Hitchcock and adaptation: on the page and screen
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham, Md. [u.a.]
Rowman & Littlefield
2014
|
| Schlagworte: | |
| Beschreibung: | Literaturangaben |
| Beschreibung: | XXXVIII, 314 S. Ill. 24 cm |
| ISBN: | 9781442230873 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV041885046 | ||
| 003 | DE-604 | ||
| 005 | 20151209 | ||
| 007 | t | ||
| 008 | 140528s2014 a||| |||| 00||| eng d | ||
| 020 | |a 9781442230873 |c cloth : alk. paper |9 978-1-4422-3087-3 | ||
| 020 | |z 1442230878 |c cloth : alk. paper |9 1442230878 | ||
| 035 | |a (OCoLC)905077259 | ||
| 035 | |a (DE-599)BVBBV041885046 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 |a DE-B170 |a DE-824 | ||
| 084 | |a AP 51170 |0 (DE-625)7619: |2 rvk | ||
| 245 | 1 | 0 | |a Hitchcock and adaptation |b on the page and screen |c ed. by Mark Osteen |
| 264 | 1 | |a Lanham, Md. [u.a.] |b Rowman & Littlefield |c 2014 | |
| 300 | |a XXXVIII, 314 S. |b Ill. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Literaturangaben | ||
| 505 | 0 | |a Hitchcock and authorship. Thomas M. Leitch: Hitchcock the author -- Walter Raubicheck and Walter Srebnick: Wrong men on the run: The 39 steps as Hitchcock's espionage paradigm -- Patrick Faubert: the role and presence of authorship in Suspicion -- Hitchcock adapting. Ken Mogg: Melancholy elephants: Hitchcock and ingenious adaptation -- Matthew Paul Carlson: Conrad's The secret agent, Hitchcock's Sabotage, and the inspiration of "public uneasiness" -- Leslie H. Abramson: Stranger(s) than fiction: adaptation, modernity, and the menace of fan culture in Hitchcock's Strangers on a train -- Heath A. Diehl: Reading Hitchcock/reading queer: adaptation, narrativity, and a queer mode of address in Rope, Strangers on a train, and Psycho -- Nicholas Andrew Miller: "Dear Miss Lonelyhearts": voyeurism and the spectacle of human suffering in Rear window -- John Bruns: "The proper geography": Hitchcock's adaptation of Daphne du Maurier's "The birds" -- Tony Williams: From Kaleidoscope to Frenzy: Hitchcock's second British homecoming -- Hitching a ride: the collaborations. Donna Kornhaber: Hitchcock's diegetic imagination, Thornton Wilder, Shadow of a doubt and Hitchcock's mise-en-scène -- Maria A. Judnick: "The name of Hitchcock! the fame of Steinbeck! The legacy of Lifeboat -- Christina Lane and Jo Botting: "What did Alma think?" continuity, writing, editing, and adaptation -- Adapting Hitchcock. Russell J. A. Kilbourn: The second look, the second death: W. G. Sebald's orphic adaptation of Hitchcock's Vertigo -- Dennis R. Perry and Carl H. Sederholm: Dark adaptations: Robert Bloch and Hitchcock on the small screen -- Mark Osteen: Extraordinary renditions: Delillo's Point omega and Hitchcock's Psycho -- David Seed: The culture of spectacle in American psycho | |
| 600 | 1 | 4 | |a Hitchcock, Alfred / 1899-1980 / Criticism and interpretation |
| 600 | 1 | 7 | |a Hitchcock, Alfred |d 1899-1980 |0 (DE-588)118551647 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Film adaptations / History and criticism | |
| 689 | 0 | 0 | |a Hitchcock, Alfred |d 1899-1980 |0 (DE-588)118551647 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Osteen, Mark |d 1954- |0 (DE-588)1037240359 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4422-3088-0 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027329084 | ||
Datensatz im Suchindex
| _version_ | 1804152231396638720 |
|---|---|
| any_adam_object | |
| author2 | Osteen, Mark 1954- |
| author2_role | edt |
| author2_variant | m o mo |
| author_GND | (DE-588)1037240359 |
| author_facet | Osteen, Mark 1954- |
| building | Verbundindex |
| bvnumber | BV041885046 |
| classification_rvk | AP 51170 |
