Arts, sciences, and economics: ahistorical safari
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Heidelberg [u.a.]
Springer
2015
|
| Edition: | 2. ed. |
| Subjects: | |
| Online Access: | Inhaltstext Inhaltsverzeichnis |
| Physical Description: | XXIV, 189 S. Ill. |
| ISBN: | 9783662441299 3662441292 9783662500965 |
Staff View
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Record in the Search Index
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| adam_text |
CONTENTS
1 CULTURE AND CIVILIZATION 1
1.1 CURRENT THREATS 1
1.2 REVERSED PERSPECTIVE 2
1.3 CIVILIZATION: FRAZER 3
1.4 CULTURE: USE AND ABUSE OF THE CONCEPT 4
1.5 WESTERN PERSPECTIVE 5
1.6 EMBODIMENT 5
1.7 SPECIALIZATION: CASTIGLIONE 6
1.8 DEVELOPMENT 7
1.9 RESWITCHING 8
2 PUBLIC GOODS 9
2.1 THE CONCEPT 9
2.2 EMBODIED IDEAS 10
2.2.1 VIVALDI'S OEVRE 10
2.2.2 THE NATURE OF IDEAS 13
2.3 PROTECTION OF ORIGINALS 16
2.3.1 THEMARAIS 19
2.3.2 PARIS AND VIENNA 21
2.3.3 PIAZZA SAN PIETRO 22
2.4 PERFORMING ARTS 23
2.5 PROPERTY RIGHTS 24
2.5.1 RICHARD STRAUSS AND COPYRIGHT 24
2.5.2 TRADE SECRETS HISTORICALLY 24
2.5.3 MERSENNE AND THE FRENCH ACADEMY 26
2.6 THE STOCK OF KNOWLEDGE 26
2.6.1 KNOWLEDGE AND CAPITAL 27
2.6.2 STORAGE 28
2.6.3 ACCESSIBILITY 28
2.7 EXPLOSION OF SCIENCE AND EDUCATION 30
2.7.1 DIFFICULTIES TO CONTROL AND ACCESS INFORMATION 30
2.7.2 FRAGMENTATION 31
2.7.3 OPEN ACCESS 31
2.8 UNIVERSITIES 32
XIII
HTTP://D-NB.INFO/1052356230
XIV CONTENTS
3 PATRONAGE 35
3.1 INTRODUCTION 35
3.1.1 DIVERSITY OF INSTITUTIONS 35
3.2 UNCERTAINTY IN PRODUCTION 36
3.2.1 LIFETIME OF CULTURAL PRODUCTS 36
3.2.2 UNCERTAINTY 37
3.2.3 BEING IN ADVANCE OF ONE'S TIME 37
3.2.4 RISK AND INSURANCE 38
3.3 PATRONAGE IN CULTURE 39
3.4 OPPRESSION FROM PATRONS 39
3.4.1 MOZART 39
3.4.2 MONTEVERDI 41
3.4.3 BACH 42
3.5 GENEROUS PATRONAGE 42
3.5.1 SCARLATTI 42
3.5.2 DOWLAND 42
3.5.3 WAGNER 43
3.6 ENTREPRENEURS 44
3.6.1 HANDEL AND TELEMANN 44
3.6.2 ADVANTAGE OF SCATTERED CENTRAL EUROPE 45
3.7 PATRONS OF SCIENCE 46
3.8 TODAY 46
4 CHANGING ATTITUDES 49
4.1 INTRODUCTION 49
4.2 DISSIPATION OF CULTURE 50
4.2.1 THOMAS MACE'S CONCERT HALL 51
4.2.2 OPERA HOUSES 52
4.3 LEISURE 53
4.4 ADDICTION 54
4.5 DILETTANTISM 55
4.6 AMATEUR SCIENTISTS 57
4.6.1 SCHLIEMANN 57
4.6.2 GALOIS 59
4.6.3 FERMAT 60
4.7 SPECIALIZATION 62
4.7.1 ULTIMATE PURPOSE 62
4.8 FLORENCE AND VIENNA 63
4.8.1 RENAISSANCE ENGINEERS/SCIENTISTS 64
4.8.2 BRUNELLESCHI 66
4.8.3 LEONARDO AS SCIENTIST 66
4.8.4 FIN-DE STEELE VIENNA 67
4.9 AN INTERNATIONAL SHIFT OF TASTE 70
4.9.1 THE END OF THE CREATIVE PERIODS 71
CONTENTS XV
4.10 CLASSICAL ECONOMICS OF SMITH AND RICARDO 72
4.10.1 EXTREME SPECIALIZATION AND SUPERSTARS 73
4.11 REMOVING CONSTRAINTS TO CONSUMPTION OF CULTURE 74
4.11.1 PERFORMING ARTS 74
4.11.2 HISTORICAL MONUMENTS 75
4.12 STANDARDIZATION 75
4.12.1 OPERA REPERTORY 75
4.12.2 CONCENTRATION 76
4.12.3 MULTIPLICITY OF DISTRIBUTION MODES 77
4.12.4 DISAGGLOMERATION 77
5 EVOLUTION IN SCIENCE 79
5.1 LOGICAL EMPIRICISM 79
5.1.1 NEWTON, KEPLER, AND GALILEO 79
5.1.2 REFUTATION 80
5.1.3 APPROXIMATE TRUTH 81
5.1.4 AD HOC EXPLANATION 81
5.2 KUHN AND NORMAL SCIENCE 83
5.3 SUPERTHEORIES 84
5.3.1 SCHUMPETER 84
5.3.2 REDUCTIONISM 84
