Music and Identity in Postcolonial British-South Asian Literature:
"This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy...
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
New York [u.a.]
Routledge
2015
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Routledge Interdisciplinary Perspectives on Literature
32 |
Schlagworte: | |
Zusammenfassung: | "This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy, Amit Chaudhuri's Afternoon Raag, Suhayl Saadi's Psychoraag, Hanif Kureishi's The Buddha of Suburbia and The Black Album, and Salman Rushdie's The Ground Beneath Her Feet, with reference to other texts, such as E.M. Forster's A Passage to India and Vikram Seth's An Equal Music. The analyzed novels feature different kinds of music, from Indian classical to non-classical traditions, and from Western classical music to pop music and rock 'n' roll. Music is depicted as a cultural artifact and as a purely aestheticized art form at the same time. As a cultural artifact, music derives meaning from its socio-cultural context of production and serves as a frame of reference to explore postcolonial identities on their own terms. As purely aesthetic art, music escapes its contextual meaning. The transgressive qualities of music render it capable of expressing identities irrespective of origin and politics of location. Thereby, music in the novels marks a very productive space to imagine the postcolonial nation and to rewrite imperial history, to express the cultural hybridity of characters in-between nations, to analyze the state of the nation and life in the multicultural diaspora of contemporary Great Britain, and to explore the ramifications of cultural globalization versus cultural imperialism. It will be a useful research and teaching tool for those interested in postcolonial literature, music studies, cultural studies, contemporary literature and South-Asian literature"-- |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | X, 168 S. |
ISBN: | 9781138777361 1138777366 9781315772684 |
Internformat
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264 | 1 | |a New York [u.a.] |b Routledge |c 2015 | |
300 | |a X, 168 S. | ||
336 | |b txt |2 rdacontent | ||
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338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Routledge Interdisciplinary Perspectives on Literature |v 32 | |
500 | |a Includes bibliographical references and index | ||
520 | |a "This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy, Amit Chaudhuri's Afternoon Raag, Suhayl Saadi's Psychoraag, Hanif Kureishi's The Buddha of Suburbia and The Black Album, and Salman Rushdie's The Ground Beneath Her Feet, with reference to other texts, such as E.M. Forster's A Passage to India and Vikram Seth's An Equal Music. The analyzed novels feature different kinds of music, from Indian classical to non-classical traditions, and from Western classical music to pop music and rock 'n' roll. Music is depicted as a cultural artifact and as a purely aestheticized art form at the same time. As a cultural artifact, music derives meaning from its socio-cultural context of production and serves as a frame of reference to explore postcolonial identities on their own terms. As purely aesthetic art, music escapes its contextual meaning. The transgressive qualities of music render it capable of expressing identities irrespective of origin and politics of location. Thereby, music in the novels marks a very productive space to imagine the postcolonial nation and to rewrite imperial history, to express the cultural hybridity of characters in-between nations, to analyze the state of the nation and life in the multicultural diaspora of contemporary Great Britain, and to explore the ramifications of cultural globalization versus cultural imperialism. It will be a useful research and teaching tool for those interested in postcolonial literature, music studies, cultural studies, contemporary literature and South-Asian literature"-- | ||
650 | 4 | |a South Asian fiction (English) / History and criticism | |
650 | 4 | |a Music in literature | |
650 | 4 | |a Identity (Philosophical concept) in literature | |
650 | 4 | |a Postcolonialism in literature | |
650 | 4 | |a LITERARY CRITICISM / Asian / Indic | |
650 | 4 | |a MUSIC / Ethnomusicology | |
650 | 4 | |a LITERARY CRITICISM / Books & Reading | |
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700 | 1 | |a Hoene, Christin |e Sonstige |4 oth | |
830 | 0 | |a Routledge Interdisciplinary Perspectives on Literature |v 32 |w (DE-604)BV039398624 |9 32 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-027562123 |
Datensatz im Suchindex
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any_adam_object | |
building | Verbundindex |
bvnumber | BV042121912 |
callnumber-first | P - Language and Literature |
callnumber-label | PR9570 |
callnumber-raw | PR9570.S64 |
callnumber-search | PR9570.S64 |
callnumber-sort | PR 49570 S64 |
callnumber-subject | PR - English Literature |
classification_rvk | HQ 6067 |
ctrlnum | (OCoLC)915477630 (DE-599)BSZ407689559 |
dewey-full | 820.9954 820.9/954 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 820 - English & Old English literatures |
