Gender terrains in African cinema:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Pretoria
Unisa Press
2014
|
Ausgabe: | 1. ed. |
Schriftenreihe: | African humanities series
|
Schlagworte: | |
Online-Zugang: | Klappentext Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XIV, 227 S. Ill. 24 cm |
Internformat
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Datensatz im Suchindex
_version_ | 1804152812084396032 |
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adam_text | Filmography R vii
Illustrations ix
Preface acknowledgements xi
1 Theoretical introduction 1
Introduction 1
Theoretical frames of African filmmaking 2
The griot tradition
Individual and popular traditions
Challenges of categorising African cinema
The issue of women
African feminism 15
Selected films and book structure 23
2 Imaging the girl child 27
Introduction 27
Children in African colonial and traditional settings 29
Pushing gender borderlines
Mature actions and adult voices in children
The politics of female genital mutilation/cutting (FGM/C)
Children in adult worlds 57
Portrayal of children in synthesis 73
3 Negotiating spaces within patriarchy 77
Introduction 77
Dismantling patriarchal logic 80
The logic of bride price 90
Female control and forms of protest
Male perspectives of marriage within patriarchy
Questioning foundational myths and traditions 99
Female-virgin sacrifice for community wellbeing
Female excision and the myth of marriage suitability
From individual to community protest
Women in polygamy 121
Polygamous men s fatal attraction to young,
sophisticated women 125
Women under new economic challenges 130
Husbands undeserving of good wives
Women in prostitution
The feminine in the public sphere 143
Male victims under patriarchy 151
Conclusion 157
4 Positioning the elderly in gender relations 163
Introduction 163
Elderly women as centres of alternative authority 166
Male-female dynamics 177
The elderly as harbingers of change 184
Conclusion 189
5 Recurrent trends in gender representation in
African cinema 193
Introduction 193
Trends in the representaion of women 194
Implications for film theory research 200
References 205
Index
221
About the Author
Dominica Dipio is an associate professor of literature and
Him based in Makerere University, Kampala, where she
obtained her Bachelor s and Master s degrees in Literature.
I ler Licentiate in Social Communications and PhD in Film
. AFRICAN
v HUMANITIES
:V PROGRAM
Series editors: Kwesi Yunkalidi Fred Hendricks
Studies, specialising in African Cinema are from the
Pontifical Gregorian University in Rome. She has been the
Chair of the Department of Literature from 2007-2012.
Dipio has won a number of research grants, top among
them arc the Fulbright Research Fellowship (2012 2013);
the Africa Humanities Program (AI IP) Fellowship that
recognises excellent research in Humanities (2009); and
the Makerere-Bergen Foklorc Project (2007-2012) where
she has been a lead researcher and coordinator. Among the
recognitions she has received is a nomination among high
achieving women in Uganda whose stories are profiled in
a book. Footmarks Scaling Heights: Conversations w ith
Women of Purpose in Uganda (2014). She is also a
recipient of the Authorship and Legal Deposit Award of
Makerere University (2009). and the Art Press Association
(APA) Award for her first feature film, A Meal to Forget
(2009).
Dipio has several publications in her research fields of
film, literature, folklore and cultural studies, with gender
as a cross-cutting interest in her writings. Two of her co-
edited five books arc: Performing Wisdom: Proverbial
Lore in Modern Ugandan Society, MATATU 42, (2013);
Traditional Wisdom: Folktales from Uganda, CMK
(2012). Some of her book chapters and journal articles
include: ‘A Historical Overview of Ugandan Film
Industry’, Cambridge Scholars (2014); and ‘Audience
Pleasure and Nollywood Popularity in Uganda: An
Assessment , JAC(2014).
The African 1 lumanities Series is a partnership betw een l hiisa
Press and the African Humanities Program of the American
Council of Learned Societies. The African I lumanities Series
covers topics in African histories, languages, literatures, and
cultures. Submissions are solicited from Fellows of the
African Humanities Program (AIIP). which is administered
by the American Council ofLcarned Societies and financial!)
supported by the Carnegie Corporation of New York.
