Święto wiosny: dwie perspektywy
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| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Łódź
Akademia Muzyczna im. Grażyny i Kiejstuta Bacewiczów w Łodzi
2014
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract Register // Personenregister |
| Beschreibung: | 249 Seiten, 8 ungezählte Seiten Illustrationen, Notenbiespiele 24 cm |
| ISBN: | 9788360929421 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804152356251631616 |
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| adam_text | Spis tresci
WSTÇP........................................................7
ZEITPUNKT 1913..............................................17
Alicja Jarzçbska
Rola i znaczenie Swiqta wiosnyIgora Strawiriskiego w kulturze XX i XXI wieku...................................19
Marcin Trzçsiok
Zapiski na marginesach Swiqta wiosny- Trzyliryki
Igora Strawinskiego.........................................41
Ewa Kowalska-Zaj^c
Fünf Stücke für Orchesterop. 10 Antona Weberna -
rewolucyjny wymiar twörczej ewolucji........................53
Ryszard Daniel Golianek
Biblia, Veronese, la belle époque: Josephslegende Richarda Straussa i estetyka dziela spöznionego...............................65
Malgorzata Janicka-Slysz
W poetyce ekspresjonizmu: Hagith Karola Szymanowskiego......77
JOLANTA SzULAKOWSKA-KüLAWIK
Zeitpunkt 1913 w alegorycznej restytucji Alberta Roussela -
Le Festin d araignée........................................87
Kamila Stçpien-Kutera
Muzyka w ruchu. Jeux Claude’a Debussy’ego..................Ill
Marta Szoka
Paryz 1913 - rok tangomanii
119
WIOSNA MODERNIZMU EUROPE JSKIEGO......................129
Anna Kuligowska-Korzeniewska
Niech wiecznie trwa swiqta wiosna!.......131
Joanna Szymajda
Wokól mitologii Swiqta wiosny- Nizyñski, Béjart, Gat..145
Maegorzata Leyko
Frühlingsopfer Piny Bausch - swiçto ziemi..............159
Jacek Szerszenowicz
Swiqto wiosnyjako fenomen twórczosci wizjonerskiej.....169
Tomasz Majewski
Niebezpieczne zwi^zki. Strawinski i przemysl filmowy w Hollywood............................................185
Dariusz Lesnikowski Swiqto wiosny Katarzyny Kozyry
(wideo-instalacja 1999-2002)...........................197
Bogdan Banasiak
Georges Bataille - czlowiek jako nadmiar energii.......209
SPIS PRZYKEADÓW NUTOWYCH...............................229
SPIS ILUSTRACJI........................................231
SUMMARY................................................233
INDERS NAZWISK.................................... . .239
Summary
On the centenary of the first performance of T Rite of Spring - a ballet with Igor Stravinsky’s music and Vaclav Nijinsky’s choreography -in May 2013 academics from the Faculty of Music Theory of the Grazyna and Kiejstut Bacewicz Academy of Music in Lodz and the Institute of Contemporary Culture of the Lodz University, together with the Warsaw Institute of Music and Dance, as well as invited guest speakers from other higher education institutions, joined in a common discussion on the impact of this work on art and culture of the last century. The participants of the project represented various disciplines and research methodologies, which enabled them to look at the iconic Rite of Spring from different scientific and time perspectives, as well as to notice a multi-dimensional meaning of the piece and a possibility of understanding it in changing cultural-aesthetic contexts.
The book „The Rite of Spring. Two perspectives” comprises texts that are based on the reflections presented during a joint meeting and debate. The layout is subordinated to two key perspectives. In the first part -ZEITPUNKT 1913 - there are articles of musicological nature, whose authors - departing from the discussion on musical aspects of The Rite of Spring by Stravinsky - take up studies on musical compositions created at the same time (thus, drawing up a particular musical landscape of the year 1913) and attempt a ‘spot’ reconstruction of that interesting moment in the history of music. The other part of the book - WIOSNA MODERNIZMU EUROPEJSKIEGO - consists of the texts covering various aspects of culture
234
Summary
studies: theatre arts, history of art, film studies, aesthetics and philosophy, in which the ballet by Stravinsky/ Nijinsky is treated as a source of inspiration for modernist artists, in a broad meaning of the word ‘modernism’ covering our century.
Groundbreaking importance of Stravinsky’s work affected a way of thinking assumed in the book and determined that a focal point of the first part should be this particular moment in the history of music. Musicologists and music theorists went over the year 1913 with a fine toothcomb. They took a closer look at composers’ artistic output and music aesthetics of that time. As it turned out, the moment was crucial and fraught with irreversible consequences and the accompanying multitude of different artistic proposals in music allowed to take comparative, confrontational and evaluative perspectives. The book opens with a text by Alicja Jarz^bska presenting a role and place of The Rite of Spring in a contemporary culture (broadly-speaking), especially in the fields of music aesthetics and modern reception of music. Outlined issues become a point of reference for other phenomena and aesthetic systems discussed in the book, providing a key perspective for insight into analysis and interpretation of factual information from the history of music. Hence, Marcin Trz^siok’s study of The Three Japanese Lyrics by Stravinsky, composed almost at the same time, highlights a complex nature of artistic creation. Surprising emotional self-restraint and euphonic sophistication of that cycle seem to be more akin to an aesthetically distant poetics of the Viennese School than to an outburst of energy in The Rite of Spring; and reading Trz^siok’s text with reference to the theses presented by Ewa Kowalska-Zajqc in her article on Anton Webern’s FünfStücke op. 10 encourages to transgress established habitual thinking about time and geographical criteria of the 20th-century music.
