Sonic possible worlds: hearing the continuum of sound
Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of t...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY ; London ; New Delhi ; Sydney
Bloomsbury Academic
2014
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois. |
| Item Description: | Literaturverz. S. 191 - 194. - Werkverz. S. 195 - 196 |
| Physical Description: | VI, 207 S. 24 cm |
| ISBN: | 9781623565091 9781623567040 9781623566951 9781623568009 162356509X 1623567041 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV041720328 | ||
| 003 | DE-604 | ||
| 005 | 20161031 | ||
| 007 | t | ||
| 008 | 140306s2014 xxu |||| 00||| eng d | ||
| 010 | |a 014000999 | ||
| 020 | |a 9781623565091 |c pbk. |9 978-1-6235-6509-1 | ||
| 020 | |a 9781623567040 |c hbk. |9 978-1-6235-6704-0 | ||
| 020 | |a 9781623566951 |c ePDF |9 978-1-6235-6695-1 | ||
| 020 | |a 9781623568009 |c ePub |9 978-1-6235-6800-9 | ||
| 020 | |a 162356509X |9 1-6235-6509-X | ||
| 020 | |a 1623567041 |9 1-6235-6704-1 | ||
| 035 | |a (OCoLC)889628389 | ||
| 035 | |a (DE-599)BVBBV041720328 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c XD-US | ||
| 049 | |a DE-12 |a DE-703 |a DE-B170 | ||
| 050 | 0 | |a ML3800 | |
| 082 | 0 | |a 781.1 |2 23 | |
| 084 | |a AP 14900 |0 (DE-625)6908: |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Voegelin, Salomé |d 1972- |e Verfasser |0 (DE-588)141589841 |4 aut | |
| 245 | 1 | 0 | |a Sonic possible worlds |b hearing the continuum of sound |c Salomé Voegelin |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a New York, NY ; London ; New Delhi ; Sydney |b Bloomsbury Academic |c 2014 | |
| 300 | |a VI, 207 S. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Literaturverz. S. 191 - 194. - Werkverz. S. 195 - 196 | ||
| 505 | 0 | |a The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns | |
| 520 | |a Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois. | ||
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |x Philosophy and aesthetics | |
| 650 | 4 | |a Sound (Philosophy) | |
| 650 | 4 | |a Sound in art | |
| 650 | 0 | 7 | |a Philosophie |0 (DE-588)4045791-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Klangkunst |0 (DE-588)4430771-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Klang |0 (DE-588)4030933-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Experimentelle Musik |0 (DE-588)4153365-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Experimentelle Musik |0 (DE-588)4153365-3 |D s |
| 689 | 0 | 1 | |a Klangkunst |0 (DE-588)4430771-8 |D s |
| 689 | 0 | 2 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Klang |0 (DE-588)4030933-2 |D s |
| 689 | 1 | 1 | |a Philosophie |0 (DE-588)4045791-6 |D s |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |t Sonic possible worlds |w (DE-604)BV043035527 |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027167316&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027167316 | ||
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0905 |
Record in the Search Index
| _version_ | 1804151998040244224 |
|---|---|
| adam_text | HEARING THE CONTINUUM OF SOUND
/ VOEGELIN, SALOMA.
