Making and unmaking in early modern English drama: spectators, aesthetics and incompletion
Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English dram...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester [u.a.]
Manchester Univ. Press
2013
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Knowledge unlatched pilot collection
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| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltsverzeichnis |
| Zusammenfassung: | Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history |
| Beschreibung: | Titel ist im Rahmen der Initiative Knowledge Unlatched frei zugänglich. |
| Beschreibung: | VIII, 230 S. Ill. |
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Datensatz im Suchindex
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| adam_text | Making and unmaking in
early modern English drama
Spectators, aesthetics and incompletion
CHLOE PORTER
Manchester University Press
Manchester and New York
distributed in the United States exclusively
byPALGRAVE MACMILLAN
Contents
List of figures page vii
Acknowledgements ix
Abbreviations x
Introduction: speaking pictures? 1
1 Early modern English drama and visual culture 18
2 In the keeping of Paulina : the unknowable image in The Winter s
Tale 64
3 But begun for others to end : the ends of incompletion 98
4 The brazen head lies broken : divine destruction in Friar Bacon
and Friar Bungay 129
5 Going unseen: invisibility and erasure in The Two Merry Milkmaids 155
Conclusion: behind the screen 183
Bibliography 202
Index 227
|
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| spelling | Porter, Chloe Verfasser (DE-588)1048525155 aut Making and unmaking in early modern English drama spectators, aesthetics and incompletion Chloe Porter 1. publ. Manchester [u.a.] Manchester Univ. Press 2013 VIII, 230 S. Ill. txt rdacontent n rdamedia nc rdacarrier Knowledge unlatched pilot collection Titel ist im Rahmen der Initiative Knowledge Unlatched frei zugänglich. Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history Geschichte 1500-1700 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Unvollständigkeit (DE-588)4509185-7 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Unvollständigkeit (DE-588)4509185-7 s Geschichte 1500-1700 z DE-604 Erscheint auch als Online-Ausgabe 9781847798916 http://www.oapen.org/search?identifier=469309 Resolving-System kostenfrei Volltext HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027060532&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Porter, Chloe Making and unmaking in early modern English drama spectators, aesthetics and incompletion Englisch (DE-588)4014777-0 gnd Unvollständigkeit (DE-588)4509185-7 gnd Drama (DE-588)4012899-4 gnd |
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| title | Making and unmaking in early modern English drama spectators, aesthetics and incompletion |
| title_auth | Making and unmaking in early modern English drama spectators, aesthetics and incompletion |
| title_exact_search | Making and unmaking in early modern English drama spectators, aesthetics and incompletion |
| title_full | Making and unmaking in early modern English drama spectators, aesthetics and incompletion Chloe Porter |
| title_fullStr | Making and unmaking in early modern English drama spectators, aesthetics and incompletion Chloe Porter |
| title_full_unstemmed | Making and unmaking in early modern English drama spectators, aesthetics and incompletion Chloe Porter |
| title_short | Making and unmaking in early modern English drama |
| title_sort | making and unmaking in early modern english drama spectators aesthetics and incompletion |
| title_sub | spectators, aesthetics and incompletion |
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| topic_facet | Englisch Unvollständigkeit Drama |
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