However, 1913 is also the time when late-Romantic and Expressionist traditions still seemed to be alive and kicking. What a dramatic role The Rite of Spring must have played in revealing backwardness and imitative nature of other works created with full conviction by important composers of the time! In that context, Josephslegende - a ballet by Richard Strauss written simultaneously with Stravinsky’s composition and also dedicated to Serge Diaghilevs Russian Ballets, was immediately downgraded to the category of epigone aesthetics; and that is what Ryszard Daniel Golianek discusses
Summary
235
in his text. Malgorzata Janicka-Slysz, on the other hand, shows how Karol Szymanowski’s fascinations with German Expressionism led to a failure of his Hagith opera. Just like artistic experiments of Albert Roussel, in which the composer balanced between Symbolist depth and Neoclassic simplification, compared with inventiveness of Rite of Spring appear to be a sort of aesthetic escapism, or even more - a manifestation of helplessness in the face of inevitability of passing time. In the characteristics of Le Festin de l’araignée ballet, a work full of sophisticated allegories, Jolanta Szulakowska-Kulawik reveals how impermanent all the canons and patterns of contemporary art are. Comparing this work with the Jeux ballet by Claude Debussy, which is discussed in the text by Kamila Stçpien-Kutera, seems to be by all means instructive. It turns out that at the same time and in the same Parisian circle, works of utterly different artistic character were perceived as relevant and original, while the two compositions in question - by Debussy and Roussel - represent the same ballet genre, and so does The Rite of Spring, by the way. Still, such a variety might not have bothered musical Parisians then as the year 1913 coincided with their fascination for a new tango culture, which suddenly arrived from overseas and at the time burst out into an amazing tango-mania by the Seine. That phenomenon, which must not be overlooked, is thoroughly discussed by Marta Szoka in her essay closing the first part of the book.
Texts presented in the second part of the publication treat The Rite of Spring, as well as its artistic transformations and references to it, as a message to the present time. This set of culture studies opens with an article by Anna Kuligowska-Korzeniewska, whose introductory reflections upon Stravinsky’s / Nijinsky’s work revolve around a big pagan ritual show’. Referring mainly to chronicles and historic studies, she questions credibility of human offering in pre-Slavic rituals and attributes its manifestation in The Rite of Spring to artistic imagination. Nevertheless, the fact that Offering / The Chosen One is an artistic creation does not lessen the power of influence of this dramatized ritual, which is proved by the author through analyzing the manner of presenting the offering in selected realizations of The Rite of Spring.
A different view is put forward by Joanna Szymajda, who shows a performance by The Polish National Ballet from 2011 from a culture studies perspective and concentrates on the determinants of mythic aspects of
236
Summary
The Rite of Spring depicted in choreographies by Nijinsky, Bejart and Gat, as well as in Stravinsky’s score itself. Combining the three realizations in one Warsaw performance is just like creating a bridge over the past century. Reconstruction of the original version carried out by Millicent Hodson (choreography) and Kenneth Archer (costumes, stage design) can be treated only as an attempt at approaching the legendary original, whereas in Bejart’s choreography narration transgresses the dimension of a folklore ritual, thus creating a universal mythology of love as a source of divine creation. The third of the realizations in question - by Emanuel Gat - is perceived by Joanna Szymajda as a ‘glocalization’ product. Although the choreographer does not change a deep structure of the ritual, in which a fear of a woman being the offering is predominant from the very beginning, the ritual itself is performed in a salsa rhythm, which detracts pathos and erotic charge characteristic of both earlier versions of The Rite of Spring.
The realization of Pina Bausch is presented yet in another context and treated in a text by Malgorzata Leyko as transformation of the historic memory into the collective memory. is a work which
depicts particularly vividly the artistic personality of its author. The basic element defining all aspects of Bausch s performance is soil which covers the stage floor - real and sensual presence of it makes the ritual of „the earth coming to life, symbolizing fertility, revival, abundance, cyclical nature of existence and therefore - death, absorption of life powers” happen on stage. Interpreted in an eco-aesthetic context, the choreography of Fruhlingsopfer - written with Bausch’s own body - becomes an important group bond, even after its founder’s death.
Fate of Stravinsky’s score remains unaffected by its stage life, as popularity of it results from its melodic power and formal openness. That is why, authors of following texts focus on the problems of musical aspects of The Rite of Spring. Jacek Szerszenowicz, while reconstructing a theoretical model of Carl Gustav Jung who indicates two modes of artistic creation -visionary and psychological one, attempts to find in Stravinsky’s biography and works some premises enabling him to depict the process of writing The Rite of Spring as a visionary mode. Hence, the author determines four areas of indicators constituting visionary art (biographical premises, cultural circumstances, contents of the work, and artistic means applied) and
Summary
237
shows precisely how this particular work of art can be described in terms of Jung’s concept.
