Musical form and analysis: time, pattern, proportion
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Long Grove
Waveland Press
2013
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 410 S. zahlr. Notenbeisp. |
Staff View
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Record in the Search Index
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| adam_text | CONTENTS
v PREFACE
1
PRELUDE:
Why Analysis?
3
PARTI
TIME: The Motivating Forces
Perceiving Musical Form
5
CHAPTER ONE: Basic Factors in Form
I. Rhythm; II. Melody: contour, range, interval content, harmonic implications, interaction of
tension and relaxation in melody; III. Harmony and Tonality; IV. Tension and Relaxation;
V. Articulation of Structural Units. Summary; Assignments
25
CHAPTER TWO: The Phrase
I. General Characteristics; II. The Additive Process; III. Phrase Length; IV. The Semiphrase;
V. The Rhythmic Structure of the Phrase; VI. The Harmonic Cadence;
VII.
The Harmonic Structure
of the Phrase;
VIII.
Phrase Extension; IX. Motivic Structure of the Phrase. Summary; Assignments
52
CHAPTER THREE: Phrase Groupings
The Period Relationship; I. The Two-Phrase Period: antecedent and consequent phrases; cadential
relationship; melodic relationship; tonal relationship; II. Symmetrical and Asymmetrical Periods;
III. Three- and Four-Phrase Periods; IV. The Repeated Period; V. The Independent Phrase;
VI. The Repeated Phrase;
VII.
The Phrase Group;
VIII.
The Connection of Phrases; IX. Disguised
Phrase Endings; X. Duple Measure Groupings; XI. Description of the Period. Summary;
Assignments
74
PARTII
PATTERN: The Shaping Factors
The Emergence of Pattern in Musical Perception
76
CHAPTER FOUR: The Simple Part Forms
General Characteristics; I. One-Part Form; II. Two-Part Form; III. Macrorhythm and
Macrotonal
Plan; IV. Three-Part Form; V. Four- and Five-Part Forms; VI. Simple Part Forms as Internal Units;
VII.
Simple Part Forms in Vocal Music;
VIII.
The Connection of Parts. Summary; Assignments
102
INTERLUDE: Auxiliary Members
Compared to Negative Space in Visual Art; I. Beginnings; II. Connections; HI. Conclusions.
Assignments
iii
iv CONTENTS
111 CHAPTER FIVE: Composite Part Forms
I. Composite Three-Part Form; II. Composite Five-Part Form: the minuet/scherzo with two trios;
III. Composite Part Forms in Vocal Music; IV. Other Composite Part Forms: the waltz; arch form.
Summary; Assignments
131
CHAPTER SIX: The Rondo
I. Historical Background; II. The Classical Rondo: General Characteristics; III. Treatment of the
Principal Theme; IV. The Episodes; V. The Transition; VI. The
Coda; VII.
The Five-Part Rondo;
VIII.
The Seven-Part Rondo; IX. Rondo and Part Forms: Similarities and Differences. Summary;
Assignments
149
CHAPTER SEVEN: Variation Forms
The Enduring Prevalence of Variations: I. Theme and Variations: general characteristics; special
types of variations; overall organization of the theme and variations; II.
Ostinato
Variations:
general characteristics; the ground bass; the
passacaglia
and
chaconne.
Summary; Assignments
177
CHAPTER EIGHT: Fugue
The Prototypical Fugue; I. The Exposition: the subject; the answer; II. The Episode; HI. The Middle
Entries; IV, The Conclusion; V. The Form of the Fugue; VI. Fugues with Multiple Subjects;
VII.
Related Types:
fugato; fughetta;
canon; invention; organ chorale. Summary: An Analytical
Approach; Assignments
197
CHAPTER NINE: Sonata Form
Meanings of the Term; I. General Characteristics; Historical Background; II. The Introduction;
III. The Exposition; IV. The Development; V. The Recapitulation; VI. The
Coda; VII.
Sonata
Form in the Concerto;
VIII.
Related Forms: sonatina form; sonata-rondo form. Summary: An
Analytical Approach; Assignments
225
P A R T
I I I
PROPORTION: The Distinguishing Features
Formal Interrelationships; the uniqueness of the work of art
227
CHAPTER TEN: Multimovement Form
Aesthetic Concept; I. Classical Models; II. The Concerto: Special Considerations; III. Cyclical
Design; IV. Away from the Classical Model. Summary; Assignments
237
CHAPTER ELEVEN: Broader Horizons
Expansion of Formal Analysis Beyond the Common Practice Period; I. Rhythmic Delineation;
II. Parametric Change and Expansion of the Phrase Concept. Summary; Assignments
246 POSTLUDE: METAFORM:
Beyond Formal Analysis
The Search for Musical Meaning; I. The Musical Idea; II. Musical Character; III. Proportional
Aspects; IV. Under the Magnifying Glass: The Copyist. Commencement Assignment
256
ANTHOLOGY: MUSIC FOR ANALYSIS
400
SELECTED BIBLIOGRAPHY
401
CREDITS
403
INDEX
|
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| bvnumber | BV042134139 |
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| illustrated | Illustrated |
| indexdate | 2024-07-10T01:13:31Z |
| institution | BVB |
| language | English |
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| physical | 410 S. zahlr. Notenbeisp. |
| publishDate | 2013 |
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| publishDateSort | 2013 |
| publisher | Waveland Press |
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| spelling | Spring, Glenn E. Verfasser aut Musical form and analysis time, pattern, proportion Glen Spring ; Jere Hutcheson Long Grove Waveland Press 2013 410 S. zahlr. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Musical form Musical analysis Musikalische Form (DE-588)4040821-8 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Musikalische Form (DE-588)4040821-8 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Hutcheson, Jere Sonstige oth Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027574248&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Spring, Glenn E. Musical form and analysis time, pattern, proportion Musical form Musical analysis Musikalische Form (DE-588)4040821-8 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)4040821-8 (DE-588)4040814-0 |
| title | Musical form and analysis time, pattern, proportion |
| title_auth | Musical form and analysis time, pattern, proportion |
| title_exact_search | Musical form and analysis time, pattern, proportion |
| title_full | Musical form and analysis time, pattern, proportion Glen Spring ; Jere Hutcheson |
| title_fullStr | Musical form and analysis time, pattern, proportion Glen Spring ; Jere Hutcheson |
| title_full_unstemmed | Musical form and analysis time, pattern, proportion Glen Spring ; Jere Hutcheson |
| title_short | Musical form and analysis |
| title_sort | musical form and analysis time pattern proportion |
| title_sub | time, pattern, proportion |
| topic | Musical form Musical analysis Musikalische Form (DE-588)4040821-8 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Musical form Musical analysis Musikalische Form Musikalische Analyse |
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