Mise en scène and film style: from classical Hollywood to new media art
"Styles of filmmaking have changed greatly from the classical Hollywood system, with its emphasis on narrative and character, to the current digital era of YouTube and installation art, where audiovisual spectacle takes command. The ways in which film critics and scholars have analysed these tr...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Basingstoke
Palgrave Macmillan
2014
|
Schriftenreihe: | Palgrave close readings in film and television
|
Schlagworte: | |
Zusammenfassung: | "Styles of filmmaking have changed greatly from the classical Hollywood system, with its emphasis on narrative and character, to the current digital era of YouTube and installation art, where audiovisual spectacle takes command. The ways in which film critics and scholars have analysed these transformations in film style have also often changed. This book explores two central style concepts from the history of audiovisual criticism and theory, mise en scène and dispositif, to illuminate a wide range of film and new media examples. It argues that we need an open, inclusive and truly international approach to understand anew both old and current film and media works".. |
Beschreibung: | 1 Online-Ressource (235 S.) |
ISBN: | 9781137269942 9781137269959 |
Internformat
MARC
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520 | |a "Styles of filmmaking have changed greatly from the classical Hollywood system, with its emphasis on narrative and character, to the current digital era of YouTube and installation art, where audiovisual spectacle takes command. The ways in which film critics and scholars have analysed these transformations in film style have also often changed. This book explores two central style concepts from the history of audiovisual criticism and theory, mise en scène and dispositif, to illuminate a wide range of film and new media examples. It argues that we need an open, inclusive and truly international approach to understand anew both old and current film and media works".. | ||
650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
650 | 7 | |a SOCIAL SCIENCE / Media Studies |2 bisacsh | |
650 | 4 | |a Film | |
650 | 4 | |a Massenmedien | |
650 | 4 | |a Motion pictures |x Production and direction | |
650 | 4 | |a Mass media |x Technological innovations | |
650 | 4 | |a PERFORMING ARTS / Film & Video / Direction & Production | |
650 | 4 | |a PERFORMING ARTS / Film & Video / History & Criticism | |
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Datensatz im Suchindex
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any_adam_object | |
author | Martin, Adrian 1959- |
author_GND | (DE-588)13809280X |
author_facet | Martin, Adrian 1959- |
author_role | aut |
author_sort | Martin, Adrian 1959- |
author_variant | a m am |
building | Verbundindex |
bvnumber | BV042247745 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.P7 |
callnumber-search | PN1995.9.P7 |
callnumber-sort | PN 41995.9 P7 |
callnumber-subject | PN - General Literature |
collection | ZDB-26-MYL |
ctrlnum | (OCoLC)915543453 (DE-599)BVBBV042247745 |
dewey-full | 791.4302/32 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/32 |
dewey-search | 791.4302/32 |
dewey-sort | 3791.4302 232 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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illustrated | Not Illustrated |
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institution | BVB |
isbn | 9781137269942 9781137269959 |
language | English |
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physical | 1 Online-Ressource (235 S.) |
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publisher | Palgrave Macmillan |
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series2 | Palgrave close readings in film and television |
spelling | Martin, Adrian 1959- Verfasser (DE-588)13809280X aut Mise en scène and film style from classical Hollywood to new media art Adrian Martin Basingstoke Palgrave Macmillan 2014 1 Online-Ressource (235 S.) txt rdacontent c rdamedia cr rdacarrier Palgrave close readings in film and television "Styles of filmmaking have changed greatly from the classical Hollywood system, with its emphasis on narrative and character, to the current digital era of YouTube and installation art, where audiovisual spectacle takes command. The ways in which film critics and scholars have analysed these transformations in film style have also often changed. This book explores two central style concepts from the history of audiovisual criticism and theory, mise en scène and dispositif, to illuminate a wide range of film and new media examples. It argues that we need an open, inclusive and truly international approach to understand anew both old and current film and media works".. PERFORMING ARTS / Film & Video / Direction & Production bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh SOCIAL SCIENCE / Media Studies bisacsh Film Massenmedien Motion pictures Production and direction Mass media Technological innovations PERFORMING ARTS / Film & Video / Direction & Production PERFORMING ARTS / Film & Video / History & Criticism SOCIAL SCIENCE / Media Studies Inszenierung (DE-588)4027223-0 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmkritik (DE-588)4154367-1 gnd rswk-swf Film (DE-588)4017102-4 s Inszenierung (DE-588)4027223-0 s Filmtheorie (DE-588)4071216-3 s Filmkritik (DE-588)4154367-1 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Martin, Adrian 1959- Mise en scène and film style from classical Hollywood to new media art PERFORMING ARTS / Film & Video / Direction & Production bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh SOCIAL SCIENCE / Media Studies bisacsh Film Massenmedien Motion pictures Production and direction Mass media Technological innovations PERFORMING ARTS / Film & Video / Direction & Production PERFORMING ARTS / Film & Video / History & Criticism SOCIAL SCIENCE / Media Studies Inszenierung (DE-588)4027223-0 gnd Filmtheorie (DE-588)4071216-3 gnd Film (DE-588)4017102-4 gnd Filmkritik (DE-588)4154367-1 gnd |
subject_GND | (DE-588)4027223-0 (DE-588)4071216-3 (DE-588)4017102-4 (DE-588)4154367-1 |
title | Mise en scène and film style from classical Hollywood to new media art |
title_auth | Mise en scène and film style from classical Hollywood to new media art |
title_exact_search | Mise en scène and film style from classical Hollywood to new media art |
title_full | Mise en scène and film style from classical Hollywood to new media art Adrian Martin |
title_fullStr | Mise en scène and film style from classical Hollywood to new media art Adrian Martin |
title_full_unstemmed | Mise en scène and film style from classical Hollywood to new media art Adrian Martin |
title_short | Mise en scène and film style |
title_sort | mise en scene and film style from classical hollywood to new media art |
title_sub | from classical Hollywood to new media art |
topic | PERFORMING ARTS / Film & Video / Direction & Production bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh SOCIAL SCIENCE / Media Studies bisacsh Film Massenmedien Motion pictures Production and direction Mass media Technological innovations PERFORMING ARTS / Film & Video / Direction & Production PERFORMING ARTS / Film & Video / History & Criticism SOCIAL SCIENCE / Media Studies Inszenierung (DE-588)4027223-0 gnd Filmtheorie (DE-588)4071216-3 gnd Film (DE-588)4017102-4 gnd Filmkritik (DE-588)4154367-1 gnd |
topic_facet | PERFORMING ARTS / Film & Video / Direction & Production PERFORMING ARTS / Film & Video / History & Criticism SOCIAL SCIENCE / Media Studies Film Massenmedien Motion pictures Production and direction Mass media Technological innovations Inszenierung Filmtheorie Filmkritik |
work_keys_str_mv | AT martinadrian miseensceneandfilmstylefromclassicalhollywoodtonewmediaart |