| contents | Hitchcock and authorship. Thomas M. Leitch: Hitchcock the author -- Walter Raubicheck and Walter Srebnick: Wrong men on the run: The 39 steps as Hitchcock's espionage paradigm -- Patrick Faubert: the role and presence of authorship in Suspicion -- Hitchcock adapting. Ken Mogg: Melancholy elephants: Hitchcock and ingenious adaptation -- Matthew Paul Carlson: Conrad's The secret agent, Hitchcock's Sabotage, and the inspiration of "public uneasiness" -- Leslie H. Abramson: Stranger(s) than fiction: adaptation, modernity, and the menace of fan culture in Hitchcock's Strangers on a train -- Heath A. Diehl: Reading Hitchcock/reading queer: adaptation, narrativity, and a queer mode of address in Rope, Strangers on a train, and Psycho -- Nicholas Andrew Miller: "Dear Miss Lonelyhearts": voyeurism and the spectacle of human suffering in Rear window -- John Bruns: "The proper geography": Hitchcock's adaptation of Daphne du Maurier's "The birds" -- Tony Williams: From Kaleidoscope to Frenzy: Hitchcock's second British homecoming -- Hitching a ride: the collaborations. Donna Kornhaber: Hitchcock's diegetic imagination, Thornton Wilder, Shadow of a doubt and Hitchcock's mise-en-scène -- Maria A. Judnick: "The name of Hitchcock! the fame of Steinbeck! The legacy of Lifeboat -- Christina Lane and Jo Botting: "What did Alma think?" continuity, writing, editing, and adaptation -- Adapting Hitchcock. Russell J. A. Kilbourn: The second look, the second death: W. G. Sebald's orphic adaptation of Hitchcock's Vertigo -- Dennis R. Perry and Carl H. Sederholm: Dark adaptations: Robert Bloch and Hitchcock on the small screen -- Mark Osteen: Extraordinary renditions: Delillo's Point omega and Hitchcock's Psycho -- David Seed: The culture of spectacle in American psycho |
| ctrlnum | (OCoLC)905077259 (DE-599)BVBBV041885046 |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV041885046 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:07:25Z |
| institution | BVB |
| isbn | 9781442230873 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027329084 |
| oclc_num | 905077259 |
| open_access_boolean | |
| owner | DE-M472 DE-B170 DE-824 |
| owner_facet | DE-M472 DE-B170 DE-824 |
| physical | XXXVIII, 314 S. Ill. 24 cm |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Rowman & Littlefield |
| record_format | marc |
| spelling | Hitchcock and adaptation on the page and screen ed. by Mark Osteen Lanham, Md. [u.a.] Rowman & Littlefield 2014 XXXVIII, 314 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Literaturangaben Hitchcock and authorship. Thomas M. Leitch: Hitchcock the author -- Walter Raubicheck and Walter Srebnick: Wrong men on the run: The 39 steps as Hitchcock's espionage paradigm -- Patrick Faubert: the role and presence of authorship in Suspicion -- Hitchcock adapting. Ken Mogg: Melancholy elephants: Hitchcock and ingenious adaptation -- Matthew Paul Carlson: Conrad's The secret agent, Hitchcock's Sabotage, and the inspiration of "public uneasiness" -- Leslie H. Abramson: Stranger(s) than fiction: adaptation, modernity, and the menace of fan culture in Hitchcock's Strangers on a train -- Heath A. Diehl: Reading Hitchcock/reading queer: adaptation, narrativity, and a queer mode of address in Rope, Strangers on a train, and Psycho -- Nicholas Andrew Miller: "Dear Miss Lonelyhearts": voyeurism and the spectacle of human suffering in Rear window -- John Bruns: "The proper geography": Hitchcock's adaptation of Daphne du Maurier's "The birds" -- Tony Williams: From Kaleidoscope to Frenzy: Hitchcock's second British homecoming -- Hitching a ride: the collaborations. Donna Kornhaber: Hitchcock's diegetic imagination, Thornton Wilder, Shadow of a doubt and Hitchcock's mise-en-scène -- Maria A. Judnick: "The name of Hitchcock! the fame of Steinbeck! The