5.4 UNIFIED SCIENCE VERSUS MULTIPLE EXPLANATIONS 85
5.4.1 DISMOUNTING MACROECONOMICS 85
5.4.2 SUPERSTRINGS 86
5.5 PRINCIPIA MATHEMATICA AND HILBERT'S PROGRAMME 86
5.5.1 GODEL 87
5.6 CHAOS AND PREDICTABILITY 87
5.6.1 LAPLACE 88
5.6.2 THE WEATHER FACTORY 88
5.6.3 SOCIAL ENGINEERING 89
5.6.4 POINCARD 89
5.6.5 LINEARITY AND SOLVABILITY 91
5.6.6 LORENZ 91
5.7 AESTHETIC PRINCIPLES 93
5.7.1 OPTIMALITY IN NATURAL SCIENCE 93
5.7.2 MAUPERTUIS 95
5.7.3 LEIBNITZ 96
5.7.4 METAPHYSICS 96
5.7.5 AESTHETICS 97
5.7.6 KEPLER'S MYSTERIUM COSMOGRAPHICUM 98
5.7.7 A BEAUTY CONTEST 98
5.8 COMPUTERS AND THE VISION 100
5.8.1 THE AURAL SENSE: SYNTHESIS VERSUS ANALYSIS 102
XVI CONTENTS
5.9 ETHICS 103
5.9.1 VON LENARD AND JEWISH PHYSICS 104
5.9.2 RESEARCH MONOPOLIES 104
5.10 PIONEERS 105
5.10.1 SEMMELWEISS 105
5.10.2 CANTOR 106
5.10.3 WEGENER 106
5.10.4 BERINGER 106
5.10.5 BOLZMANN 107
5.10.6 BELUOUSOV 107
5.10.7 LOSCH 108
5.10.8 TURING 109
5.11 PSEUDOSCIENCE 110
5.11.1 ASTROLOGY 110
5.11.2 REPRESSED MEMORY AND COURTS OF LAW ILL
5.11.3 SIMILARITY OF ASTROLOGY AND ECONOMIC FORECASTING ILL
5.12 FEMALE SCIENTISTS 112
5.12.1 HYPATIA 113
5.12.2 SOPHIE GERMAIN 114
5.12.3 MARIA GAETANA AGNESI 115
5.12.4 EMMY NOETHER 115
5.12.5 ZOFIA (SONJA) KOWALEWSKAJA 115
6 PERFECTION IN ART 119
6.1 THE ROLE OF ART IN THE SOCIETY 119
6.2 OUR UNIQUE OPPORTUNITY 120
6.3 CONTINUOUS PROGRESS? 121
6.3.1 THE BAROQUE TRANSITION 121
6.3.2 TO ROMANTICISM 123
6.3.3 DISCOVERY IN ART 127
6.3.4 ACCURACY IN PAINTING MUSICIANS AND INSTRUMENTS 130
6.4 REDISCOVERY IN MUSIC 135
6.4.1 TUNING AND TEMPERAMENT 139
6.4.2 THE MODERN HARPSICHORD 141
6.4.3 BACK TO ORIGINALS 144
6.4.4 THE ELECTRONIC HARPSICHORD 146
6.4.5 THE EARLY MUSIC REVIVAL 148
6.5 MEANING AND BEAUTY 149
6.5.1 HARNONCOURT 149
6.5.2 RHETORIC IN MUSIC 150
6.5.3 MUSIC AS SEDATIVE 151
6.6 VISUAL ART AND SCIENCE 151
6.6.1 DIIRER 152
6.6.2 ESCHER 153
6.6.3 VASARELY AND PEITGEN 156
CONTENTS XVII
7 MODELLING EVOLUTION THROUGH STRUCTURAL CHANGE 159
7.1 INTRODUCTION 159
7.2 BOHM-BAWERK AND SMITH 160
7.3 INCREASING COMPLEXITY 161
7.4 THE DEVELOPMENT TREE 161
7.4.1 RAMEAU 164
7.5 CONTINUOUS EVOLUTION 166
7.6 DIVERSIFICATION 167
7.7 PROPERTY SPACE 168
7.8 PARETIAN ORDERING 169
7.9 PRICES AND PROGRESS 170
7.10 BRANCHING POINTS 171
7.10.1 MUSIC AUTOMATA 172
7.11 BIFURCATIONS 175
7.11.1 A STYLIZED EMERGENCE OF THE DEVELOPMENT TREE 176
7.12 SYNERGETICS 177
7.12.1 FAST AND SLOW EXEMPLIFIED 178
7.13 VIABLE ALTERNATIVES 179
7.13.1 DIGRESSION ON THE MULTIPLICITY OF POSSIBLE WORLDS 179
7.14 A "GENESIS" OF MUSICAL INSTRUMENTS 180
7.14.1 STRINGS AND AIR COLUMNS 180
7.14.2 REASONS FOR DIFFERENT SIZES 181
7.14.3 BROKEN CONSORT AND BASSO CONTINUO 184
7.14.4 PHYSICS OF GEAR SHIFTS 184
7.15 SUMMARY 185
REFERENCES 187 |
| any_adam_object | 1 |
| author | Puu, Tönu 1936- |
| author_GND | (DE-588)119517310 |
| author_facet | Puu, Tönu 1936- |
| author_role | aut |
| author_sort | Puu, Tönu 1936- |
| author_variant | t p tp |
| building | Verbundindex |
| bvnumber | BV042002675 |
| classification_rvk | QC 010 |
| ctrlnum | (OCoLC)881823619 (DE-599)DNB1052356230 |
| dewey-full | 338.47306 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 338 - Production |