The purpose of the AHP is to encourage and enable
production of new knowledge by Africans in the fixe
countries designated by Carnegie Corporation: Ghana.
Nigeria. South Africa. Tanzania, and Uganda. AIIP
fellowships support one year s work free from leaching and
other responsibilities to allow the Fellow to complete the
project proposed.
Successfully completed manuscripts are submitted to the
AFIP editorial board, which chooses manuscripts to he
forwarded to UN ISA Press. In some eases, the AHP board will
commission substantive editing and/or re-organisation of
manuscripts.
The African I lumanities Series aims to publish works of the
highest quality that will foreground the best research being
done by emerging scholars (w ithin five years of receiving
their Pli.D. degree, which is the A11 P s eligibility
requirement). The rigorous selection process before the
fellowship award, as well as AIIP editorial vetting of
manuscripts, assures attention to quality. Books m the series
are intended to speak to scholars in Africa as well as in other
world areas.
The AHP is also committed to prov iding a copy of each
publication in the series to every university library in Africa.
bpi a paucity of scholarship
Gender Terrains in African Cinema reflects on a body of canonical
African filmmakers who address a trajectory of pertinent social issues.
Dipio analyses gender relations around three categories of. female
characters - the girl child, the young woman and the elderly woman and
their male counterparts. Although gender remains the focal point in this
lucid and fascinating text, Dipio engages attention in her discussion of
African feminism in relation to Western feminism. With its broad appeal
to African humanities, Gender Terrains in African Cinema stands as a
unique and radical contribution to the field of (African) film studies,
which until now, has si
diversity
ar-*
4
|
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era | Geschichte gnd |
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spelling | Dipio, Dominica Verfasser (DE-588)1053094590 aut Gender terrains in African cinema Dominica Dipio 1. ed. Pretoria Unisa Press 2014 XIV, 227 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier African humanities series Includes bibliographical references and index Geschichte gnd rswk-swf Motion pictures and women / Africa Women in motion pictures / History and criticism Feminism and motion pictures / Africa Motion pictures / Africa / History and criticism Film Frau Motiv (DE-588)4113617-2 gnd rswk-swf Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Afrika Subsaharisches Afrika (DE-588)4053770-5 gnd rswk-swf Subsaharisches Afrika (DE-588)4053770-5 g Film (DE-588)4017102-4 s Frau Motiv (DE-588)4113617-2 s Geschlechterverhältnis Motiv (DE-588)4213077-3 s Geschichte z DE-604 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027697772&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027697772&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Dipio, Dominica Gender terrains in African cinema Motion pictures and women / Africa Women in motion pictures / History and criticism Feminism and motion pictures / Africa Motion pictures / Africa / History and criticism Film Frau Motiv (DE-588)4113617-2 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4113617-2 (DE-588)4213077-3 (DE-588)4017102-4 (DE-588)4053770-5 |
title | Gender terrains in African cinema |
title_auth | Gender terrains in African cinema |
title_exact_search | Gender terrains in African cinema |
title_full | Gender terrains in African cinema Dominica Dipio |
title_fullStr | Gender terrains in African cinema Dominica Dipio |
title_full_unstemmed | Gender terrains in African cinema Dominica Dipio |
title_short | Gender terrains in African cinema |
title_sort | gender terrains in african cinema |
topic | Motion pictures and women / Africa Women in motion pictures / History and criticism Feminism and motion pictures / Africa Motion pictures / Africa / History and criticism Film Frau Motiv (DE-588)4113617-2 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Motion pictures and women / Africa Women in motion pictures / History and criticism Feminism and motion pictures / Africa Motion pictures / Africa / History and criticism Film Frau Motiv Geschlechterverhältnis Motiv Afrika Subsaharisches Afrika |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027697772&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027697772&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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