Shakespeare's staged spaces and playgoers' perceptions:
"This lively and engaging study offers fresh readings of some of Shakespeare's most canonical plays, illuminating the ways stagecraft and language of movement create meaning for us as playgoers. Including discussions of other plays, the book carefully explores A Midsummer Night's Drea...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2014
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Palgrave Shakespeare studies
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "This lively and engaging study offers fresh readings of some of Shakespeare's most canonical plays, illuminating the ways stagecraft and language of movement create meaning for us as playgoers. Including discussions of other plays, the book carefully explores A Midsummer Night's Dream, Richard II, Hamlet, Macbeth, and The Tempest to develop a better understanding of how implicit stagecraft elements work in concert with explicit rhetorical patterns in the plays. The discussions engage with materials from Shakespeare's time, present revelatory close readings of Shakespeare's language, and demonstrate how these continually popular texts engage all of us in making meaning"-- |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XI, 180 S. |
ISBN: | 9781137427144 |
Internformat
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520 | |a "This lively and engaging study offers fresh readings of some of Shakespeare's most canonical plays, illuminating the ways stagecraft and language of movement create meaning for us as playgoers. Including discussions of other plays, the book carefully explores A Midsummer Night's Dream, Richard II, Hamlet, Macbeth, and The Tempest to develop a better understanding of how implicit stagecraft elements work in concert with explicit rhetorical patterns in the plays. The discussions engage with materials from Shakespeare's time, present revelatory close readings of Shakespeare's language, and demonstrate how these continually popular texts engage all of us in making meaning"-- | ||
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Datensatz im Suchindex
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---|---|
adam_text | Contents
List of Figures
viii
Acknowledgments
ix
Note on Texts
xi
Introduction
1
1
Perceptions and Possibility in A Midsummer
Night s Dream: To leave the figure or disfigure it
15
2
Grounded Action and Making Space in Richard II:
How comest thou hither?
42
3
Narrative and Spatial Movement in Hamlet
To find his way
70
4
Place, Perception, and
Disorientation
in Macbeth:
A walking shadow
98
5
Direction and Space in The Tempest: Through
forth-rights and meanders
126
Conclusion: Movements of Genre and Other Directions:
As strange a maze
155
Bibliography
169
Index
177
|
any_adam_object | 1 |
author | Farabee, Darlene |
author_GND | (DE-588)106640576X |
author_facet | Farabee, Darlene |
author_role | aut |
author_sort | Farabee, Darlene |
author_variant | d f df |
building | Verbundindex |
bvnumber | BV042239621 |
classification_rvk | HI 3390 |
ctrlnum | (OCoLC)901951641 (DE-599)BVBBV042239621 |
dewey-full | 792.95 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.95 |
dewey-search | 792.95 |
dewey-sort | 3792.95 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Anglistik / Amerikanistik |
edition | 1. publ. |
format | Book |
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isbn | 9781137427144 |
language | English |
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spelling | Farabee, Darlene Verfasser (DE-588)106640576X aut Shakespeare's staged spaces and playgoers' perceptions Darlene Farabee 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2014 XI, 180 S. txt rdacontent n rdamedia nc rdacarrier Palgrave Shakespeare studies Includes bibliographical references and index "This lively and engaging study offers fresh readings of some of Shakespeare's most canonical plays, illuminating the ways stagecraft and language of movement create meaning for us as playgoers. Including discussions of other plays, the book carefully explores A Midsummer Night's Dream, Richard II, Hamlet, Macbeth, and The Tempest to develop a better understanding of how implicit stagecraft elements work in concert with explicit rhetorical patterns in the plays. The discussions engage with materials from Shakespeare's time, present revelatory close readings of Shakespeare's language, and demonstrate how these continually popular texts engage all of us in making meaning"-- Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 fast Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh LITERARY CRITICISM / Drama bisacsh LITERARY CRITICISM / Shakespeare bisacsh LITERARY CRITICISM / Renaissance bisacsh Theater fast Raum (DE-588)4048561-4 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Wahrnehmung (DE-588)4064317-7 s Raum (DE-588)4048561-4 s DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027677773&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Farabee, Darlene Shakespeare's staged spaces and playgoers' perceptions Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 fast Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh LITERARY CRITICISM / Drama bisacsh LITERARY CRITICISM / Shakespeare bisacsh LITERARY CRITICISM / Renaissance bisacsh Theater fast Raum (DE-588)4048561-4 gnd Drama (DE-588)4012899-4 gnd Wahrnehmung (DE-588)4064317-7 gnd |
subject_GND | (DE-588)118613723 (DE-588)4048561-4 (DE-588)4012899-4 (DE-588)4064317-7 |
title | Shakespeare's staged spaces and playgoers' perceptions |
title_auth | Shakespeare's staged spaces and playgoers' perceptions |
title_exact_search | Shakespeare's staged spaces and playgoers' perceptions |
title_full | Shakespeare's staged spaces and playgoers' perceptions Darlene Farabee |
title_fullStr | Shakespeare's staged spaces and playgoers' perceptions Darlene Farabee |
title_full_unstemmed | Shakespeare's staged spaces and playgoers' perceptions Darlene Farabee |
title_short | Shakespeare's staged spaces and playgoers' perceptions |
title_sort | shakespeare s staged spaces and playgoers perceptions |
topic | Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 fast Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh LITERARY CRITICISM / Drama bisacsh LITERARY CRITICISM / Shakespeare bisacsh LITERARY CRITICISM / Renaissance bisacsh Theater fast Raum (DE-588)4048561-4 gnd Drama (DE-588)4012899-4 gnd Wahrnehmung (DE-588)4064317-7 gnd |
topic_facet | Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 Shakespeare, William 1564-1616 LITERARY CRITICISM / European / English, Irish, Scottish, Welsh LITERARY CRITICISM / Drama LITERARY CRITICISM / Shakespeare LITERARY CRITICISM / Renaissance Theater Raum Drama Wahrnehmung |
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