The history of music production:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY
Oxford Univ. Press
2014
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XIV, 245 S. Ill. |
| ISBN: | 9780199357161 9780199357178 |
Staff View
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Record in the Search Index
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| adam_text | The History of Music Production
Richard James Burgess
OXFORD
UNIVERSITY PRESS
CONTENTS
List of Illustrations xi
Preface xiii
Introduction 1
1 Beginnings 2
Understanding Sound 2
Toward Recording 3
The Phonograph 5
The First Producers 12
2 The Acoustic Period 16
Acoustic Recording 16
International Expansion 18
The Third Major Label 19
The Sooys 20
Documentation of Cultural Expression 24
The End of an Era 26
3 The Electric Period 29
Toward Electric Recording 29
Better Sound 30
Country Music 32
Further Technological Foundations 33
The Calm before the Storm 34
The Thirties and Forties 34
Radio, Film, and Tape Innovations 36
4 Economic and Societal Overlay 38
Cyclical Decline 38
One Thing after Another: The Thirties through the War
Recovery 40
5 The Studio Is Interactive 42
Toward Greater Control 42
Magnetic Tape Recording 44
Defining Some Terms 48
Mastering 49
Contents
Editing 49
Sound on Sound 50
Overdubbing 52
Summing up Tape s Impact 54
The Microgroove LP 54
6 The Post-World War II Reconstruction of the Recording Industry
After the War 56
The Boom in Independent Labels 58
The Fifties 61
Radio DJs 64
7 Mobile Music 66
More Music for More People 66
Music Anywhere: Radio on the Move 67
My Music on the Move 69
My Music Anywhere 70
8 Expanding the Palette 73
Electric Instruments and Amplifiers 7 !
Synthesizers 76
Genre Hybridization 81
9 Some Key Producers 82
The Objective 82
Review of Early Producers 83
Mitch Miller 83
Leiber and Stoller 84
Phil Spector 85
Sam Phillips 87
Steve Sholes 87
Norrie Paramor 88
Joe Meek 89
Brian Wilson 90
George Martin 91
Holland, Dozier, and Holland 92
Teo Macero 92
King Tubby 93
Prince 93
Rick Rubin 94
Quincy Jones 95
Robert John Mutt Lange 96
Dr Dre 96
Max Martin 97
10 The Sixties and Seventies 98
Cultural and Creative Revolution 98
The Sixties 98
Mix Automation 100
The Seventies 102
11 Toward the Digital Age 104
Digital Recording 104
Hip Hop 105
The State of the Eighties 106
The Sound of the Eighties 107
The Look of the Eighties 108
Shiny Silver Discs 109
Singles 111
Mixing 111
Dance Music 112
Remixes 115
Further Eighties Developments
Mergers and Acquisitions 118
The Internet and the World Wide
12 The Nineties 120
The Corporate State 120
The Charts and SoundScan 120
Alternative Rock 121
Toward Music Online 121
Progress with Digitized Data 122
Digital Radio 123
Millennial 125
Preparing the Way for Napster 125
13 Periods of Standards and Stability 127
Proprietary versus Open Systems 127
Standards 127
14 Deconstructing the Studio 131
Democratizing Technologies 131
Improvised Environments 131
When Is a Home Not a Home? 132
Freedom 132
15 Random Access Recording Technology 134
Why Random Access? 134
The Beginnings of Random Access for Producers 136
Drum Machines, Next Generation Sequencei s, and MIDI
Web 119
x Contents
The Beginnings of Random Access Digital Recording 143
Convergence and Integration 145
16 Transformative/Disruptive Technologies and the Value of Music 147
Definitions of Terms 147
The Industry at the Turn of the 21st Century 147
Missed Opportunity 148
Oh, Wait 149
No Big Surprises 150
What a Great Idea 151
What Happened to Vertical Integration? 151
An Idea Whose Time Had Come 152
Denial and Inaction 153
The Consequences 154
The Digital Disruption and Producer Income 155
Performance Royalties 155
Direct versus Statutory Licenses 157
17 Post-Millennial Business Models 159
American Idol 159
Downloads 160
Streaming Audio 162
Non-Interactive Streams 163
Streaming on Demand 164
Web 2 0, Social Networking, and Social Media 164
Commonalities 165
18 The Unfinished Work 167
Sampling, Mash-ups, and Remixes 167
Using Records as Raw Material 167
Disco 169
Hip Hop 169
Adapting Compositions 171
Adapting Recordings 171
The Question of Creativity 173
The Question of Legality 174
Conclusion 177
Notes 181
Bibliography 209
About the Author 227
Index 229
|
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| isbn | 9780199357161 9780199357178 |
| language | English |
| lccn | 013047108 |
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| physical | XIV, 245 S. Ill. |
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| publisher | Oxford Univ. Press |
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| spelling | Burgess, Richard James Verfasser (DE-588)134340477 aut The history of music production Richard James Burgess New York, NY Oxford Univ. Press 2014 XIV, 245 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Geschichte Sound recording industry History Sound recordings Production and direction History Sound Recording and reproducing History Sound recordings History Music and technology Musikproduktion (DE-588)4235850-4 gnd rswk-swf Musikproduktion (DE-588)4235850-4 s Geschichte z DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027379111&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Burgess, Richard James The history of music production Geschichte Sound recording industry History Sound recordings Production and direction History Sound Recording and reproducing History Sound recordings History Music and technology Musikproduktion (DE-588)4235850-4 gnd |
| subject_GND | (DE-588)4235850-4 |
| title | The history of music production |
| title_auth | The history of music production |
| title_exact_search | The history of music production |
| title_full | The history of music production Richard James Burgess |
| title_fullStr | The history of music production Richard James Burgess |
| title_full_unstemmed | The history of music production Richard James Burgess |
| title_short | The history of music production |
| title_sort | the history of music production |
| topic | Geschichte Sound recording industry History Sound recordings Production and direction History Sound Recording and reproducing History Sound recordings History Music and technology Musikproduktion (DE-588)4235850-4 gnd |
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