In turn, the point of a text by Tomasz Majewski, discussing the Hollywood experience of Igor Stravinsky, is that there is something more at issue than just merely revealing a downgrading act of „stripping of Spring of its avant-garde aura” and turning it into an episode in Disney’s Fantasia. Showing an ambiguous attitude of the Russian composer to the relation between artistic music and film medium, as well as a process of converting The Rite of Spring score into a version differing from the ballet one of 1913, Majewski treats American experiences of Stravinsky as exemplification of mutual relations between artistic European modernism and mass culture arising in the United States. By contrast, a video installation by Katarzyna Kozyra, titled The Rite of Spring and discussed by Dariusz Lesnikowski, confirms the power of influence of the first ballet version also when applying media other than direct live dance performance or concert hall presentation of music. Kozyra’s installation, made up of juxtaposed, multiplied pictures displayed on the screens of a few projectors where numerous repetitions of a few-minute culminating dance scene of the Offered One appear, enhances the sensation of a neurotic, rabid fight for life. The impact of that scene lies behind the fact that the main characters here are old naked people, with their natural, age- and physical condition-related awkwardness.
Although the article by Bogdan Banasiak titled Georges Bataille -human as an excess of energy (which closes the book) does not refer directly to the legendary work by Stravinsky/ Nijinsky, it still turns to the concept constituting The Rite of Spring - the one of a human being suspended between sacrum and profanum. Perceiving a man from Bataille’s perspective - as an excess of energy, the author shows that „this energy surfeit constitutes a scale of human dynamics, makes a man as much create and build while bothering about survival, as much destroy their works and squander their own lives”.
The reflections presented in the second, culture studies-oriented part of the book show that since the premiere performance of The Rite of Spring we have been deep in a modern trend of ‘long-term’ works that still have an impact on our aesthetic reception of the world. The process in question seems to be yet in progress.
translated by Elzbieta Fesnak-Przybylska
Indeks nazwisk
A
Abraham, Gerald 89 Abramovic, Marina 205 Achmatowa, Anna 101 Ackere, Jean van 89, 95 Adorno, Theodor Wiessengrund 152,
173,174, 178,180,187 Afanasjew, Aleksander 183,184 Althamer, Pawel 200 Amette, Leon-Adolphe 123 Andersen, Hans Christian 51 Apollinaire, Guillaume 100, 108 Apulejusz z Madaury 209 Archer, Kenneth 14, 34, 134, 138,
149,153, 236
Arroyo, Angel Gregorio Villoldo 120 Astruc, Gabriel 99 Au, Susan 34,132
B
Bach, Jan Sebastian 36, 91,192,196 Bachtin, Michail 211 Bahr, Erhardt 188 Bahn, Jo 119-122,124,126
B%kowska, Eligia 97, 99,100
Bakst, Léon 74,132
Balanchine, Georges 192,193
Bale, Theodore 141
Balmont, Konstantin 42
Banasiak, Bogdan 6, 16, 210, 226,
237
Bancroft, David 32 Barçcza, Stanislaw 83, 84 Baran, Bogdan 13, 209 Baranowski, Tomasz 29 Barba, Eugenio 161 Barrés, Maurice 98 Bartök, Béla 89, 93 Bartold, Peter 102 Bartos, Maciej 102 Baruch G. W. 46,127 Barzun, Henri-Martin 108 Bashö 46
Bataille, Georges 6,16, 209, 212-219, 221-227
Baudelaire, Charles 105
Bausch, Pina 6,14, 34,140,159-168,
231, 236
240
Indeks nazwisk
Beardsley, Aubrey 42
Beckett, Samuel 142
Beethoven, Ludwig van 9, 20, 36, 90,
192
Béjart, Maurice 6,12,14,34,35,134,
139-146,152-157,160, 231
Bela, Jérôme 146
Bell, Robert 132
Benoit, Aleksander 51
Berger, Karol 117
