The people's galleries: art museums and exhibitions in Britain, 1800 - 1914
"This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven and London
Yale Univ. Press
2015
|
| Schlagworte: | |
| Online-Zugang: | rezensiert in: sehepunkte 17 (2017), Nr. 1 Inhaltsverzeichnis |
| Zusammenfassung: | "This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and Nottingham were immensely popular and attracted enthusiastic audiences. The People's Galleries traces the rise of art museums in Britain through World War I, focusing on the phenomenon of municipal galleries. This richly illustrated book argues that these regional museums represented a new type of institution: an art gallery for a working-class audience, appropriate for the rapidly expanding cities and shaped by liberal ideals. As their broad appeal weakened with the new century, they adapted and became more conventional. Using a wide range of sources, the book studies the patrons and the publics, the collecting policies, the temporary exhibitions, and the architecture of these institutions, as well as the complex range of reasons for their foundation" |
| Beschreibung: | 1. Britain and the Visual Arts -- 2. Justifying the Museum -- 3. Struggling for a Voice : Learned Society and the Artists' Society in the Provincial City -- 4. Unpromising Soil : The Cities of the Industrial Revolution -- 5. The Universal Exhibition -- 6. For Instructions and Recreation -- 7. Art on Show -- 8. The Power of the Temporary Exhibition -- 9. A New Style of Collecting -- 10. Education in the Victorian Gallery -- 11. Patrons, Donors, Councillors, Curators, Visitors -- 12. Addressing the past -- 13. A New Order -- 14. The Aftermath |
| Beschreibung: | XI, 370 S. überw. Ill. 29 cm |
| ISBN: | 9780300209846 |
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| 520 | |a "This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and Nottingham were immensely popular and attracted enthusiastic audiences. The People's Galleries traces the rise of art museums in Britain through World War I, focusing on the phenomenon of municipal galleries. This richly illustrated book argues that these regional museums represented a new type of institution: an art gallery for a working-class audience, appropriate for the rapidly expanding cities and shaped by liberal ideals. As their broad appeal weakened with the new century, they adapted and became more conventional. Using a wide range of sources, the book studies the patrons and the publics, the collecting policies, the temporary exhibitions, and the architecture of these institutions, as well as the complex range of reasons for their foundation" | ||
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Datensatz im Suchindex
| _version_ | 1804152945859624960 |
|---|---|
| adam_text | Titel: The people s galleries
Autor: Waterfield, Giles
Jahr: 2015
CONTENTS
Acknowledgements x
Introduction i
Part One: Britain and the Visual Arts 9
1 Britain and the Visual Arts 11
2 Justifying the Museum 29
3 Struggling for a Voice: The Learned Society and Artists Society in the Provincial City 45
Part Two: Creating the Art Museum in Victorian Britain 63
4 Unpromising Soil: The Cities of the Industrial Revolution and the Earliest Civic Art
Galleries 65
5 The Universal Exhibition 87
6 For Instruction and Recreation 121
7 Art on Show 141
8 The Temporary Exhibition: Nest or Cuckoo? 175
9 A New Style of Collecting
10 Education in the Victorian Gallery
11 Patrons, Donors, Councillors, Curators, Visitors
12 Addressing the Past
Part Three: The Aftermath
13 A New Order
14 The Aftermath
Appendix: Dates of the Foundation of Art Museums in Britain, 1684-1939
Notes
Bibliography
Illustration Credits
Index
197
227
247
275
297
299
317
324
327
343
348
349
|
| any_adam_object | 1 |
| author | Waterfield, Giles 1949- |
| author_GND | (DE-588)131807811 |
| author_facet | Waterfield, Giles 1949- |
| author_role | aut |
| author_sort | Waterfield, Giles 1949- |
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| building | Verbundindex |
| bvnumber | BV042337222 |
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| ctrlnum | (OCoLC)921680521 (DE-599)BVBBV042337222 |
| dewey-full | 708.209 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 708 - Galleries, museums & private collections |
| dewey-raw | 708.209 |
| dewey-search | 708.209 |
| dewey-sort | 3708.209 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Allgemeines |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-1914 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-1914 |
| format | Book |
