Holdings: Film music :: THWS Bibkatalog

Film music: history, aesthetic-analysis, typologies

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Bibliographic Details
Main Author:	Miceli, Sergio 1944- (Author)
Format:	Book
Language:	English
Published:	[Milano u.a.] Ricordi [u.a.] 2013
Subjects:	Geschichte Motion picture music Motion picture music / History and criticism Filmmusik
Online Access:	Inhaltsverzeichnis
Item Description:	A history and analysis of film music from the silent era into the late 20th century. Music and film from many countries and styles are examined.
Physical Description:	XXXVI, 835 S. Ill., Notenbeisp.
ISBN:	9788875929244 9788870967289

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MARC


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Record in the Search Index

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adam_text	Contents Preface .................................. χι Translators Note .............................. хні Introduction to the Original Edition .................. xv 1. Terminological and Didactical Notes ................ xv 2. Notes on the Book s Organization .................. xix 2.1 History .............................. xx 2.2 Aesthetic - Analysis ...................... xxii 2.3 Typologies ............................ xxiii 3. Methodological Notes ......................... xxvi Acknowledgements .......................... xxviii Notes ........................................ xxix Introduction to the English Edition ................... xxxiii Acknowledgements .......................... xxxvi Table of Abbreviations ........................... xxxvii Part I — History Silent Cinema 1. From the Origins to the Creation of Cinema Theaters ......... 3 Notes ........................................ 10 2. The Planification of the Musical Component (1912-1927)....... 13 2.1 Cue Sheets ................................ 14 2.2 Repertoires ................................ 17 2.3 Manuals .................................. 24 Notes ........................................ 28 VI CONTENTS 3. From Compilations to Original Scores (1905-1930)............ 31 3.1 Early Specialists and Art-Music Composers ............. 37 3.2 The Film d Art In France and Italy ................... 52 3.3 Localizations ............................... 65 Notes ........................................ 81 4. The Artistic Avant-Garde .......................... 99 Notes ........................................ 108 Sound Cinema 1. The Arrival of Sound ............................. Ί.15 Notes ........................................ X23 2. The United States ............................... 125 2.1 The First Hollywood Generation (1927-1940)............. 126 2.2 The Second Hollywood Generation (1940-1960)........... 136 2.3 The Third Hollywood Generation (1960-1980)............ 162 2.4 Art-Music Composers .......................... 175 Notes ........................................ 180 3. France ................................... 195 3.1 Maurice Jaubert ............................. 195 3.2 The French School ........................... 203 3.3 Art-Music Composers .......................... 211 Notes ........................................ 215 4. Italy ................................... 219 4.1 Music in Fascist Cinema ......................... 221 4.2 Signs of Transition. Enzo Maseru ................... 235 4.3 Neorealism ................................ 241 4.4 Nino Rota ................................. 248 4.5 From the Establishment of Specialism to the 1970s......... 253 4.6 Ennio Morricone ............................. 263 4.7 From the 1970s to the End of the Century ............... 270 Notes ........................................ 278 5. Soviet Union .................................. 305 5.1 Sergej S. Prokof ev ............................ 306 5.2 Dmitri D. Šostakovič .......................... 316 5.3 The Soviet School ........................... 320 Notes ........................................ 322 6. Great Britain ................................. 327 6.1 The First Generation (1930-1950).................... 328 6.2 The Second Generation (1940-1960).................. 331 Notes ........................................ 342 CONTENTS VII 7. Cosmopolitism and Other Phenomena ................... 345 7.1 U.S.-Born Composers .......................... 347 7.2 French-Born Composers ........................ 351 7.3 Italian-Born Composers ........................ 354 7.4 British-Born Composers ........................ 355 7.5 Composers from other Countries ................... 359 7.6 The Case of German-Speaking Composers ............. 363 jjj Minimalists ................................ 370 Notes ........................................ 372 Selected Bibliography Part I ........................... 379 Part II — Aesthetic — Analysis 1. Survey of the Main Aesthetic Theories ................... 395 1.1 Partial Contributions (1916-1960)................... 397 1.2, Italy and France (1911-1968)...................... 406 1.3 Specific Contributions (1935-1993)................... 417 1.4 Semiotics of Film Music ........................ 434 1.5 Aesthetic of Sound ........................... 443 Notes ........................................ 455 2. Analysis. Musical Forms in Cinema ..................... 480 2.1 Motifs ................................... 485 2.2 Themes .................................. 486 2.3 Extended Themes and Moti vic-Thematic Concatenations ..... 488 2.4 Semi-Themes and Bridges ....................... 490 2.5 Ostinatos ................................. 491 2.6 Forms with a Narrow Melodic Profile ................ 492 2.7 Variations and Superimpositions ................... 493 2.8 Complex Forms ............................. 495 Notes ........................................ 496 3. Analysis. Basic Dramaturgical Functions ................ 499 3.1 Musical Accompaniment ........................ 500 3.2 Musical Commentary .......................... 501 3.3 Coexistence and Transition ....................... 502 3.4 Explicit Synchs .............................. 502 3.5 Implicit Synchs ............................. 504 Notes ........................................ 507 VIII CONTENTS . 4. Analysis. Primary Dramaturgical Functions ............... 50g 4.1 Internal Level .............................. 509 4.2 External Level .............................. 5x3 4.2.1 Acritical External Level ..................... 