Bergson, Henri 98,100,101
Berlioz, Hector 92
Berman, Laurence D. 113
Bernaczyk, Maria 26
Bernstein, Leonard 36
Bertolluccio, Bernardo 127
Bettelheim, Bruno, 208
Biedermann, Felix zob. Dormann
Felix
Bielski, Marcin 135
Bismarck, Otto von 97
Blanche, Jacques-Emile 111
Blawatska, Helena 100
Blumenkranz-Onimus, Noémi 30
Bochniarz, Marek 142
Boisseau, Rosita 141
Bonnard, Pierre 106
Borges, Jorgé Louis 121
Borowik, Irena 201
Borowski, Mateusz 205
Borris, Siegfried 90
Borzik, Rolf 162
Bottallo, G.B. 121
Boulez, Pierre 36, 37, 38,152,161
Bourdelle, Emil 101
Bradbury, Roy 193
Brahms, Johannes 88 Brando, Marlon 127 Brandstetter, Gabriele 159 Braque, Georges 101, 231 Brecht, Bertold 187,188 Brinkmann, Stephan 159, 160, 163-165,168
Brion-Guerry, Liliane 30 Bristiger, Michal 23, 25, 27, 80 Brunet, Nathalie 105 Buckle, Richard 152 Bula, Karol 67 Bullard, Truman 23, 34 Burleigh, Michael 98 Burska, Ewa 220 Burt, Ramsay 154 Buson 46
Butler, Christopher 98-101,107,108 Butler, Judith 205, 207
C
Cachafaz, El 125 Cackowski, Zdzislaw 8 Cage, John 91 Caillois, Roger 211 Calvocressi, Michel 121 Canudo, Ricciotto 28, 29 Carlson, Marvin 22, 26 Carne, Mosco 88, 90 Carapezza, Paolo Emilio 80 Cavallari, Aristides 124 Cellini, Benvenuto 84 Cendrars, Blaise 108,185-186 Cesar, Franck 88 Cezanne, Paul 101,106 Chabrier, Emil 89
îndeks nazwisk
241
Chalupt, René 102
Chan, Aga 69
Chapsal, Madelaine 224
Chausson Ernst 89
Chevreul, Michael Eugène 106
Chlopecki, Andrzej 62,77,78
Choinska, Alicja 77
Choinski, Krzysztof 77
Chominski, Jozef Maria 27, 56
Chopin, Fryderyk 22, 77,105
Chylihska, Teresa 182
Chynowski, Pawel 140
Clark, Christopher 87,107
Claudel, Paul 99,100
Collaer, Paul 89, 91-94,102,103
Collier, Simon 125,126
Cooper, Martin 88, 89
Copeau, Jacques 31
Copland, Aaron 189
Couchound, Paul 99,106
Craft, Robert 22, 26, 28, 30, 33, 38,
39, 42, 43, 44, 46, 61,126
Cremezi, Syvie 152
Crozier, Gladys Beattie 121
Culhane, John 193,194
Czajkowski, Piotr 36, 177, 178, 192,
198
Czapinska, Wieslawa 109 Czekanowska, Anna 9
D
dAnnunzio, Gabriel 105
dTndy, Vincent 88, 90-92, 97, 98,
105, 106
Dqbrowska, Anna 143 Dqbrowski, Bartosz 84
Dqbrowski, Jacek 95
Dahlhaus, Carl 79, 99,105
Dalcroze, Émile-Jaques 113, 139,
148,150,159
Dali, Salvator 109
Dante, Alighieri 170,171
Darwin, Charles 102, 193
Danuser, Hermann 20
Davies, Norman 97
Deane, Basil 90,103
Dearly, Max 121
Debussy, Claude 5, 11, 32, 33, 76, 88, 91-94, 97, 103, 105, 107, 111-118, 229, 235
Dehmel, Richard 79
Delage, Maurice 51,121
Delaunay, Robert 101
Demuth, Norman 87
Denève, Stéphane 87
Diagilew, Sergiusz 10, 12, 19, 22, 25,
34, 38, 53, 66-68, 72, 74-76, 96, 99,
111-113, 125, 131, 139, 140, 147,
150, 151, 154,178,181,197
Dierzanowski, Wladymir 30, 46
Disney, Walt 15, 21, 36, 185, 188,
191-195, 231, 237
Dlugosz, Jan 135,136
Döblin, Alfred 187
Doktor, Jan 201
Dorât, Antal 36
Dörmann, Felix 78-80
Dörr, Evelyn 163
Doumet, Christian 94, 95
Dreyfus, Alfred 98
Duchesneau, Michel 88
Duda-Gracz, Agata 140
242
Indeks nazwisk
Dufourcq, Norbert 89, 92, 103 Dukas, Paul 36, 89 Duncan, Isadora 99 Durkheim, Emil 211 Durozoi, Gérard 219 Durys, Elzbieta 193 Dygas, Ignacy 84 Dziçbowska, Elzbieta 60 Dziemidok, Rafal 198
E
Eckart-Bäcker, Ursule 105
Eimert, Herbert 116
Eisler, Hanns 187, 188
Eksteins, Modris 11, 20, 21, 22, 28,
96, 99, 100, 101, 131-133, 143, 144,
152
Eliade, Mircea 208
Eliot, Marc 191
Eliot, Thomas Stearns 196
Emedokles 209
Enzersdorf, Maria 54
Erhardt, Ludwik 22, 79, 133, 134,
144,147, 188
Ermatinger, Emil 169
Ewen, David 90
F
Fabre, Gabriel 100,102 Fantin-Latour, Henri 105 Faure, Michel 91,107 Fesnak-Przybylska, Elzbieta 237 Feuchtwanger, Lion 187 Fischer, Cari 54, 61 Fisher-Lichte, Erica 205 Fitelberg, Grzegorz 79, 80