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| spelling | Waterfield, Giles 1949- Verfasser (DE-588)131807811 aut The people's galleries art museums and exhibitions in Britain, 1800 - 1914 Giles Waterfield New Haven and London Yale Univ. Press 2015 XI, 370 S. überw. Ill. 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier 1. Britain and the Visual Arts -- 2. Justifying the Museum -- 3. Struggling for a Voice : Learned Society and the Artists' Society in the Provincial City -- 4. Unpromising Soil : The Cities of the Industrial Revolution -- 5. The Universal Exhibition -- 6. For Instructions and Recreation -- 7. Art on Show -- 8. The Power of the Temporary Exhibition -- 9. A New Style of Collecting -- 10. Education in the Victorian Gallery -- 11. Patrons, Donors, Councillors, Curators, Visitors -- 12. Addressing the past -- 13. A New Order -- 14. The Aftermath "This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and Nottingham were immensely popular and attracted enthusiastic audiences. The People's Galleries traces the rise of art museums in Britain through World War I, focusing on the phenomenon of municipal galleries. This richly illustrated book argues that these regional museums represented a new type of institution: an art gallery for a working-class audience, appropriate for the rapidly expanding cities and shaped by liberal ideals. As their broad appeal weakened with the new century, they adapted and became more conventional. Using a wide range of sources, the book studies the patrons and the publics, the collecting policies, the temporary exhibitions, and the architecture of these institutions, as well as the complex range of reasons for their foundation" Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-1914 gnd rswk-swf Art museums / Great Britain / History / 19th century Art museums / Great Britain / History / 20th century Art / Great Britain / Exhibitions / History Art museums / Social aspects / Great Britain / History Art and state / Great Britain / History Art and society / Great Britain / History City and town life / Great Britain / History Geschichte Gesellschaft Kunst Kunstmuseum (DE-588)4166041-9 gnd rswk-swf Great Britain / Intellectual life / 19th century Great Britain / Intellectual life / 20th century Great Britain / Social conditions Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog gnd-content Großbritannien (DE-588)4022153-2 g Kunstmuseum (DE-588)4166041-9 s Geschichte 1800-1914 z DE-604 Paul Mellon Centre for Studies in British Art Sonstige (DE-588)1045454-8 oth http://www.sehepunkte.de/2017/01/27259.html rezensiert in: sehepunkte 17 (2017), Nr. 1 Rezension HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027773828&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Waterfield, Giles 1949- The people's galleries art museums and exhibitions in Britain, 1800 - 1914 Art museums / Great Britain / History / 19th century Art museums / Great Britain / History / 20th century Art / Great Britain / Exhibitions / History Art museums / Social aspects / Great Britain / History Art and state / Great Britain / History Art and society / Great Britain / History City and town life / Great Britain / History Geschichte Gesellschaft Kunst Kunstmuseum (DE-588)4166041-9 gnd |
| subject_GND | (DE-588)4166041-9 (DE-588)4022153-2 (DE-588)4135467-9 |
| title | The people's galleries art museums and exhibitions in Britain, 1800 - 1914 |
| title_auth | The people's galleries art museums and exhibitions in Britain, 1800 - 1914 |
| title_exact_search | The people's galleries art museums and exhibitions in Britain, 1800 - 1914 |
| title_full | The people's galleries art museums and exhibitions in Britain, 1800 - 1914 Giles Waterfield |
| title_fullStr | The people's galleries art museums and exhibitions in Britain, 1800 - 1914 Giles Waterfield |
| title_full_unstemmed | The people's galleries art museums and exhibitions in Britain, 1800 - 1914 Giles Waterfield |
| title_short | The people's galleries |
| title_sort | the people s galleries art museums and exhibitions in britain 1800 1914 |
| title_sub | art museums and exhibitions in Britain, 1800 - 1914 |
| topic | Art museums / Great Britain / History / 19th century Art museums / Great Britain / History / 20th century Art / Great Britain / Exhibitions / History Art museums / Social aspects / Great Britain / History Art and state / Great Britain / History Art and society / Great Britain / History City and town life / Great Britain / History Geschichte Gesellschaft Kunst Kunstmuseum (DE-588)4166041-9 gnd |
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