dewey-raw | 820.9954 820.9/954 |
dewey-search | 820.9954 820.9/954 |
dewey-sort | 3820.9954 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
edition | 1. publ. |
format | Book |
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isbn | 9781138777361 1138777366 9781315772684 |
language | English |
lccn | 2014008840 |
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physical | X, 168 S. |
publishDate | 2015 |
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publisher | Routledge |
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series | Routledge Interdisciplinary Perspectives on Literature |
series2 | Routledge Interdisciplinary Perspectives on Literature |
spelling | Music and Identity in Postcolonial British-South Asian Literature Christin Hoene 1. publ. New York [u.a.] Routledge 2015 X, 168 S. txt rdacontent n rdamedia nc rdacarrier Routledge Interdisciplinary Perspectives on Literature 32 Includes bibliographical references and index "This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy, Amit Chaudhuri's Afternoon Raag, Suhayl Saadi's Psychoraag, Hanif Kureishi's The Buddha of Suburbia and The Black Album, and Salman Rushdie's The Ground Beneath Her Feet, with reference to other texts, such as E.M. Forster's A Passage to India and Vikram Seth's An Equal Music. The analyzed novels feature different kinds of music, from Indian classical to non-classical traditions, and from Western classical music to pop music and rock 'n' roll. Music is depicted as a cultural artifact and as a purely aestheticized art form at the same time. As a cultural artifact, music derives meaning from its socio-cultural context of production and serves as a frame of reference to explore postcolonial identities on their own terms. As purely aesthetic art, music escapes its contextual meaning. The transgressive qualities of music render it capable of expressing identities irrespective of origin and politics of location. Thereby, music in the novels marks a very productive space to imagine the postcolonial nation and to rewrite imperial history, to express the cultural hybridity of characters in-between nations, to analyze the state of the nation and life in the multicultural diaspora of contemporary Great Britain, and to explore the ramifications of cultural globalization versus cultural imperialism. It will be a useful research and teaching tool for those interested in postcolonial literature, music studies, cultural studies, contemporary literature and South-Asian literature"-- South Asian fiction (English) / History and criticism Music in literature Identity (Philosophical concept) in literature Postcolonialism in literature LITERARY CRITICISM / Asian / Indic MUSIC / Ethnomusicology LITERARY CRITICISM / Books & Reading Musik (DE-588)4040802-4 gnd rswk-swf Postkoloniale Literatur (DE-588)4428936-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Südasien (DE-588)4058406-9 gnd rswk-swf Musik (DE-588)4040802-4 s Großbritannien (DE-588)4022153-2 g Südasien (DE-588)4058406-9 g Postkoloniale Literatur (DE-588)4428936-4 s DE-604 Hoene, Christin Sonstige oth Routledge Interdisciplinary Perspectives on Literature 32 (DE-604)BV039398624 32 |
spellingShingle | Music and Identity in Postcolonial British-South Asian Literature Routledge Interdisciplinary Perspectives on Literature South Asian fiction (English) / History and criticism Music in literature Identity (Philosophical concept) in literature Postcolonialism in literature LITERARY CRITICISM / Asian / Indic MUSIC / Ethnomusicology LITERARY CRITICISM / Books & Reading Musik (DE-588)4040802-4 gnd Postkoloniale Literatur (DE-588)4428936-4 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4428936-4 (DE-588)4022153-2 (DE-588)4058406-9 |
title | Music and Identity in Postcolonial British-South Asian Literature |
title_auth | Music and Identity in Postcolonial British-South Asian Literature |
title_exact_search | Music and Identity in Postcolonial British-South Asian Literature |
title_full | Music and Identity in Postcolonial British-South Asian Literature Christin Hoene |
title_fullStr | Music and Identity in Postcolonial British-South Asian Literature Christin Hoene |
title_full_unstemmed | Music and Identity in Postcolonial British-South Asian Literature Christin Hoene |
title_short | Music and Identity in Postcolonial British-South Asian Literature |
title_sort | music and identity in postcolonial british south asian literature |
topic | South Asian fiction (English) / History and criticism Music in literature Identity (Philosophical concept) in literature Postcolonialism in literature LITERARY CRITICISM / Asian / Indic MUSIC / Ethnomusicology LITERARY CRITICISM / Books & Reading Musik (DE-588)4040802-4 gnd Postkoloniale Literatur (DE-588)4428936-4 gnd |
topic_facet | South Asian fiction (English) / History and criticism Music in literature Identity (Philosophical concept) in literature Postcolonialism in literature LITERARY CRITICISM / Asian / Indic MUSIC / Ethnomusicology LITERARY CRITICISM / Books & Reading Musik Postkoloniale Literatur Großbritannien Südasien |
volume_link | (DE-604)BV039398624 |
work_keys_str_mv | AT hoenechristin musicandidentityinpostcolonialbritishsouthasianliterature |