Flaszen, Ludwik 137 Fokin, Michail 74,132,178, 207 Forte, Allen 37 Foucault, Michel 219 Françaix, Jean 106 Frankenstein, Alfred 186 Freud, Zygmunt 107, 171, 172, 175, 180
Fricke, Aarald 207 Fry, Edmund 101 Fürstner, Adolf 71, 229 Fulcher, Jane E 88, 98 Funayama, Takashi 41, 47, 50
G
Gadamer, Hans-Georg 13
Gance, Abel 185-186
Gardel, Carlos 125-127
Gat, Emanuel 4, 14, 35, 134, 140,
141, 145, 146, 155-157, 160, 231,
236
Gédalge, André 106
Gershwin, George 189, 190
Gide, André 31,46
Gigout, Eugène 88
Girard, René 211, 220
Glazewska, Ewa 208
Gleizes, Albert 101
Glinka, Michail 176,177
Godorecki, Sergiusz 25
Goethe, Johann Wolfgang 9, 170,
171, 172
Gol^b, Maciej 58 Golaszewska, Maria 167,168 Goldbeck, Frédérick 92, 93,102 Goldwyn, Samuel 188,189
Indeks nazwisk
243
Golianek, Daniel Ryszard 5,16, 234 Golubiew, Zofia 202 Gomez, Eusebio 120 Goreniowie, Anna i Andrzej 211 Görna, Katarzyna 200 Goszczynska, Maryla 211 Gouibour, Edmundo 126,128 Granhoj, Pale 165 Gräter, Manfred 46,126 Gregh, Fernand 101 Grey, Edward 96 Grimm, Wilhelm i Jakub 184 Grotowski, Jerzy 137 Groupius, Walter 99 Gruszczynski, Stanislaw 84 Guczalski, Krzysztof 28 Güiraldes, Ricardo 121-122 Guichard, Leon 105 Gwagnin, Aleksander 135
H
Haimo, Ethan 44 Hajdysz, Magdalena 142 Halbwachs, Maurice 160 Haraschin, Stanislaw 182 Hauptmann, Gerhardt 79 Hedemann, Oskar 224 Hegel, Georg Wilhelm 117, 224 Heistein, Jözef 99,101 Heliogabal 211 Helman, Lilian 189 Hemingway, Ernst 100 Henry, Pierre 153 Heraklit z Efezu 209 Hertzki, Emil 83 Hesse, Herman 101
Heydrich, Reinhardt 188 Hill, Edward B. 28
Hodson, Millicent 14, 134, 135, 138, 149,153,197, 231, 236 Hoeree, Arthur 103 Hofmannsthal, Hugo von 66-69, 71, 74-76
Holstein, Jean Paul 94 Honegger, Arthur 88, 95, 97 Horkheitner, Max 187 Hurlimann, Martin 46, 127 Huxley, Aldous 192
I
Ibert, Jacques 106 Ingres, Jean-August 206 Iwaszkiewicz, Jaroslaw 78, 105
J
Jablonski, Edward 189
Jackson, Julian 99
Jakubczak, Marzena 164, 166
Jammes, Francis 98
Janicka-Slysz, Malgorzata 5,10, 235
Janion, Maria 136-137, 218
Jarema, Maria 202
Jarociriski, Stefan 114, 116, 118,180
Jarosz, Krzysztof 216
Jarry, Alfred 99
Jarz^bska, Alicja 5, 28, 29, 31, 37, 38, 234
Jauss, Hans Robert 91 J^drkiewicz, Edwin 209 Johnson, Paul 44
Jordan, Stephanie 149,150,153,155 Joseph, Charles 185, 186, 192
244
Indeks nazwisk
Jowitt, Deborah 141 Joyce, James 100, 121 Jumeau-Lafond, Jean-David 100 Jung, Carl Gustaw 15, 169-175, 183, 236, 237
Juszczak, Wieslaw 106 K
Kafka, Franz 80
Kaligula 211
Kandinsky, Wasyl 100
Kania, Ireneusz 211, 217
Kanold, Magdalena 142
Kant, Immanuel 9, 223
Karajan, Herbert von 36
Kasprowicz, Jan 77, 78, 184
Kelley, Donald R. 96
Kenyon, Nicholas 87
Kereny, Käroly 211
Kessler, Harry 66-70, 74-76
K^szycka, Helena 219, 221
King, Henry 190
Kirsten, Lincoln 152
Klein, Gabriele 159
Kleist, Heinrich von 199
Klejsa, Konrad 193
Klimaczak, Dariusz R 127
Knowles, Mark 119-124
Kochanski, Pawel 189
Kochno, Borys 38
Koechlin, Charles 106
Komendant, Tadeusz 219, 224
Komorowska, Malgorzata 81, 82, 83,
84
Konopka, Barbara 206, 208 Korpanty, Jerzy 98
Kowalenko, Wladystaw 136 Kowalska-Zaj^c, Ewa 5, 234 Kowalski, Grzegorz 200 Kowalski, Jacek 98 Koziel, Bogdan 211 Kozyra, Katarzyna 15, 35, 198-202, 205-208, 232, 237 Kraszewski, Jözef Ignacy 136 Krause, Andreas 55, 60, 67 Krënek, Ernst 61,126 Krölica, Anna 159 Kromer, Marcin 135 Krupowicz, Stanislaw 88 Krzeczkowski, Henryk 55, 82 Kubikowska, Edyta 22 Kuligowska-Korzeniewska, Anna 5, 13, 231, 232, 235 Kuryllo, Edward 125 Kuziak, Michal 98 Kuzniecowa, Maria 74 Kydrynski, Julxusz 24, 42,139
L
Laban, Rudolf 162,163 Labelle, Nicole 87 Lachaume, Aimé 125 Lagarde, Paul 98