: 2014
TABLE OF CONTENTS / INHALTSVERZEICHNIS
THE LANDSCAPE AS SONIC POSSIBLE WORLD
INTO THE WORLD OF THE WORK : THE POSSIBILITY OF SOUND ART
SONIC MATERIALISM : THE SOUND OF STONES
HEARING THE CONTINUUM OF SOUND
LISTENING TO THE INAUDIBLE : THE SOUND OF UNICORNS
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Voegelin, Salomé 1972- |
| author_GND | (DE-588)141589841 |
| author_facet | Voegelin, Salomé 1972- |
| author_role | aut |
| author_sort | Voegelin, Salomé 1972- |
| author_variant | s v sv |
| building | Verbundindex |
| bvnumber | BV041720328 |
| callnumber-first | M - Music |
| callnumber-label | ML3800 |
| callnumber-raw | ML3800 |
| callnumber-search | ML3800 |
| callnumber-sort | ML 43800 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | AP 14900 |
| contents | The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns |
| ctrlnum | (OCoLC)889628389 (DE-599)BVBBV041720328 |
| dewey-full | 781.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1 |
| dewey-search | 781.1 |
| dewey-sort | 3781.1 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03955nam a2200721 c 4500</leader><controlfield tag="001">BV041720328</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20161031 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">140306s2014 xxu |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">014000999</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781623565091</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-1-6235-6509-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781623567040</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-6235-6704-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781623566951</subfield><subfield code="c">ePDF</subfield><subfield code="9">978-1-6235-6695-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781623568009</subfield><subfield code="c">ePub</subfield><subfield code="9">978-1-6235-6800-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">162356509X</subfield><subfield code="9">1-6235-6509-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1623567041</subfield><subfield code="9">1-6235-6704-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)889628389</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041720328</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3800</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.1</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 14900</subfield><subfield code="0">(DE-625)6908:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Voegelin, Salomé</subfield><subfield code="d">1972-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)141589841</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sonic possible worlds</subfield><subfield code="b">hearing the continuum of sound</subfield><subfield code="c">Salomé Voegelin</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY ; London ; New Delhi ; Sydney</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VI, 207 S.</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Literaturverz. S. 191 - 194. - Werkverz. S. 195 - 196</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound (Philosophy)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound in art</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Klangkunst</subfield><subfield code="0">(DE-588)4430771-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Klang</subfield><subfield code="0">(DE-588)4030933-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Experimentelle Musik</subfield><subfield code="0">(DE-588)4153365-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Experimentelle Musik</subfield><subfield code="0">(DE-588)4153365-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Klangkunst</subfield><subfield code="0">(DE-588)4430771-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Klang</subfield><subfield code="0">(DE-588)4030933-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="t">Sonic possible worlds</subfield><subfield code="w">(DE-604)BV043035527</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027167316&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027167316</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield></record></collection> |
| id | DE-604.BV041720328 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:03:43Z |
| institution | BVB |
| isbn | 9781623565091 9781623567040 9781623566951 9781623568009 162356509X 1623567041 |
| language | English |
| lccn | 014000999 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027167316 |
| oclc_num | 889628389 |
| open_access_boolean | |
| owner | DE-12 DE-703 DE-B170 |
| owner_facet | DE-12 DE-703 DE-B170 |
| physical | VI, 207 S. 24 cm |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Voegelin, Salomé 1972- Verfasser (DE-588)141589841 aut Sonic possible worlds hearing the continuum of sound Salomé Voegelin 1. publ. New York, NY ; London ; New Delhi ; Sydney Bloomsbury Academic 2014 VI, 207 S. 24 cm txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 191 - 194. - Werkverz. S. 195 - 196 The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois. Musik Music Philosophy and aesthetics Sound (Philosophy) Sound in art Philosophie (DE-588)4045791-6 gnd rswk-swf Klangkunst (DE-588)4430771-8 gnd rswk-swf Klang (DE-588)4030933-2 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 s Klangkunst (DE-588)4430771-8 s Ästhetik (DE-588)4000626-8 s DE-604 Klang (DE-588)4030933-2 s Philosophie (DE-588)4045791-6 s Erscheint auch als Online-Ausgabe Sonic possible worlds (DE-604)BV043035527 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027167316&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Voegelin, Salomé 1972- Sonic possible worlds hearing the continuum of sound The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns Musik Music Philosophy and aesthetics Sound (Philosophy) Sound in art Philosophie (DE-588)4045791-6 gnd Klangkunst (DE-588)4430771-8 gnd Klang (DE-588)4030933-2 gnd Experimentelle Musik (DE-588)4153365-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4045791-6 (DE-588)4430771-8 (DE-588)4030933-2 (DE-588)4153365-3 (DE-588)4000626-8 |
| title | Sonic possible worlds hearing the continuum of sound |
| title_auth | Sonic possible worlds hearing the continuum of sound |
| title_exact_search | Sonic possible worlds hearing the continuum of sound |
| title_full | Sonic possible worlds hearing the continuum of sound Salomé Voegelin |
| title_fullStr | Sonic possible worlds hearing the continuum of sound Salomé Voegelin |
| title_full_unstemmed | Sonic possible worlds hearing the continuum of sound Salomé Voegelin |
| title_short | Sonic possible worlds |
| title_sort | sonic possible worlds hearing the continuum of sound |
| title_sub | hearing the continuum of sound |
| topic | Musik Music Philosophy and aesthetics Sound (Philosophy) Sound in art Philosophie (DE-588)4045791-6 gnd Klangkunst (DE-588)4430771-8 gnd Klang (DE-588)4030933-2 gnd Experimentelle Musik (DE-588)4153365-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Musik Music Philosophy and aesthetics Sound (Philosophy) Sound in art Philosophie Klangkunst Klang Experimentelle Musik Ästhetik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027167316&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT voegelinsalome sonicpossibleworldshearingthecontinuumofsound |