Cairo pop: youth music in contemporary Egypt
Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime E...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Minneapolis ; London
University of Minnesota Press
[2014]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world. Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and ’60s and even into the 70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the ‘ud—the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food. In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya—and its role in the lives of a nation's youth. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XI, 256 Seiten Illustrationen |
| ISBN: | 9780816689279 9780816689286 |
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| 520 | |a Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world. Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and ’60s and even into the 70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the ‘ud—the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food. In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya—and its role in the lives of a nation's youth. | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | CAIRO POP
/ GILMAN, DANIEL J. [AUTHOR.] 1978-
: 2014
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: GOOD MUSIC, BAD MUSIC, AND YOUTH MUSIC
- 1 - MY PATIENCE IS SHORT : YOUTH TALK ABOUT GRANDPA S MUSIC
- 2 - OH, MY BROWN-SKINNED DARLING : SEX, MUSIC, AND EGYPTIAN-NESS
- 3 - THE HARDEST THING TO SAY : TAXONOMIES OF AESTHETICS
- 4 - A POEM BEFITTING OF HER : AMBIGUITY AND SINCERITY IN
REVOLUTIONARY POP CULTURE
- EPILOGUE: ON THE COUNTER-REVOLUTION
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| discipline | Soziologie Musikwissenschaft |
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| era_facet | Geschichte 2000- |
| format | Book |
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| spelling | Gilman, Daniel J. 1978- Verfasser (DE-588)1063887895 aut Cairo pop youth music in contemporary Egypt Daniel J. Gilman Minneapolis ; London University of Minnesota Press [2014] XI, 256 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world. Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and ’60s and even into the 70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the ‘ud—the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food. In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya—and its role in the lives of a nation's youth. Geschichte 2000- gnd rswk-swf Geschichte Gesellschaft Musik Popular music Egypt Cairo History and criticism Music Social aspects Egypt Cairo History 21st century Popular culture Egypt Cairo History 21st century Music and youth Egypt Cairo History 21st century Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Jugendkultur (DE-588)4114114-3 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Kairo (DE-588)4029236-8 gnd rswk-swf Kairo (DE-588)4029236-8 g Jugendkultur (DE-588)4114114-3 s Popmusik (DE-588)4046781-8 s Musiksoziologie (DE-588)4040869-3 s Geschichte 2000- z DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027152012&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gilman, Daniel J. 1978- Cairo pop youth music in contemporary Egypt Geschichte Gesellschaft Musik Popular music Egypt Cairo History and criticism Music Social aspects Egypt Cairo History 21st century Popular culture Egypt Cairo History 21st century Music and youth Egypt Cairo History 21st century Musiksoziologie (DE-588)4040869-3 gnd Jugendkultur (DE-588)4114114-3 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4040869-3 (DE-588)4114114-3 (DE-588)4046781-8 (DE-588)4029236-8 |
| title | Cairo pop youth music in contemporary Egypt |
| title_auth | Cairo pop youth music in contemporary Egypt |
| title_exact_search | Cairo pop youth music in contemporary Egypt |
| title_full | Cairo pop youth music in contemporary Egypt Daniel J. Gilman |
| title_fullStr | Cairo pop youth music in contemporary Egypt Daniel J. Gilman |
| title_full_unstemmed | Cairo pop youth music in contemporary Egypt Daniel J. Gilman |
| title_short | Cairo pop |
| title_sort | cairo pop youth music in contemporary egypt |
| title_sub | youth music in contemporary Egypt |
| topic | Geschichte Gesellschaft Musik Popular music Egypt Cairo History and criticism Music Social aspects Egypt Cairo History 21st century Popular culture Egypt Cairo History 21st century Music and youth Egypt Cairo History 21st century Musiksoziologie (DE-588)4040869-3 gnd Jugendkultur (DE-588)4114114-3 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Geschichte Gesellschaft Musik Popular music Egypt Cairo History and criticism Music Social aspects Egypt Cairo History 21st century Popular culture Egypt Cairo History 21st century Music and youth Egypt Cairo History 21st century Musiksoziologie Jugendkultur Popmusik Kairo |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027152012&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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