Landormy, Paul 88, 92, 94, 95, 102 Lang, Fritz 188
Laskowski, Aleksander 185,189 Le Flem, Paul 90 Le Roy, Xavier 33, 146 Lesnig, Günther 74, 75 Lesniewska, Maria 83 Lesnikowski, Dariusz 6, 15,16, 237 Lesure, François 23
îndeks nâzwisk
245
Leyko, Malgorzata 6, 14, 16, 163, 236
Libera, Zbigniew 200, 204 Libisz-Zöltkowska Maria, 201 Lincoln, Abraham 96,109 Lissa, Zofia 182 Loba, Anna i Miroslaw 98 Lorentz, Pare 194 Lubomirski, Wiadyslaw 78 Lully, Jean-Baptiste 91 Lutoslawski, Witold 19, 88
M
MacCarthy, Desmond 101
Mach, Ernst 52
Machlis, Joseph 88
Maciej z Miechowa 135
Magnard, Albéric 98
Mahler, Alma 187
Mahler, Gustaw 53, 59, 61,187
Majchrowski, Zbigniew 218
Majewski, Tomasz 6, 15,193, 237
Maksymowicz, Marta 208
Maldoom, Royston 39
Mallarmé, Stéphan 97
Mandelsztam, Osip 101
Mandiargues, André Peyre de 226
Manet, Édouard 101, 201
Mann, Henryk 187
Mann, Tomasz 96,105, 187
Marinetti, Filippo Thomasso 124,
125
Martinû, Bohuslav 90 Marvin, Elisabeth West 54, 55 Massine, Leonid 12, 74, 151 Matisse, Henri 101
Matuszewski, Krzysztof 210, 212, 213 Maurras, Charles 98 McGinnes, John 111-113 Mendelssohn-Bartholdy, Felix 92 Messal, Lucyna 125 Messiaen, Olivier 37, 38, 114 Meyer, André 38 Mickiewicz, Adam 13,136-137 Migdoll, Herbert 232 Milestone, Lewis (wlasc. Lew Milstein) 188 Milhaud, Darius 95,126 Misiuro, Wojciech 199 Mistinguett (wlas. Bourgeois, Jeanne) 120-121
Misztal, Dawid 226 Mokrzycka, Maria 84 Moldenhauer, Hans 53, 54, 55, 59, 61 Monkiewicz, Dorota 204 Monteux, Pierre 19, 23, 36 Morris, William 99 Mözdzynski, Pawel 201, 204 Mrozek, Slawomir 127 Mucha, Joanna 131 Muni, Paul (wïasc. Weinsfreund, Friedrich, Meier) 190 Musorgski, Modest 36, 177, 192 Myslakowska, Anna 139
N
Negri, Pola (wlasc, Chalupiec,
Apolonia Barbara) 125
Néron 211
Neumeier, John 75
Nietzsche, Friedrich 96,100, 107,
171,172, 209, 223-225
246
Indeks nazwisk
Niewiadomski, Stanislaw 83 Nizynski, Waclaw 6-8,12-16, 22-25, 29, 33-35, 67, 72, 74, 111-113, 117, 131, 133, 134, 139-157, 159, 160, 162, 181,197,198,199, 231, 232 Nizynski, Romola (de Pulszky, Romola) 72, 147 Nycz, Ryszard 12,13
O
O Brien, Willis 193 Oberzaucher-Schüller, Gunhild 69, 74, 75
Ochab, Maryna 213, 218, 224 Offenbach, Jacques 121 Olkowski, Dorothea 207 Orlan (wlasc. Porle, Mireille Suzanne) 202
Orledge, Robert 112 Ortega y Gasset, José 52 Ozawa, Seiji 36
P
Pacino, A1 (wlasc. Pacino, Alfredo
James) 127
Pane, Gina 205
Pascal, Blaise 175
Pasler, Jann 41, 49,112, 116
Penderecki, Krzysztof 128
Perloff, Marjolie 108
Peter, Michal 66
Pevsner, Nikolaus 99
Piazzola, Astor 120,127-128
Picasso, Pablo 96
Pilsudski, Józef 67
Pincet, Claude 94, 95
Pincherle, Marc 88-95, 102, 103, 105,106
Piotrowska, Maria 9
Pistone, Danièlle 102
Pitulej, Grzegorz 207
Plecinscy, Maria i Jacek 211
Pociej, Bohdan 59
Poincaré, Raymond 124
Pomian, Krzysztof 97
Ponchielli, Amilcare 36,193
Poprzçcka, Maria 200
Porçbski, Mieczyslaw 97
Portalou, Ludovic de 122
Pott, Hans Georg 95
Pratello, Francesco 87
Preljocaj, Angelin 35, 143
Prokofiew, Sergiusz 92, 93
Prokop, Jan 98
Prokopiuk, Jerzy 169
Prost-Romand, Cécile 74, 75, 76
Proust, Marcel 94, 97, 100, 105
Puccini, Giacomo 80, 81
Pulszky, Romola de zob. Nizynski
Romola
R
Rabelais, Franciszek 211 Rabinska, Krystyna 11, 20, 96, 132 Radziwillowa, Elzbieta 77 Rae, Charles Bodman 88 Rameau, Jean-Phillipe 91, 93,105 Rattle, Simon 36, 39, 146 Ravel, Maurice 51, 87-89, 91, 93, 94, 102,107,121, 182, 190 Rebatet, Lucien 88, 90 Redo, Józef 125
Indeks nazwisk
247
Redon, Odilon 99,105 Reich, Willi 60 Reinhardt, Max 68 Reitherman, Wolfgang 195 Rembowska, Aleksandra 140, 163, 166,167
Reszke, Robert 220 Rhynal, Camille de, 120 Riassanovsky Nicholas V.
