Modernist literatures: a reader's guide to essential criticism
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London [u.a.]
Palgrave
2015
|
| Edition: | 1. publ. |
| Series: | Readers' guides to essential criticism
Macmillan education |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | IX, 234 S. |
| ISBN: | 9780230284005 9780230284012 |
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CONTENTS
Introduction -L
Outiines
the structure and approach of the Guide, glosses key terms
and introduces debates about the nature of modernism.
PART I
Critical Declarations and Contemporary
Responses
CHAPTER ONE
13
Modernist Beginnings
Introduces foundational statements of early modernism and exam¬
ines the critical reception of the literary and dramatic works and
movements they engendered, from Charles Baudelaire to Walt
Whitman, Decadence, Naturalism, Aesthetic Criticism, Henry
James, Joseph Conrad, Oscar Wilde, Symbolism, Edward Gordon
Craig and the Abbey Theatre.
CHAPTER TWO
35
High Modernism
Examines the critical pronouncements of the writers who brought
modernism to an aesthetic peak and reactions to their work,
including key statements on:
1910,
Literary Impressionism (Ford
Madox Ford and Virginia
Woolf),
short fiction and the epiphany
(Virginia
Woolf, Katherine
Mansfield, James Joyce and Sherwood
Anderson), consciousness in fiction (Dorothy Richardson and James
Joyce), psychoanalysis and sex
(Sigmund
Freud and
D.H.
Lawrence),
Futurism, modernist classicism
(Т.Е.
Hulme,
Ezra Pound and T.S. Eliot),
Imagism,
Vortícísm, Noh
theatre, Gertrude Stein,
Dada,
Ulysses, the
New York avant-garde (the Provincetown Players and New York
Dada),
American modernism
(Mina Loy,
Marianne Moore and Wallace Ste¬
vens), 'Tradition and the Individual
Talenť
and The Waste Land.
vii
viii CONTENTS
CHAPTER THREE
7
Modernism after
1922
Explores the more explicitly political and socially conscious
liten
atures
produced in the
1920s
and
1930s.
Considers key critic-
statements on: localism and American modernism (William Carlor
Williams and William Faulkner), Surrealism, the fates of 'the
mer
of
1914',
the Jazz Age and the lost generation (F. Scott FitzgeraU
and Ernest Hemingway), the Harlem Renaissance (including W.E.B
Du Bois,
Jean Toomer,
Tríe
New Negro,
Carl Van
Vechten and
Zora;
Neale
Hurston), sexual
politics (Radclyffe Hall and Virginia
Woolf)
and the 'Revolution of the Word'
(Eugène
Jolas
and James Joyce).
PART II
Literary Criticism from
1930-Present
CHAPTER FOUR
103
The Making of Modernist Canons
Investigates the institutionalisation of modernism as an academic
discipline, exploring the impact of New Criticism, poststructural-
ism, deconstruction and feminism on the formation of the canon.
CHAPTER FIVE
120
Gender and Sexuality in Modernist Literature
Considers how critics have responded to modernist construc¬
tions/explorations of gender and sexuality, examining the politics
of modernist form, New Woman fiction, the impact of the First
World War on femininity and masculinity, and modernist sexuali-
ties.
CHAPTER SIX
143
Modernist Geographies and Time Frames
Contemplates the geographical range of modernism, its relationship
with colonial occupation and its multiple
timeframes,
investigating
themes of space, place and race.
CONTENTS
ix
CHAPTER SEVEN
166
Modernist Literatures and Mass Culture
Overturns notions of modernism as an elite art at a remove from
mass culture by exploring its interactions with popular media,
such as jazz, music hall and cinema, and its relations to the mar¬
ket economy (including conditions of publication and circulation).
CONCLUSION
190
Summarises the Guide and indicates the likely direction of future
developments in the field.
NOTES
192
SELECT BIBLIOGRAPHY
220
INDEX
223
r
GUIDES TO
ESSENTIAL
CRITICISM
Readers' Guides to Essential Criticism explore the key critical material
relating to major works and genres of world Literature. A clear, informative
narrative examines crucial interpretations and controversies and sets them
in context. From early reviews to cutting-edge readings, the Guides offer a
full account of the ways in which the works and genres have been received
and debated by academics, critics and the public.
Consultant Editor: Nicolas Tredell
The revolutionary spirit of modernist poems, fiction and plays generated new thinking on a
՝ wide range of issues, much of which still resonates today. This Reader's Guide provides an
up-to-date overview of the critical concepts crucial for understanding British, Irish and
American modernist literatures in their wider transnational and interdisciplinary contexts.
Sarah Davison:
• examines the critical statements issued by modernists in manifestos, prefaces, letters,
essays and magazines, and surveys how they were received at the time
• provides a historical overview of the trends that have shaped modernist studies -
from New Criticism through to contemporary methodologies that are currently changing
the discipline
• introduces classic interpretations of familiar texts, as well as fresh approaches to recently
recovered materials
• explores key topics including gender, sexuality, race, psychology, the European avant-garde,
the First World War, popular culture and cinema.
Lively and accessible, this Guide furnishes readers with the requisite knowledge and insight to
make their own interventions in critical debates on Anglophone modernist literatures. |
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| title | Modernist literatures a reader's guide to essential criticism |
| title_auth | Modernist literatures a reader's guide to essential criticism |
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