Baroque performance: a research study on characteristic parameters of 18th century music
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
Osnabrück
Electronic Publ. Osnabrück
2013
|
| Series: | Studies in cognitive musicology
2 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Literaturangaben |
| Physical Description: | XVIII, 249 S. graph. Darst., Notenbeisp. |
| ISBN: | 9783940255402 |
Staff View
MARC
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| 100 | 1 | |a Hähnel, Tilo |e Verfasser |0 (DE-588)1042301670 |4 aut | |
| 245 | 1 | 0 | |a Baroque performance |b a research study on characteristic parameters of 18th century music |c Tilo Hähnel |
| 264 | 1 | |a Osnabrück |b Electronic Publ. Osnabrück |c 2013 | |
| 300 | |a XVIII, 249 S. |b graph. Darst., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Studies in cognitive musicology |v 2 | |
| 500 | |a Literaturangaben | ||
| 502 | |a Zugl.: Halle-Wittenberg, Univ., Philosophische Fakultät II, Diss., 2012 | ||
| 648 | 7 | |a Geschichte 1700-1800 |2 gnd |9 rswk-swf | |
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Record in the Search Index
| _version_ | 1804152128636190721 |
|---|---|
| adam_text | Contents
1
Introduction
Analysis and Synthesis
7
Beautiful Deviations
11
2.1
Detecting the Difference
............................ 11
2.1.1
Analogue Audio analysis
........................ 11
2.1.2
The Vibrato
............................... 12
2.1.3
The Piano Camera
........................... 13
2.1.4
Expressive Piano Playing
....................... 13
2.2
Synthesising Artistic Deviations
........................ 15
Rhythm Research
19
3.1
Timing Synthesis
................................ 20
3.2
Musical Time
.................................. 21
3.3
Analysis and Synthesis
............................. 22
The Phrase Arch Model
25
4.1
Phrase Shaping
................................. 26
4.2
The Phrase Arch
................................ 27
4.2.1
Linear Tempo-Changes
........................ 28
4.2.2
Structural Difficulties
......................... 30
4.2.3
Style and Interpretation
........................ 31
Machine Learning
33
5.1
Intelligent Listeners
.............................. 33
5.2
How to play Mozart?
.............................. 34
5.2.1
Commonalities and Individuality
................... 35
5.2.2
Performance Prediction
........................ 35
5.2.3
Performer Identification
........................ 36
5.3
How to play Chopin?
.............................. 37
5.3.1
Individuality in Timing
........................ 37
5.3.2
Predicting Romantic Expression
................... 39
5.3.3
Multiple Voices
............................. 40
Rule Systems
43
6.1
The Director Musices
.............................. 43
6.1.1
(Re-)linking Loudness and Tempo
.................. 43
6.1.2
Rules for Pitch
............................. 44
6.2
Schumann s
Träumerei............................. 44
xvi
Contents
6.3
Performing Emotions
.............................. 47
6.3.1
Coordinates of Emotions
........................ 48
6.3.2
Moving in Emotional Space
...................... 49
6.4
How to play Bach?
............................... 50
6.4.1
Articulation Rules
........................... 51
6.4.2
Perceived and Produced Overdotting
................. 51
7
MusicoLogic
55
7.1
Following the Musician: Structure to Performance
............. 56
7.1.1
The Art of
Stemma
Construction
................... 58
7.2
Following the Critique: Inverse Performance Theory
............ 59
7.2.1
Stemma
Decomposition
........................ 60
8
The Reactive Orchestra
63
8.1
Timing
...................................... 64
8.1.1
Macro Timing
............................. 64
8.1.2
Micro Timing
.............................. 65
8.1.3
Timing Deviations
........................... 66
8.2
Loudness
.................................... 66
8.2.1
Crescendi
and
Decrescendi
...................... 66
8.2.2
Metrical Accents
............................ 67
8.3
Articulation
................................... 68
8.3.1
Articulation Style
........................... 68
8.3.2
Articulation Map
............................ 68
8.4
Parameter Finding
............................... 69
9
Discussion
71
II Baroque Performance Characteristics
75
10
Parameter Extraction
83
10.1
Onset Detection
................................ 83
10.1.1
Onset Definitions
............................ 84
10.1.2
Onset Detection Algorithms
...................... 85
10.1.3
Chroma Based Detection
....................... 87
10.1.4
Problems
................................ 88
10.1.5
The Tapping Magnet: Semi Automatic Onset Detection
...... 89
10.2
Loudness Analysis
............................... 93
10.2.1
Limits of Loudness Detection
..................... 94
10.2.2
Technical Constrains: The Recording
................. 94
10.2.3
Technical Constrains: Software Instruments
............. 95
10.2.4
Loudness Detection
.......................... 96
10.2.5
Envelope Detection
........................... 97
11
Timing
99
11.1
Material and Methodology
........................... 99
11.2
Macro Timing
.................................. 101
11.2.1
Trumpet Concert: Mean Tempi
.................... 101
Contents xvii
11.2.2 Tempo
Curves.............................