515 4.2.2 Critical External Level ...................... 516 4.3 Mediated Level ............................. 518 4.4 Transition Among Levels and Ubiquity ................ 520 Notes ........................................ 525 5. Analysis. Circumscribed Dramaturgical Functions ........... 529 5.1 Leitmotivic Function .......................... 529 5.2 Pantomimic Function and Mickey Mousing ............. 531 5.3 Signaletic and Explanatory Functions ................. 532- 5.4 Functions of Song ............................ 535 Notes ........................................ 540 6. Analysis. Sound Vs. Silence ......................... 543 6.1 Production Practice and Sound Techniques ............. 544 6.2 Mixtures and Interactions ....................... 549 6.3 Absence of Music ............................ 552 Notes ........................................ 555 Appendix ................................... 559 Dialogues and Music .............................. 559 Underscoring .................................. 559 Word/Music Negotiation ............................ 560 Melologue ................................... 561 Notes ........................................ 563 Selected Bibliography Part II ........................... 565 Part III — Typologies 1. Dance in Cinema ............................... 579 1.1 Choreutic Allusions ........................... 581 1.2 Contextualized Choreutic Episodes .................. 584 1.3 Dance as the Main Subject of the Film ................ 589 1.4 From Visual Rhythm to Virtual Dance ................ 591 Notes ........................................ 593 2. The Musical ................................... 597 2.1 Vocality in the Musical ......................... 599 2.2 Narratological Structures. Backstage Musical ............ 605 2.3 From Broadway to Hollywood. Busby Berkeley ........... 606 2.4 The Astaire Model ............................ 609 CONTENTS IX 2.5 The Kelly Model............................. 614 2.6 Aspects of Musical Comedy ...................... 6x8 2.7 Meta-Filmic and Meta-Musical Substance .............. 621 2.8 Metamorphoses and Stylistic Mixtures ................ 629 2.9 Other Approaches ............................ 637 Notes ........................................ 642 3. Musical Film in Europe ............................ 651 3.1 France ................................... 652 3.2 Italy ................................... 656 3.3 Other European Phenomena ...................... 660 Notes ..................................... 661 4. Films on Musical Subjects .......................... 665 4.x Art-Music Biographical Films ..................... 666 4.2 Jazz/Pop/Rock .............................. 672 Notes ........................................ 674 5. Musical Theater and Cinema ........................ 5_i Films Freely Inspired by Musical Theater Subjects ......... 679 5.2 Parallel Operas .............................. 681 5.3 Film-Opera ................................ 684 5.3.a Moses und Aron by Jean-Marie Sträub and Daniele Huillet (X974)........................... 687 5.3.2 Trollflöjten by Ingmar Bergman (X974) ............. 690 5.3.3 Don Giovan η і by Joseph Losey (X979) .............. 695 5.3.4 Parsifal by Hans-Jürgen Syberberg (1982)........... 699 5.3.5 Carmen by Francesco Rosi (1984)................ 705 5.4 Film-Operas of the Specialists ..................... 7x0 5.4.x Franco Zeffirelli ......................... 7xx 5.4.2 Jean-Pierre Ponnelie ....................... 7г4 5-5 Documentary and Promotional Purposes .............. 72X Notes ........................................ 723 6. Music and Animated Cinema ........................ 741 6.x Disney and MGM Short-Films (1928-X958) .............. 746 6.2 Walt Disney Studios Long-Feature Films (X937-2000) ........ 750 6.3 Some European Phenomena ...................... 76X 6.4 Experimental and Avant-Garde Animated Cinema ......... 774 Notes ........................................ 782 Selected Bibliography Part III ........................... 797 Index .........................................805 Biography of the Author .............................836
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author	Miceli, Sergio 1944-
author_GND	(DE-588)143482157
author_facet	Miceli, Sergio 1944-
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format	Book
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spelling	Miceli, Sergio 1944- Verfasser (DE-588)143482157 aut Film music history, aesthetic-analysis, typologies Sergio Miceli. Ed. and transl. by Marco Alunno and Braunwin Sheldrick [Milano u.a.] Ricordi [u.a.] 2013 XXXVI, 835 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier A history and analysis of film music from the silent era into the late 20th century. Music and film from many countries and styles are examined. Geschichte gnd rswk-swf Motion picture music Motion picture music / History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf Filmmusik (DE-588)4017129-2 s Geschichte z DE-604 Alunno, Marco Sonstige oth Sheldrick, Braunwin Sonstige oth Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027260058&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Miceli, Sergio 1944- Film music history, aesthetic-analysis, typologies Motion picture music Motion picture music / History and criticism Filmmusik (DE-588)4017129-2 gnd
subject_GND	(DE-588)4017129-2
title	Film music history, aesthetic-analysis, typologies
title_auth	Film music history, aesthetic-analysis, typologies
title_exact_search	Film music history, aesthetic-analysis, typologies
title_full	Film music history, aesthetic-analysis, typologies Sergio Miceli. Ed. and transl. by Marco Alunno and Braunwin Sheldrick
title_fullStr	Film music history, aesthetic-analysis, typologies Sergio Miceli. Ed. and transl. by Marco Alunno and Braunwin Sheldrick
title_full_unstemmed	Film music history, aesthetic-analysis, typologies Sergio Miceli. Ed. and transl. by Marco Alunno and Braunwin Sheldrick
title_short	Film music
title_sort	film music history aesthetic analysis typologies
title_sub	history, aesthetic-analysis, typologies
topic	Motion picture music Motion picture music / History and criticism Filmmusik (DE-588)4017129-2 gnd
topic_facet	Motion picture music Motion picture music / History and criticism Filmmusik
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027260058&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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