Richepin, Jean 123
Rilke, Rainer Maria 101
Rimbaud, Arthur 52
Rivière, Jacques 31, 32, 33,148,152
Robert, Frédérick 89, 93
Roberts, Bill 195
Robinson, Bradford J. 99
Rodin, August 100,198
Rodrigues, Alfred 35
Rodrigues, Jean M. 105
Rodriguez, Philippe 28
Roerich, Mikolaj 20, 23, 24, 25, 27,
29, 31, 35, 131, 133, 134, 140, 141,
150,151,162,175,198, 227
Rognoni, Luigi 55, 82
Roland-Manuel, Alexis 89, 90
Rolland, Romain 74
Ronduda, Lukasz 204, 208
Rosihska, Zofia 169
Ross, Alexander 189
Roussel, Albert 5, 10, 11, 87-109,
235
Roy, Jean 89, 93, 94, 95 Rubiner, Ludwig 77 Rubinstein, Artur 78,125 Rubinstein, Ida 67, 74 Rudzihski, tukasz 142
Russ, Michael 59 Russolo, Luigi 87 Rutter, James 34
Rimski-Korsakow, Andrzej 39, 51,177 Rytel, Piotr 83 Rzepczyhski, Slawomir 98
S
Sabatier, François 106
Sacher, Paul 20, 30,185, 191
Sade, Alphonse de 210, 211, 214,
216, 221, 223
Sahary-Djali 104
Saint-Saëns, Camille 88, 91
Salmi, Hannu 96, 100
Satie, Eric 90,126
Schaeffer Boguslaw, 182
Schaeffer, Pierre 153
Schatz, J. H. 46,127
Schenker, Heinrich 37
Schickele, Peter 127
Schiller, Fryderyk 9
Schlumberger, Jean 31
Schmitt, Florent 33, 51, 89, 106,121
Schneemann, Carolee 205
Schneider, Maria 127
Schönberg, Arnold 42, 52, 54-56, 60,
81, 82, 100,117,187
Schopenhauer, Artur 100
Schubert, Franz 36, 117
Schuh, Willi 66, 68
Schwarzkogler, Rudolf 205
Scruton, Robert 80
Servos, Norbert 164
Sieczkowski, Tomasz 226
Siegmund, Gerald 164,165
248
Indeks nazwisk
Signac, Paul 106 Sikorski, Dariusz 98 Skriabin, Aleksander 29, 77,182 Skwarczyhska, Stefania 169 Slowacki, Juliusz 175 Smalley, Roger 61, 62 Smuga, Konrad 143 Snochowska-Gonzalez, Claudia 136 Souvtchinsky, Pierre 37 Spielberg, Steven 127 Spiess, Stefan 78, 79 Sroczyhski, Grzegorz 200 Stabryla, Stanislaw 209 Staniewska, Anna 79 Stasiuk, Andrzej 165 Stefanowska, Zofia 137 Stein, Gertruda 108 S einberg, Mark D. 26 Stelarc (wlasc. Stelios, Arcadiou) 205 Stçpieri-Kutera Kamila 5,11, 235 Stilson, M. 124 Stokowski, Lepold 36,194 Strauss, Richard 5,10, 65-76, 78-81, 83, 229, 234
Strawihska, Wiera 28,195 Strawinski, Igor 7-16,19-33, 35-39, 41-51, 53, 61-64, 76, 88, 91, 92, 95, 97, 112, 114, 119, 121, 126, 127, 131-135, 139-144, 146, 148-151, 156, 159-162, 167, 173-177, 180-184, 159-162, 167, 173-177, 180-184, 185-196, 197, 198, 207, 227, 229, 231
Strindberg, August 107 Stryjkowski, Marcin 135 Sucharski, Tadeusz 98
Sudejkina, Wiera zob. Strawihska, Wiera
Sugiera, Malgorzata 205 Suquet, Annie 150 Surowecki, Wawrzyniec 136 Sutton, Howard 123 Swanson, Gloria (wlasc. Svensson, Gloria May Josephine) 125 Swoboda, Tomasz 222 Szapocznikow, Alina 202 Szczuka, Kazimiera 136 Szerszenowicz, Jacek 6,15, 236 Szoka, Marta 5,11, 235 Szulakowska-Kulawik, Jolanta 5, 11, 235
Szymajda, Joanna 6,14, 236 Szymanowski, Karol 5,10, 77-85, 235
S
Swirszczyhska, Anna 84 T
Tabakowska, Elzbieta 97 Tales z Miletu 209, 220 Tansman, Aleksander 187 Taruskin, Richard 20, 23, 25, 26, 28, 30, 32, 33, 37, 41,42, 44,46,47, 49 Tatarkiewicz, Anna 220 Taylor, Deems 36,194 Tenczyhska, Anna 117 Tesznar, Tomasz 26 Toch, Ernst 187 Tomasik, Tomasz 98 Tomaszewski, Mieczyslaw 77, 85 Toorn, Pieter den van 21, 37 Topolski, Jerzy 8
Indeks nazwisk
249
Torteliier, Yan Pascal 104 Trzçsiok, Marcin 5,10, 234 Trzupek, Jan 202 Turowski, Kazimierz Jözef 135 Tyszecka-Grygorowicz, Elzbieta 105
U
Urbahczyk, Stanislaw 135-136 Urbanski, Marek 99
V
Valentino, Rudolf (wlasc. dÄntogu-
olla, Rodolfo Alfonso Valentina) 125
Valéry, Paul 96, 99,101
Varèse, Edgar 90
Vergo, Peter 91
Veronese, Paolo 65, 69, 76
Viagra, Gloria 207
Vilar, Jean 153
Vines, Ricardo 121
Voisin, Gilbert de 102
Vuillermoz, Émile 90,113,121
