Second person singular: late Victorian women poets and the bonds of verse
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Charlottesville [u.a.]
Univ. of Virginia Press
2014
|
| Series: | Victorian Literature and Culture Series
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Item Description: | Includes bibliographical references and index "I, for thou callest such": Christina Rossetti's heavenly intimacy -- "Appraise love and divide": measuring love in Augusta Webster's Mother and daughter -- The strain of sympathy: A. Mary F. Robinson, the new arcadia and Vernon Lee -- "Be loved through thoughts of mine": Alice Meynell's intimate distance -- "So I can wait and sing": Dollie Radford's poetics of waiting -- Conclusion: Mary E. Coleridge and the second person plural |
| Physical Description: | XI, 231S 24 cm |
| ISBN: | 9780813936123 9780813936130 |
Staff View
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Record in the Search Index
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| adam_text | MiLY Harrington offers a
new history of women’s poetry at
the turn of the century that breaks from
conventional ideas of nineteenth-century
lyric, which focus on individual sub-
jectivity. She argues that women poets
conceived of lyric as an inter subjective
genre, one that seeks to establish rela-
tions between subjects rather than to
constitute a subject in isolation.
Moving away from canonical texts
that contribute to the commonly held
notion that lyric poetry is an utterance
made in solitude, Harrington explores
the work of Christina Rossetti, Au-
gusta Webster, A. Mary K. Robinson,
Alice Meynell, and Dollie Radford to
show how nineteenth-century poetic
conventions shaped and were shaped
by concepts of intimacy. ^Writing about
relationships that are familial, divine,
sexual, literary, and musical, these poets
reconsidered the dynamics of absence
and presence, and subject and object, that
are at the heart of the lyric enterprise.
Harrington locates these poets’ theo-
ries of intimacy not only in their for-
mal poetic practice but also in diverse
prose works such as prefaces, literary
and devotional essays, and unpublished
letters and diaries. By analyzing various
patterns of versification and modes of
address, she articulates new ways of
thinking about the bonds of verse and
enlarges our understanding of verse
culture in the late nineteenth century.
Contents
Acknowledgments ix
Introduction i
1 “I, for Thou Callest Such”: Christina Rossetti’s Heavenly Intimacy 13
2 “Appraise Love and Divide”: Measuring Love in Augusta Webster’s
Mother and Daughter 47
3 The Strain of Sympathy: A. Mary F. Robinson, The New Arcadia, and
Vernon Lee 77
4 “Be Loved through Thoughts of Mine”: Alice Meynell’s Intimate
Distance no
5 “So I Can Wait and Sing”: Dollie Radford’s Poetics of Waiting 140
Conclusion: Mary E. Coleridge and the Second Person Plural 177
Notes 189
Bibliography 207
Index 219
|
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| author | Harrington, Emily 1975- |
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1800-1900 Geschichte 1890-1901 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1890-1901 |
| format | Book |
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| institution | BVB |
| isbn | 9780813936123 9780813936130 |
| language | English |
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| physical | XI, 231S 24 cm |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Univ. of Virginia Press |
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| series2 | Victorian Literature and Culture Series |
| spelling | Harrington, Emily 1975- Verfasser (DE-588)106500737X aut Second person singular late Victorian women poets and the bonds of verse Emily Harrington Charlottesville [u.a.] Univ. of Virginia Press 2014 XI, 231S 24 cm txt rdacontent n rdamedia nc rdacarrier Victorian Literature and Culture Series Includes bibliographical references and index "I, for thou callest such": Christina Rossetti's heavenly intimacy -- "Appraise love and divide": measuring love in Augusta Webster's Mother and daughter -- The strain of sympathy: A. Mary F. Robinson, the new arcadia and Vernon Lee -- "Be loved through thoughts of mine": Alice Meynell's intimate distance -- "So I can wait and sing": Dollie Radford's poetics of waiting -- Conclusion: Mary E. Coleridge and the second person plural Geschichte 1800-1900 Geschichte 1890-1901 gnd rswk-swf English poetry / 19th century / History and criticism English poetry / Women authors / History and criticism Lyric poetry / History and criticism / Theory, etc Frauenlyrik (DE-588)4155237-4 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Englisch (DE-588)4014777-0 s Frauenlyrik (DE-588)4155237-4 s Geschichte 1890-1901 z DE-604 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027623231&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027623231&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Harrington, Emily 1975- Second person singular late Victorian women poets and the bonds of verse English poetry / 19th century / History and criticism English poetry / Women authors / History and criticism Lyric poetry / History and criticism / Theory, etc Frauenlyrik (DE-588)4155237-4 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4155237-4 (DE-588)4014777-0 |
| title | Second person singular late Victorian women poets and the bonds of verse |
| title_auth | Second person singular late Victorian women poets and the bonds of verse |
| title_exact_search | Second person singular late Victorian women poets and the bonds of verse |
| title_full | Second person singular late Victorian women poets and the bonds of verse Emily Harrington |
| title_fullStr | Second person singular late Victorian women poets and the bonds of verse Emily Harrington |
| title_full_unstemmed | Second person singular late Victorian women poets and the bonds of verse Emily Harrington |
| title_short | Second person singular |
| title_sort | second person singular late victorian women poets and the bonds of verse |
| title_sub | late Victorian women poets and the bonds of verse |
| topic | English poetry / 19th century / History and criticism English poetry / Women authors / History and criticism Lyric poetry / History and criticism / Theory, etc Frauenlyrik (DE-588)4155237-4 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | English poetry / 19th century / History and criticism English poetry / Women authors / History and criticism Lyric poetry / History and criticism / Theory, etc Frauenlyrik Englisch |
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