Orchestral conducting in the nineteenth century:
The nineteenth century witnessed the birth of the public figure of the orchestral conductor. Like composers and performers, orchestral conductors registered the transformed concept of the "musical work". Whilst the Industrial Revolution generated new types of profession, the orchestral con...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English French Italian Spanish |
| Veröffentlicht: |
Turnhout
Brepols
2014
2014 |
| Schriftenreihe: | Speculum musicae
Volume 23 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The nineteenth century witnessed the birth of the public figure of the orchestral conductor. Like composers and performers, orchestral conductors registered the transformed concept of the "musical work". Whilst the Industrial Revolution generated new types of profession, the orchestral conductor's career emerged, as an outcome of the greater consideration that was devoted to the act of "performance". In the present volume nineteen scholars explore historical and sociological phenomena connected to the nineteenth-century system of performance and musical production in which the orchestral conductor worked. A number of chapters investigate the musical performances of famous orchestral conductors; conducting by renowned composers (including Berlioz, Bottesini, Charpentier, Liszt, Mendelssohn, Paganini and Rolla) and orchestral treatises for military bands. The authors featured are: Fabrizio Ammetto, Maria Teresa Arfini, Rémy Campos, Paola Cannas, Antonio Carlini, Claudia Colombati, Mariateresa Dellaborra, Gilles Demonet, Elisa Grossato, Emmanuel Hervé, Étienne Jardin, Walter Kurt Kreyszig, Naomi Matsumoto, Michela Niccolai, Fiona M. Palmer, Rudolf Rasch, Renato Ricco, Gesine Schröder, Ruben Vernazza. |
| Beschreibung: | Beitr. teilw. franz., teilw. ital., teilw. engl., teilw. span. |
| Beschreibung: | XIII, 441 Seiten Illustrationen, graphische Darstellungen, Notenbeispiele |
| ISBN: | 9782503552477 |
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| 520 | |a The nineteenth century witnessed the birth of the public figure of the orchestral conductor. Like composers and performers, orchestral conductors registered the transformed concept of the "musical work". Whilst the Industrial Revolution generated new types of profession, the orchestral conductor's career emerged, as an outcome of the greater consideration that was devoted to the act of "performance". In the present volume nineteen scholars explore historical and sociological phenomena connected to the nineteenth-century system of performance and musical production in which the orchestral conductor worked. A number of chapters investigate the musical performances of famous orchestral conductors; conducting by renowned composers (including Berlioz, Bottesini, Charpentier, Liszt, Mendelssohn, Paganini and Rolla) and orchestral treatises for military bands. The authors featured are: Fabrizio Ammetto, Maria Teresa Arfini, Rémy Campos, Paola Cannas, Antonio Carlini, Claudia Colombati, Mariateresa Dellaborra, Gilles Demonet, Elisa Grossato, Emmanuel Hervé, Étienne Jardin, Walter Kurt Kreyszig, Naomi Matsumoto, Michela Niccolai, Fiona M. Palmer, Rudolf Rasch, Renato Ricco, Gesine Schröder, Ruben Vernazza. | ||
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Datensatz im Suchindex
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| adam_text | Contents
Foreword
xi
Conductors and Conducting in Nineteenth-Century Europe
Fiona M. Palmer
Conductors and Conducting in
içj^-Century
Britain:
The Liverpool Philharmonic Society (i
840-1895) 3
Naomi Matsumoto
Michael Costa at the Haymarket: The Establishment
of the Modern Role of The Director of Music
25
Étienne
Jardin
Les
chefs
d orchestre dans les concerts parisiens de
1794
a 1815
61
Rudolf
Rasch
From Collegium
musicum
to City Concert: The Professionalisation
of Ensemble and Orchestral Music Making in Utrecht
83
Historical, Aesthetic and Sociological Aspects
Renato Ricco
Virtuosismo violinistico e direzione orchestrale:
rapporti storici e scissione dei ruoli
95
Gilles Demonet
Naissance, épanouissement et subordination du directeur musical
135
Claudia Colombati
La
figura del direttore d orchestra
nella dimensione storico-estetica dell Ottocento
153
Ruben Vernazza
II direttore d orchestra nel sistema produttivo
del teatro d opera italiano di fine Ottocento.
Un caso eloquente:
Emilio Usiglio
a Firenze nel
1892 185
Techniques, Orchestral Dispositions, Treatises
Walter Kurt Kreyszig
Hector Berlioz s Technique of Conducting in Theory and Practice
His Subdivision of the tactus in
Le chef d orchestre,
théorie de
son art and His Scores
213
Emmanuel Hervé
The Orchestra of the Paris Opera:
A Forgotten Plan of the 19th Century
249
Antonio Carlini
Metamorfosi della direzione bandistica in Italia
dall Ottocento a Toscanini
259
Great Composer-Conductors
Maria Teresa Arfini
Felix Mendelssohn
direttore d orchestra
293
Gesine
Schröder
The Historical Theory of Rhythm as Instruction for Conducting
or How Liszt Performed his Symphonic Poems
311
Mariateresa Dellaborra
Alessandro Rolla direttore d orchestra del Regio Teatro alla Scala
323
Elisa Grossato
Dal virtuosismo strumentale alla direzione di
Aida:
poliedricità artistica di Giovanni Bottesini
(1821-1889),
un direttore d orchestra «impeciato di quartettismo»
345
Performance and Musical Interpretation
Remy
Campos
La répétition d orchestre: d un objet historique inédit
à de nouvelles pratiques musicales
363
Fabrizio
Ammetto
Elementos
de
concertación
en
los conciertos
para órgano y orquesta
de Gaetano Valeri
389
Paola
Cannas
Sonata
Forms in
Performance
399
Biographies
419
Index
of Names
423
|
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| discipline | Musikwissenschaft |
| era | Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 |
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