Ring shout, wheel about: the racial politics of music and dance in North American slavery
"In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Urbana [u.a.]
Univ. of Illinois Press
2014
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots".. |
Beschreibung: | Bibliographical references and index |
Beschreibung: | X, 242 S. Ill. |
ISBN: | 9780252038259 9780252079832 |
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Datensatz im Suchindex
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adam_text | Titel: Ring shout, wheel about
Autor: Thompson, Katrina Dyonne
Jahr: 2014
Contents
Acknowledgments ix
Introduction i
1. The Script: Africa was but a blank canvas
for Europe s imagination 13
2. Casting: They sang their home-songs,
and danced, each with his free foot
slapping the deck 42
3. Onstage: Dance you damned niggers, dance 69
4. Backstage: White folks do as they please,
and the darkies do as they can 99
5. Advertisement: Dancing through
the Streets and act lively 129
6. Same Script, Different Actors:
Eb ry time I wheel about, I jump Jim Crow 139
Epilogue: The Show Must Go On 292
Notes 199
Index 23 s
|
any_adam_object | 1 |
author | Thompson, Katrina Dyonne |
author_GND | (DE-588)1052079148 |
author_facet | Thompson, Katrina Dyonne |
author_role | aut |
author_sort | Thompson, Katrina Dyonne |
author_variant | k d t kd kdt |
building | Verbundindex |
bvnumber | BV041813634 |
callnumber-first | E - United States History |
callnumber-label | E443 |
callnumber-raw | E443 |
callnumber-search | E443 |
callnumber-sort | E 3443 |
callnumber-subject | E - United States History |
classification_rvk | NW 2562 NW 8295 |
ctrlnum | (OCoLC)881803823 (DE-599)BVBBV041813634 |
dewey-full | 390.250973 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 390 - Customs, etiquette, folklore |
dewey-raw | 390.250973 |
dewey-search | 390.250973 |
dewey-sort | 3390.250973 |
dewey-tens | 390 - Customs, etiquette, folklore |
discipline | Geschichte Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
era | Geschichte 1700-1900 gnd |
era_facet | Geschichte 1700-1900 |
format | Book |
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spelling | Thompson, Katrina Dyonne Verfasser (DE-588)1052079148 aut Ring shout, wheel about the racial politics of music and dance in North American slavery Katrina Dyonne Thompson Urbana [u.a.] Univ. of Illinois Press 2014 X, 242 S. Ill. txt rdacontent n rdamedia nc rdacarrier Bibliographical references and index "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots".. Geschichte 1700-1900 gnd rswk-swf SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh PERFORMING ARTS / Dance / General bisacsh HISTORY / United States / 19th Century bisacsh Alltag, Brauchtum Geschichte Sklaverei Slaves Southern States Songs and music Slaves United States Social life and customs Race in the theater United States History Theater and society United States History African American dance History Slavery United States Justification Plantation life United States Racism in popular culture United States History SOCIAL SCIENCE / Ethnic Studies / African American Studies PERFORMING ARTS / Dance / General HISTORY / United States / 19th Century Musik (DE-588)4040802-4 gnd rswk-swf Zwang (DE-588)4191183-0 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Sklave (DE-588)4055252-4 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Sklave (DE-588)4055252-4 s Aufführung (DE-588)4143388-9 s Musik (DE-588)4040802-4 s Tanz (DE-588)4059028-8 s Zwang (DE-588)4191183-0 s Geschichte 1700-1900 z DE-604 Erscheint auch als 978-0-252-09611-2 Online-Ausgabe HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027258935&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Thompson, Katrina Dyonne Ring shout, wheel about the racial politics of music and dance in North American slavery SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh PERFORMING ARTS / Dance / General bisacsh HISTORY / United States / 19th Century bisacsh Alltag, Brauchtum Geschichte Sklaverei Slaves Southern States Songs and music Slaves United States Social life and customs Race in the theater United States History Theater and society United States History African American dance History Slavery United States Justification Plantation life United States Racism in popular culture United States History SOCIAL SCIENCE / Ethnic Studies / African American Studies PERFORMING ARTS / Dance / General HISTORY / United States / 19th Century Musik (DE-588)4040802-4 gnd Zwang (DE-588)4191183-0 gnd Schwarze (DE-588)4116433-7 gnd Sklave (DE-588)4055252-4 gnd Aufführung (DE-588)4143388-9 gnd Tanz (DE-588)4059028-8 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4191183-0 (DE-588)4116433-7 (DE-588)4055252-4 (DE-588)4143388-9 (DE-588)4059028-8 (DE-588)4078704-7 |
title | Ring shout, wheel about the racial politics of music and dance in North American slavery |
title_auth | Ring shout, wheel about the racial politics of music and dance in North American slavery |
title_exact_search | Ring shout, wheel about the racial politics of music and dance in North American slavery |
title_full | Ring shout, wheel about the racial politics of music and dance in North American slavery Katrina Dyonne Thompson |
title_fullStr | Ring shout, wheel about the racial politics of music and dance in North American slavery Katrina Dyonne Thompson |
title_full_unstemmed | Ring shout, wheel about the racial politics of music and dance in North American slavery Katrina Dyonne Thompson |
title_short | Ring shout, wheel about |
title_sort | ring shout wheel about the racial politics of music and dance in north american slavery |
title_sub | the racial politics of music and dance in North American slavery |
topic | SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh PERFORMING ARTS / Dance / General bisacsh HISTORY / United States / 19th Century bisacsh Alltag, Brauchtum Geschichte Sklaverei Slaves Southern States Songs and music Slaves United States Social life and customs Race in the theater United States History Theater and society United States History African American dance History Slavery United States Justification Plantation life United States Racism in popular culture United States History SOCIAL SCIENCE / Ethnic Studies / African American Studies PERFORMING ARTS / Dance / General HISTORY / United States / 19th Century Musik (DE-588)4040802-4 gnd Zwang (DE-588)4191183-0 gnd Schwarze (DE-588)4116433-7 gnd Sklave (DE-588)4055252-4 gnd Aufführung (DE-588)4143388-9 gnd Tanz (DE-588)4059028-8 gnd |
topic_facet | SOCIAL SCIENCE / Ethnic Studies / African American Studies PERFORMING ARTS / Dance / General HISTORY / United States / 19th Century Alltag, Brauchtum Geschichte Sklaverei Slaves Southern States Songs and music Slaves United States Social life and customs Race in the theater United States History Theater and society United States History African American dance History Slavery United States Justification Plantation life United States Racism in popular culture United States History Musik Zwang Schwarze Sklave Aufführung Tanz USA |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027258935&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT thompsonkatrinadyonne ringshoutwheelabouttheracialpoliticsofmusicanddanceinnorthamericanslavery |