legacy of Lifeboat -- Christina Lane and Jo Botting: "What did Alma think?" continuity, writing, editing, and adaptation -- Adapting Hitchcock. Russell J. A. Kilbourn: The second look, the second death: W. G. Sebald's orphic adaptation of Hitchcock's Vertigo -- Dennis R. Perry and Carl H. Sederholm: Dark adaptations: Robert Bloch and Hitchcock on the small screen -- Mark Osteen: Extraordinary renditions: Delillo's Point omega and Hitchcock's Psycho -- David Seed: The culture of spectacle in American psycho Hitchcock, Alfred / 1899-1980 / Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd rswk-swf Film adaptations / History and criticism Hitchcock, Alfred 1899-1980 (DE-588)118551647 p DE-604 Osteen, Mark 1954- (DE-588)1037240359 edt Erscheint auch als Online-Ausgabe 978-1-4422-3088-0 |
| spellingShingle | Hitchcock and adaptation on the page and screen Hitchcock and authorship. Thomas M. Leitch: Hitchcock the author -- Walter Raubicheck and Walter Srebnick: Wrong men on the run: The 39 steps as Hitchcock's espionage paradigm -- Patrick Faubert: the role and presence of authorship in Suspicion -- Hitchcock adapting. Ken Mogg: Melancholy elephants: Hitchcock and ingenious adaptation -- Matthew Paul Carlson: Conrad's The secret agent, Hitchcock's Sabotage, and the inspiration of "public uneasiness" -- Leslie H. Abramson: Stranger(s) than fiction: adaptation, modernity, and the menace of fan culture in Hitchcock's Strangers on a train -- Heath A. Diehl: Reading Hitchcock/reading queer: adaptation, narrativity, and a queer mode of address in Rope, Strangers on a train, and Psycho -- Nicholas Andrew Miller: "Dear Miss Lonelyhearts": voyeurism and the spectacle of human suffering in Rear window -- John Bruns: "The proper geography": Hitchcock's adaptation of Daphne du Maurier's "The birds" -- Tony Williams: From Kaleidoscope to Frenzy: Hitchcock's second British homecoming -- Hitching a ride: the collaborations. Donna Kornhaber: Hitchcock's diegetic imagination, Thornton Wilder, Shadow of a doubt and Hitchcock's mise-en-scène -- Maria A. Judnick: "The name of Hitchcock! the fame of Steinbeck! The legacy of Lifeboat -- Christina Lane and Jo Botting: "What did Alma think?" continuity, writing, editing, and adaptation -- Adapting Hitchcock. Russell J. A. Kilbourn: The second look, the second death: W. G. Sebald's orphic adaptation of Hitchcock's Vertigo -- Dennis R. Perry and Carl H. Sederholm: Dark adaptations: Robert Bloch and Hitchcock on the small screen -- Mark Osteen: Extraordinary renditions: Delillo's Point omega and Hitchcock's Psycho -- David Seed: The culture of spectacle in American psycho Hitchcock, Alfred / 1899-1980 / Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Film adaptations / History and criticism |
| subject_GND | (DE-588)118551647 |
| title | Hitchcock and adaptation on the page and screen |
| title_auth | Hitchcock and adaptation on the page and screen |
| title_exact_search | Hitchcock and adaptation on the page and screen |
| title_full | Hitchcock and adaptation on the page and screen ed. by Mark Osteen |
| title_fullStr | Hitchcock and adaptation on the page and screen ed. by Mark Osteen |
| title_full_unstemmed | Hitchcock and adaptation on the page and screen ed. by Mark Osteen |
| title_short | Hitchcock and adaptation |
| title_sort | hitchcock and adaptation on the page and screen |
| title_sub | on the page and screen |
| topic | Hitchcock, Alfred / 1899-1980 / Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Film adaptations / History and criticism |
| topic_facet | Hitchcock, Alfred / 1899-1980 / Criticism and interpretation Hitchcock, Alfred 1899-1980 Film adaptations / History and criticism |
| work_keys_str_mv | AT osteenmark hitchcockandadaptationonthepageandscreen |