W
Wachowicz, Zygmunt 56, 57 Wagner, Richard 33, 72, 89, 96, 97, 100,102,105,125,170-173,178 Walacinski, Adam 60 Wallis, Mieczyslaw 109 Walsh, Stephen 42,121 Walton, William 126 Waluk-Jaguszewska, Elzbieta 191 Wandycz, Piotr 95 Warunc, Wiktor 31 Watkins, Glenn 41, 42, 49, 51 Watts, Graham 142
Wayda, Fryderyka 174
Weber-Bockholdt, Petra 80
Webern, Anton 5,10, 53-56,229, 234
Webern, Hermina von 53
Webern, Peter 53
Weigelt, Gert 164
Weiss, Izadora 141-142, 231, 232
Welles, George Herbert 100
Welsch, Wolfgang 12,13,16
Werfel, Franz 187,190
Wesolowski, Emil 131
Whitall, Arnold 37
White, Eric Walter 51
Whiteman, Paul 189
Wiercihska, Janina 99
Wigman, Mary 34
Wilde, Oscar 81,100
Wilhelm II 124
Wilkoszewska, Krystyna 164
Witkowska, Ewa 206, 208
Woldu, Gail Hilson 91
Wröblewska, Hanna 207
Wycichowska, Ewa 35
Wysocka, Katarzyna 142
Wysocka, Tacjanna 147
Wyspiahski, Stanislaw 138
Wyszomirski, Piotr 142
Z
Zaleski, Krzysztof 131 Zimmermann, Heida 20 Zverev, Nicholas 154
i
Zebrowska, Alicja 206, 208 Zmijewski, Artur 200, 203, 204
|
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| author_GND | (DE-588)1027362702 |
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| building | Verbundindex |
| bvnumber | BV041965717 |
| ctrlnum | (OCoLC)951674602 (DE-599)BVBBV041965717 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV041965717 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:09:25Z |
| institution | BVB |
| isbn | 9788360929421 |
| language | Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027408467 |
| oclc_num | 951674602 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 249 Seiten, 8 ungezählte Seiten Illustrationen, Notenbiespiele 24 cm |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Akademia Muzyczna im. Grażyny i Kiejstuta Bacewiczów w Łodzi |
| record_format | marc |
| spelling | Święto wiosny dwie perspektywy [redakcja Marta Szoka] Łódź Akademia Muzyczna im. Grażyny i Kiejstuta Bacewiczów w Łodzi 2014 249 Seiten, 8 ungezählte Seiten Illustrationen, Notenbiespiele 24 cm txt rdacontent n rdamedia nc rdacarrier Zusammenfassung in englischer Sprache Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd rswk-swf Geschichte gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Stravinsky, Igor 1882-1971 (DE-588)118642545 p Musik (DE-588)4040802-4 s Geschichte z DE-604 Szoka, Marta 1955- (DE-588)1027362702 edt Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027408467&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027408467&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027408467&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
| spellingShingle | Święto wiosny dwie perspektywy Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)118642545 (DE-588)4040802-4 |
| title | Święto wiosny dwie perspektywy |
| title_auth | Święto wiosny dwie perspektywy |
| title_exact_search | Święto wiosny dwie perspektywy |
| title_full | Święto wiosny dwie perspektywy [redakcja Marta Szoka] |
| title_fullStr | Święto wiosny dwie perspektywy [redakcja Marta Szoka] |
| title_full_unstemmed | Święto wiosny dwie perspektywy [redakcja Marta Szoka] |
| title_short | Święto wiosny |
| title_sort | swieto wiosny dwie perspektywy |
| title_sub | dwie perspektywy |
| topic | Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Stravinsky, Igor 1882-1971 Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027408467&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027408467&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027408467&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT szokamarta swietowiosnydwieperspektywy |