Jacopo Tintoretto in process: the making of a Venetian master, 1540 -1560
The Last Judgment and the Making of the Golden Calf in the Church of the Madonna dell'Orto in Venice are two of the tallest canvas paintings ever created, each measuring some 14.5 m (47.6 feet) high. At this scale these pictures are clearly statements, made by an artist accustomed to confrontat...
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| Format: | Thesis Book |
| Language: | English |
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Ann Arbor
ProQuest
2014
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| Subjects: | |
| Online Access: | Volltext |
| Summary: | The Last Judgment and the Making of the Golden Calf in the Church of the Madonna dell'Orto in Venice are two of the tallest canvas paintings ever created, each measuring some 14.5 m (47.6 feet) high. At this scale these pictures are clearly statements, made by an artist accustomed to confrontation. Jacopo Tintoretto (c.1518-1594) executed the pair of paintings around 1558-60 for the choir of his neighborhood church, in a commission that he apparently initiated himself, asking payment only for materials. The novelty of their monumentality and indeed their preeminence within Tintoretto's oeuvre were noted by early biographers. The paintings have received little attention in modern scholarship, however, which has tended to prioritize instead as his greatest accomplishments the Miracle of the Slave (1548) - Tintoretto's first picture in a series for the Scuola Grande di San Marco - and the dozens of canvases for the Scuola Grande di San Rocco (1564-88). Moreover, the initial paintings for both of these scuola cycles have been regarded in the literature as among the artist's most pivotal moments, overshadowing his work in the intervening decade of the 1550s, particularly the Last Judgment and the Making of the Golden Calf and a group of important paintings leading up to them |
| Item Description: | Department: Art History and Archaeology. - Thesis advisor: David Rosand |
| Physical Description: | XV, 492 S. zahlr. Ill. |
| DOI: | 10.7916/D8T151TW |
Staff View
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| 520 | |a The Last Judgment and the Making of the Golden Calf in the Church of the Madonna dell'Orto in Venice are two of the tallest canvas paintings ever created, each measuring some 14.5 m (47.6 feet) high. At this scale these pictures are clearly statements, made by an artist accustomed to confrontation. Jacopo Tintoretto (c.1518-1594) executed the pair of paintings around 1558-60 for the choir of his neighborhood church, in a commission that he apparently initiated himself, asking payment only for materials. The novelty of their monumentality and indeed their preeminence within Tintoretto's oeuvre were noted by early biographers. The paintings have received little attention in modern scholarship, however, which has tended to prioritize instead as his greatest accomplishments the Miracle of the Slave (1548) - Tintoretto's first picture in a series for the Scuola Grande di San Marco - and the dozens of canvases for the Scuola Grande di San Rocco (1564-88). Moreover, the initial paintings for both of these scuola cycles have been regarded in the literature as among the artist's most pivotal moments, overshadowing his work in the intervening decade of the 1550s, particularly the Last Judgment and the Making of the Golden Calf and a group of important paintings leading up to them | ||
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| spelling | Ilchman, Frederick Verfasser aut Jacopo Tintoretto in process the making of a Venetian master, 1540 -1560 Frederick Ilchman Ann Arbor ProQuest 2014 XV, 492 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Department: Art History and Archaeology. - Thesis advisor: David Rosand New York, Columbia Univ., Diss., 2014 The Last Judgment and the Making of the Golden Calf in the Church of the Madonna dell'Orto in Venice are two of the tallest canvas paintings ever created, each measuring some 14.5 m (47.6 feet) high. At this scale these pictures are clearly statements, made by an artist accustomed to confrontation. Jacopo Tintoretto (c.1518-1594) executed the pair of paintings around 1558-60 for the choir of his neighborhood church, in a commission that he apparently initiated himself, asking payment only for materials. The novelty of their monumentality and indeed their preeminence within Tintoretto's oeuvre were noted by early biographers. The paintings have received little attention in modern scholarship, however, which has tended to prioritize instead as his greatest accomplishments the Miracle of the Slave (1548) - Tintoretto's first picture in a series for the Scuola Grande di San Marco - and the dozens of canvases for the Scuola Grande di San Rocco (1564-88). Moreover, the initial paintings for both of these scuola cycles have been regarded in the literature as among the artist's most pivotal moments, overshadowing his work in the intervening decade of the 1550s, particularly the Last Judgment and the Making of the Golden Calf and a group of important paintings leading up to them Michelangelo Buonarroti 1475-1564 (DE-588)118582143 gnd rswk-swf Tintoretto 1518-1594 (DE-588)118622854 gnd rswk-swf Art history Rezeption (DE-588)4049716-1 gnd rswk-swf Madonna dell'Orto Venedig (DE-588)4415502-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Madonna dell'Orto Venedig (DE-588)4415502-5 g Tintoretto 1518-1594 (DE-588)118622854 p Michelangelo Buonarroti 1475-1564 (DE-588)118582143 p Rezeption (DE-588)4049716-1 s DE-604 https://doi.org/10.7916/D8T151TW Resolving-System kostenfrei Volltext |
| spellingShingle | Ilchman, Frederick Jacopo Tintoretto in process the making of a Venetian master, 1540 -1560 Michelangelo Buonarroti 1475-1564 (DE-588)118582143 gnd Tintoretto 1518-1594 (DE-588)118622854 gnd Art history Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118582143 (DE-588)118622854 (DE-588)4049716-1 (DE-588)4415502-5 (DE-588)4113937-9 |
| title | Jacopo Tintoretto in process the making of a Venetian master, 1540 -1560 |
| title_auth | Jacopo Tintoretto in process the making of a Venetian master, 1540 -1560 |
| title_exact_search | Jacopo Tintoretto in process the making of a Venetian master, 1540 -1560 |
| title_full | Jacopo Tintoretto in process the making of a Venetian master, 1540 -1560 Frederick Ilchman |
| title_fullStr | Jacopo Tintoretto in process the making of a Venetian master, 1540 -1560 Frederick Ilchman |
| title_full_unstemmed | Jacopo Tintoretto in process the making of a Venetian master, 1540 -1560 Frederick Ilchman |
| title_short | Jacopo Tintoretto in process |
| title_sort | jacopo tintoretto in process the making of a venetian master 1540 1560 |
| title_sub | the making of a Venetian master, 1540 -1560 |
| topic | Michelangelo Buonarroti 1475-1564 (DE-588)118582143 gnd Tintoretto 1518-1594 (DE-588)118622854 gnd Art history Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Michelangelo Buonarroti 1475-1564 Tintoretto 1518-1594 Art history Rezeption Madonna dell'Orto Venedig Hochschulschrift |
| url | https://doi.org/10.7916/D8T151TW |
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