Schoenberg's twelve-tone music: symmetry and the musical idea
Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining �...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2014
|
| Ausgabe: | First published |
| Schriftenreihe: | Music since 1900
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer. - Jack Boss is Associate Professor of Music at the University of Oregon. His research interests centre around large-scale coherence in Schoenberg's music, and he has published numerous articles relating to that topic in journals such as Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music and Music Theory Online. He has co-edited two collections of music-analytic essays: Musical Currents from the Left and Analyzing the Music of Living Composers (and Others). (Klappentext) |
| Beschreibung: | XXVIII, 437 Seiten Diagramme |
| ISBN: | 9781107046863 |
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Datensatz im Suchindex
| _version_ | 1804152074991042560 |
|---|---|
| adam_text | Contents
я
List of music examples page
χ
Acknowledgements
xxv
List of abbreviations and notational conventions
xxvii
1
Musical idea and symmetrical ideal
1
2
Suite for Piano Op.
25:
varieties of Idea in Schoenberg s earliest
twelve-tone music
35
3
Woodwind Quintet Op.
26:
the twelve-tone Idea reanimates a large
musical form
122
4
Three Satires Op.
28,
No.
3:
the earliest example of the symmetrical ideal
in a (more or less) completely combinatorial context
180
5
Piano Piece Op. 33a: the symmetrical ideal conflicts with and is
reconciled to row order
243
6
Fourth String Quartet Op.
37,
movement I: two motives give rise to
contrasting row forms, meters, textures, and tonalities (and are reconciled)
within a large sonata form
274
7
Moses
und
Aron:
an incomplete musical idea represents an unresolved conflict
between using word and image to communicate God
330
8
String Trio Op.
45:
a musical idea and a near-death experience are expressed as a
conflict between alternative row forms
395
Bibliography
426
Index
434
Schoenberg s
Twelve-Tone Music
Jack Boss takes a unique approach to analyzing Arnold Schoenberg s
twelve-tone music, adapting the composer s notion of a musical
idea
-
problem, elaboration, solution
-
as a framework and focusing
on the large-scale coherence of the whole piece. The book begins
by defining musical idea as a large, overarching process involving
conflict between musical elements or situations, elaboration
ofthat
conflict, and resolution, and examines how such conflicts often
involve symmetrical pitch and interval shapes that are obscured in
some way. Containing close analytical readings of a large number of
Schoenberg s key twelve-tone works, including Moses
una Aron,
the
Suite for Piano Op.
25,
the Fourth String Quartet, and the String Trio,
the study provides the reader with a clearer understanding of this still-
controversial, challenging, but vitally important modernist composer.
|
| any_adam_object | 1 |
| author | Boss, Jack Forrest |
| author_GND | (DE-588)1066352275 |
| author_facet | Boss, Jack Forrest |
| author_role | aut |
| author_sort | Boss, Jack Forrest |
| author_variant | j f b jf jfb |
| building | Verbundindex |
| bvnumber | BV041767417 |
| classification_rvk | LP 94589 |
| ctrlnum | (OCoLC)897001406 (DE-599)OBVAC11325971 |
| discipline | Musikwissenschaft |
| edition | First published |
| format | Book |
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| isbn | 9781107046863 |
| language | English |
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| publisher | Cambridge University Press |
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| series2 | Music since 1900 |
| spelling | Boss, Jack Forrest Verfasser (DE-588)1066352275 aut Schoenberg's twelve-tone music symmetry and the musical idea Jack Boss Twelve-tone music First published Cambridge Cambridge University Press 2014 XXVIII, 437 Seiten Diagramme txt rdacontent n rdamedia nc rdacarrier Music since 1900 Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer. - Jack Boss is Associate Professor of Music at the University of Oregon. His research interests centre around large-scale coherence in Schoenberg's music, and he has published numerous articles relating to that topic in journals such as Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music and Music Theory Online. He has co-edited two collections of music-analytic essays: Musical Currents from the Left and Analyzing the Music of Living Composers (and Others). (Klappentext) Schönberg, Arnold 1874-1951 (DE-588)118610023 gnd rswk-swf Zwölftontechnik (DE-588)4191359-0 gnd rswk-swf Schönberg, Arnold 1874-1951 (DE-588)118610023 p Zwölftontechnik (DE-588)4191359-0 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-107-62492-4 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027213469&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027213469&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Boss, Jack Forrest Schoenberg's twelve-tone music symmetry and the musical idea Schönberg, Arnold 1874-1951 (DE-588)118610023 gnd Zwölftontechnik (DE-588)4191359-0 gnd |
| subject_GND | (DE-588)118610023 (DE-588)4191359-0 |
| title | Schoenberg's twelve-tone music symmetry and the musical idea |
| title_alt | Twelve-tone music |
| title_auth | Schoenberg's twelve-tone music symmetry and the musical idea |
| title_exact_search | Schoenberg's twelve-tone music symmetry and the musical idea |
| title_full | Schoenberg's twelve-tone music symmetry and the musical idea Jack Boss |
| title_fullStr | Schoenberg's twelve-tone music symmetry and the musical idea Jack Boss |
| title_full_unstemmed | Schoenberg's twelve-tone music symmetry and the musical idea Jack Boss |
| title_short | Schoenberg's twelve-tone music |
| title_sort | schoenberg s twelve tone music symmetry and the musical idea |
| title_sub | symmetry and the musical idea |
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