| dewey-raw | 338.47306 |
| dewey-search | 338.47306 |
| dewey-sort | 3338.47306 |
| dewey-tens | 330 - Economics |
| discipline | Wirtschaftswissenschaften |
| edition | 2. ed. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-09-10T01:20:25Z |
| institution | BVB |
| isbn | 9783662441299 3662441292 9783662500965 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027444675 |
| oclc_num | 881823619 |
| open_access_boolean | |
| owner | DE-M382 DE-945 DE-N2 DE-11 |
| owner_facet | DE-M382 DE-945 DE-N2 DE-11 |
| physical | XXIV, 189 S. Ill. |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Springer |
| record_format | marc |
| spelling | Puu, Tönu 1936- Verfasser (DE-588)119517310 aut Arts, sciences, and economics ahistorical safari Tönu Puu 2. ed. Heidelberg [u.a.] Springer 2015 XXIV, 189 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Wirtschaft (DE-588)4066399-1 gnd rswk-swf Wirtschaftstheorie (DE-588)4079351-5 gnd rswk-swf Kulturwandel (DE-588)4033596-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Wissenschaft (DE-588)4066562-8 gnd rswk-swf Wissenschaftlicher Fortschritt (DE-588)4190101-0 gnd rswk-swf Kunst (DE-588)4114333-4 s Kulturwandel (DE-588)4033596-3 s Wirtschaftstheorie (DE-588)4079351-5 s Geschichte z DE-604 Wissenschaftlicher Fortschritt (DE-588)4190101-0 s Wissenschaft (DE-588)4066562-8 s Wirtschaft (DE-588)4066399-1 s b DE-604 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=4693856&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027444675&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Puu, Tönu 1936- Arts, sciences, and economics ahistorical safari Wirtschaft (DE-588)4066399-1 gnd Wirtschaftstheorie (DE-588)4079351-5 gnd Kulturwandel (DE-588)4033596-3 gnd Kunst (DE-588)4114333-4 gnd Wissenschaft (DE-588)4066562-8 gnd Wissenschaftlicher Fortschritt (DE-588)4190101-0 gnd |
| subject_GND | (DE-588)4066399-1 (DE-588)4079351-5 (DE-588)4033596-3 (DE-588)4114333-4 (DE-588)4066562-8 (DE-588)4190101-0 |
| title | Arts, sciences, and economics ahistorical safari |
| title_auth | Arts, sciences, and economics ahistorical safari |
| title_exact_search | Arts, sciences, and economics ahistorical safari |
| title_full | Arts, sciences, and economics ahistorical safari Tönu Puu |
| title_fullStr | Arts, sciences, and economics ahistorical safari Tönu Puu |
| title_full_unstemmed | Arts, sciences, and economics ahistorical safari Tönu Puu |
| title_short | Arts, sciences, and economics |
| title_sort | arts sciences and economics ahistorical safari |
| title_sub | ahistorical safari |
| topic | Wirtschaft (DE-588)4066399-1 gnd Wirtschaftstheorie (DE-588)4079351-5 gnd Kulturwandel (DE-588)4033596-3 gnd Kunst (DE-588)4114333-4 gnd Wissenschaft (DE-588)4066562-8 gnd Wissenschaftlicher Fortschritt (DE-588)4190101-0 gnd |
| topic_facet | Wirtschaft Wirtschaftstheorie Kulturwandel Kunst Wissenschaft Wissenschaftlicher Fortschritt |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=4693856&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027444675&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT puutonu artssciencesandeconomicsahistoricalsafari |