Medievalism: a critical history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Brewer
2015
|
| Schriftenreihe: | Medievalism
6 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIV, 211 S. Ill. |
| ISBN: | 9781843843924 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
viii
List of Illustrations
Preface
J
xiii
Acknowledgements
Abbreviations
ι
Introduction
I Taxonomies
13
ι
How Many Middle Ages?
II Time, Space, Self, Society
45
2
Welcome to the Current Middle Ages : Asynchronous Medievalism ^
3
This Way to the Middle Ages: The Spaces of Medievalism
92
4
On Being Medieval: Medievalist Selves and Societies
III History and Discipline
117
5
Wemmicks Castle: The Limits of Medievalism ^o
6
Realism in the Crypt: The Reach of Medievalism
165
Conclusion: Against a Synthesis: Medievalism, Cultural Studies, and
Antidisciplinarity
183
Afterword
185
Appendix I: The Survey of Reenactors xg8
Appendix II: Key Moments in Medievalism
193
Bibliography
Index
The field known as medievalism studies concerns the life of the
Middle Ages after the Middle Ages, Originating some thirty years
ago, it examines reinventions and reworkings of the medieval from
the Reformation to postmodernity, from Bale and Leland to HBOs
Game of Thrones. But what exactly is it? An offshoot of medieval studies?
A version of reception studies? Or a new form of cultural studies? Can
such a diverse field claim coherence? Should it be housed in departments
of English, or History, or should it always be interdisciplinary?
In responding to such questions, the author traces tbe history of
medievalism from its earliest appearances in the sixteenth century to
the present day, across a range of examples drawn from the spheres of
literature, art, architecture, music and more. He identifies two major
modes, the grotesque and the romantic, and focuses on key phases
of the development of medievalism in Europe: the Reformation, the
late eighteenth century, and above all the period between
1815
and
1850^
which, he argues, represents the zenith of medievalist cultural
production. He also contends that the
1
840s were medievalism s one
moment of canonicity in several European cultures at once. After that,
medievalism became a minority form, rarely marked with cultural
prestige, though always pervasive and influential.
Medievalism: a Critical History scrutinises several key categories
—
space, time, and selfhood
—
and traces the impact of medievalism on
each. It will be the essential guide to a complex and still evolving field
of inquiry.
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| language | English |
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