103
11.3 Micro
Timing:
First Note
Lengthening
.................... 106
11.3.1
Trumpet Concert:
Adagio....................... 107
11.3.2 Triste.................................. 108
11.3.3 Recorder
Concert
............................ 109
11.4
Summary....................................
113
12
Loudness Transitions
115
12.1
Material and Methodology
........................... 115
12.1.1
Exclusions
................................ 116
12.2
Spline Approximation
............................. 116
12.2.1
Approximation of Control Points
................... 117
12.2.2
Protraction and Straightness
..................... 118
12.3
Results
...................................... 119
12.4
Summary
.................................... 122
13
Bar Emphasis
125
13.1
Material and Methodology
........................... 125
13.2
Timing
...................................... 126
13.3
Loudness
.................................... 127
13.4
Summary
.................................... 128
14
Articulation
131
14.1
Material and Methodology
........................... 131
14.2
Results
...................................... 132
14.2.1
Duration
................................ 133
14.2.2
Loudness and Envelope
........................ 135
14.3
Articulation Rules
............................... 135
14.3.1
Tone Features
.............................. 136
14.3.2
Global Character
............................ 138
14.3.3
Tempo Limits
.............................. 140
14.3.4
Condensed Models
........................... 142
14.4
Summary
.................................... 143
15
Conclusion
145
III Baroque Performance Synthesis
147
16
Pseudo-Synthetic Performance
151
16.1
Stimuli and Method
.............................. 151
16.2
Results
...................................... 152
16.2.1
Ratings of Micro, Macro, and Flat Performances
.......... 153
16.2.2
Tempo Estimation
........................... 153
16.2.3
Pseudo-Synthetic Performance
.................... 154
17
Plausibility I: Estimation
157
17.1
Methodology
.................................. 157
17.1.1
Stimuli
................................. 158
xviii
Contents
17.1.2
CD Productions
............................ 160
17.1.3
Performance Copies
.......................... 160
17.1.4
Tasks of the first Study
........................ 163
17.2
Results
...................................... 164
17.2.1
Expertise
................................ 164
17.2.2
Authenticity
.............................. 165
17.2.3
Plausibility
............................... 167
17.2.4
Appropriateness
............................ 168
17.3
Discussion
.................................... 169
18
Plausibility II: Synchronisation
171
18.1
Methodology
.................................. 171
18.1.1
Data
................................... 172
18.1.2
Data Reduction
............................. 173
18.1.3
Results
................................. 175
18.2
Discussion
.................................... 176
19
Inégalité
179
19.1
Methodology
.................................. 180
19.1.1
Separate Parameter Test
........................ 180
19.1.2
Combined Parameters Test
...................... 181
19.1.3
Controller States and Parameter Space
................ 181
19.1.4
Technical Details
............................ 183
19.2
Results
...................................... 183
19.2.1
Parameter Identification
........................ 183
19.2.2
Exclusions
................................ 183
19.2.3
Interdependencies
........................... 184
19.2.4
Differences
............................... 184
19.2.5
Correlations
............................... 184
19.2.6
Expertise
................................ 185
19.3
Discussion
.................................... 187
20
Final Remarks
189
Appendix
191
|
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| id | DE-604.BV041805792 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:05:47Z |
| institution | BVB |
| isbn | 9783940255402 |
| language | English |
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| physical | XVIII, 249 S. graph. Darst., Notenbeisp. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Electronic Publ. Osnabrück |
| record_format | marc |
| series | Studies in cognitive musicology |
| series2 | Studies in cognitive musicology |
| spelling | Hähnel, Tilo Verfasser (DE-588)1042301670 aut Baroque performance a research study on characteristic parameters of 18th century music Tilo Hähnel Osnabrück Electronic Publ. Osnabrück 2013 XVIII, 249 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Studies in cognitive musicology 2 Literaturangaben Zugl.: Halle-Wittenberg, Univ., Philosophische Fakultät II, Diss., 2012 Geschichte 1700-1800 gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Historische Musikpraxis (DE-588)4197967-9 s Geschichte 1700-1800 z DE-604 Studies in cognitive musicology 2 (DE-604)BV040962581 2 Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027251262&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hähnel, Tilo Baroque performance a research study on characteristic parameters of 18th century music Studies in cognitive musicology Historische Musikpraxis (DE-588)4197967-9 gnd |
| subject_GND | (DE-588)4197967-9 (DE-588)4113937-9 |
| title | Baroque performance a research study on characteristic parameters of 18th century music |
| title_auth | Baroque performance a research study on characteristic parameters of 18th century music |
| title_exact_search | Baroque performance a research study on characteristic parameters of 18th century music |
| title_full | Baroque performance a research study on characteristic parameters of 18th century music Tilo Hähnel |
| title_fullStr | Baroque performance a research study on characteristic parameters of 18th century music Tilo Hähnel |
| title_full_unstemmed | Baroque performance a research study on characteristic parameters of 18th century music Tilo Hähnel |
| title_short | Baroque performance |
| title_sort | baroque performance a research study on characteristic parameters of 18th century music |
| title_sub | a research study on characteristic parameters of 18th century music |
| topic | Historische Musikpraxis (DE-588)4197967-9 gnd |
| topic_facet | Historische Musikpraxis Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027251262&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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