, SW 252a, NG2 A14 ; 1st version SH 252i. Canzone napolitana : Notturno, R 92, SW 248, NG2 A85 ; 1st version SH 248i. Consolations, R12, SW 172 : 1st version SH171a, NG2 A111a ; No. 1, No. 2, No. 3 (D'apres une mélodie hongroise), No. 4 (D'apres un L. D. S. A. I. M. P........), No. 5, No. 6. Grand solo de concert = Großes Konzertsolo, R18, SW 176, NG2 A167 : 1st version SH 175a. Wilde Jagd : Scherzo, R20, SW 177, NG2 A174 ; 1st version SH 176a. Huldigungsmarsch, R 49, SW 228, NG2 A182 : 1st version SH 228i. Berceuse, R 57a, SW 174, NG2 A186 : 1st version SH 174i. Berceuse, R 57a, SW 174, NG2 A186 : 1st version SH 174i. Magnificat, R 68/1, SW 183/1, NG2 A216 : 1st version SH 182a. Ave Maria, R 193a, SW 504, NG2 A247 : 1st version SH 504i. Ave Maria aus den Kirchenchorgesängen, R 193a, SW 504, NG2 A247 : 1st version SH 504i. – Anhang: Madrigal, R-, SW/SH-, NG2-. Consolations, R 12, SW 172 : 1st version SH 171a, NG2 A111a - No. 6 Albumblatt. Consolations , R 12, SW/SH 172, NG2 A111b No. 1 Albumblatt. Consolations R 12, SW/SH 172, NG2 A111b No. 3 Skizze. - Kritischer Bericht | ||
| 520 | |a Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolations the third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did not include the slow "movement" that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor. A detailed preface in English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously with the cloth-bound Complete Edition volume, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume. | ||
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Datensatz im Suchindex
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| author | Kaczmarczyk, Adrienne 1963- Liszt, Franz 1811-1886 |
| author_GND | (DE-588)13811529X (DE-588)118573527 (DE-588)138981078 |
| author_facet | Kaczmarczyk, Adrienne 1963- Liszt, Franz 1811-1886 |
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| author_sort | Kaczmarczyk, Adrienne 1963- |
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| building | Verbundindex |
| bvnumber | BV042340719 |
| ctrlnum | (OCoLC)903435501 (DE-599)BVBBV042340719 |
| format | Musical Score Book |
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| id | DE-604.BV042340719 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:18:52Z |
| institution | BVB |
| language | Hungarian English German |
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| spelling | Kaczmarczyk, Adrienne 1963- Komponist (DE-588)13811529X cmp Werke / 1-2 / Supplement-Bände Neue Ausgabe sämtlicher Werke 10 Consolations, grand solo de concert : (Frühfassungen) und andere Werke hrsg. von Kaczmarczyk Adrienne, Sas Ágnes Budapest Ed. Musica 2014 LXXI, 151 S. Faks. ntm rdacontent n rdamedia nc rdacarrier Enth.: La Romanesca : Mélodie du 16e siecle, R 91, SW 252a, NG2 A14 ; 1st version SH 252i. Canzone napolitana : Notturno, R 92, SW 248, NG2 A85 ; 1st version SH 248i. Consolations, R12, SW 172 : 1st version SH171a, NG2 A111a ; No. 1, No. 2, No. 3 (D'apres une mélodie hongroise), No. 4 (D'apres un L. D. S. A. I. M. P........), No. 5, No. 6. Grand solo de concert = Großes Konzertsolo, R18, SW 176, NG2 A167 : 1st version SH 175a. Wilde Jagd : Scherzo, R20, SW 177, NG2 A174 ; 1st version SH 176a. Huldigungsmarsch, R 49, SW 228, NG2 A182 : 1st version SH 228i. Berceuse, R 57a, SW 174, NG2 A186 : 1st version SH 174i. Berceuse, R 57a, SW 174, NG2 A186 : 1st version SH 174i. Magnificat, R 68/1, SW 183/1, NG2 A216 : 1st version SH 182a. Ave Maria, R 193a, SW 504, NG2 A247 : 1st version SH 504i. Ave Maria aus den Kirchenchorgesängen, R 193a, SW 504, NG2 A247 : 1st version SH 504i. – Anhang: Madrigal, R-, SW/SH-, NG2-. Consolations, R 12, SW 172 : 1st version SH 171a, NG2 A111a - No. 6 Albumblatt. Consolations , R 12, SW/SH 172, NG2 A111b No. 1 Albumblatt. Consolations R 12, SW/SH 172, NG2 A111b No. 3 Skizze. - Kritischer Bericht Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolations the third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did not include the slow "movement" that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor. A detailed preface in English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously with the cloth-bound Complete Edition volume, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume. Liszt, Franz 1811-1886 Komponist (DE-588)118573527 cmp Sas, Ágnes 1945- Sonstige (DE-588)138981078 oth (DE-604)BV021501721 10 |
| spellingShingle | Kaczmarczyk, Adrienne 1963- Liszt, Franz 1811-1886 Neue Ausgabe sämtlicher Werke |
| title | Neue Ausgabe sämtlicher Werke |
| title_alt | Werke / 1-2 / Supplement-Bände |
| title_auth | Neue Ausgabe sämtlicher Werke |
| title_exact_search | Neue Ausgabe sämtlicher Werke |
| title_full | Neue Ausgabe sämtlicher Werke 10 Consolations, grand solo de concert : (Frühfassungen) und andere Werke hrsg. von Kaczmarczyk Adrienne, Sas Ágnes |
| title_fullStr | Neue Ausgabe sämtlicher Werke 10 Consolations, grand solo de concert : (Frühfassungen) und andere Werke hrsg. von Kaczmarczyk Adrienne, Sas Ágnes |
| title_full_unstemmed | Neue Ausgabe sämtlicher Werke 10 Consolations, grand solo de concert : (Frühfassungen) und andere Werke hrsg. von Kaczmarczyk Adrienne, Sas Ágnes |
| title_short | Neue Ausgabe sämtlicher Werke |
| title_sort | neue ausgabe samtlicher werke consolations grand solo de concert fruhfassungen und andere werke |
| volume_link | (DE-604)BV021501721 |
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