Musical theatre: a workbook
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Basingstoke [u.a.]
Palgrave Macmillan
2013
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographic references and index |
| Physical Description: | X, 124 S. Ill., Notenbeisp. |
| ISBN: | 9781137331625 |
Staff View
MARC
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Record in the Search Index
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|---|---|
| adam_text | Contents
List of Figures
ix
Acknowledgements
χ
Introduction About This Book
Ί
Who is it for?
1
What levels does it assume?
1
What previous experience is required?
1
How we shall ask you to work
2
How to use this workbook
2
What if I cannot understand the terms being used?
2
And a final thought to carry forward
3
Part
1
Understanding Yourself
Chapter
Ί
The Loneliness of the Young Actor-Singer in Training
7
Laying the foundations
7
Starting here. Starting now: Why am I here?
8
A new way of learning?
8
We can t teach you how to sing
-
We can only give you the
information. It is you who must teach yourself to sing
9
A pause for reflection
9
You are not alone
10
Thinking about your
seif 11
Speaking voice
11
Singing voice
12
Movement
13
The self and the song: Compiling and developing your portfolio
14
2
Caring for the Self
17
Lifestyle
17
Relaxation
, , 18
Warm-ups
. 20
Self and the inner life
21
Language, thought and action
23
Part
2
Understanding Performance
___________________25
3
The Beginning of the Process 27
An initial exercise
What can we learn from this? 27
Why worry about posture? 2**
Exercise
1
Exercise
2
*®
Exercise
3
^
General comment 3
Neutral posture and breath 32
Exercise
4
32
Exercise
5
Exercise
6
3-*
Exercise
7
^
Further exercises 3°
Points to consider 3°
Note of warning 3°
Exercise
8
38
A very important point to remember at this stage 3°
A further valuable exercise 3
The actual warm-up ™
A point of interest 4^
Warm-up exercises 40
Warm-up
1 :
Gentle preparation for the vocal mechanism 4
Warm-up
2:
The gentle slide
^2
Warm-up
3:
Lip buzz 42
Warm-up
4:
Tongue trill
Ці
Warm-up
5:
Siren or slide 4^
Warm-up
6:
Humming 44
Warm-up
7:
Messa di voce
Warm-up
8:
Scales 4~*
Warm-up
9:
Staccato singing on arpeggios
Cool-down exercises 4
Reflection on the actual warm-up 46
4
Words, Words, Words 49
Why speak? 49
Dialogue
5°
Why sing? 50
Approaching the text ~*®
Preparing your portfolio 5^
Things to do ^
Something to think about? 53
Tasks to support focused and critical listening 54
Process in action
^5
Contents
vii
Reflection on the process
-
Have you achieved the following?
56
Short interlude
56
Discover the internal rhythm of the text
57
What to do with the actual musical score?
59
The art of using a pre-recorded piano accompaniment (published,
recorded or personally prepared)
59
How to listen effectively to the piano accompaniment
60
Have I done enough for my next lesson?
61
Reflection on the process
67
Exploring the text further: Exercises and activities
68
Part
3
Understanding the Musical
7Ί
5
The Anatomy of the Musical
73
Types of Musical Theatre
73
Suggested activity
74
Types of song
75
Show ballad
76
Narrative ballad
77
Dramatic ballad
77
Character song
78
Patter song
79
Suggested activity
80
Standard
80
Uptempo
81
Waltz
81
Torch song
81
Duets for two women (soprano/mezzo soprano)
82
Duets for two men (tenor/baritone/bass)
82
Duets for a man and woman
82
Trios
82
So why do we need this information?
82
6
The Origins and Development of Musical Theatre
85
Key events in the development of the musical, Broadway musical,
1907-1941 :
The Follies and the arrival of the ballad
89
Questions and research activities
89
1918-1931
London: Wit and ragtime
90
Questions and research activities
90
1927
New York: The first, great serious American musical
90
Questions and research activities
90
1935-1945
London: A phenomenon
91
Questions and research activities
91
Broadway: The start of the Golden Age
91
Questions and research activities
92
The
1
950s: Rock and pop
92
Questions and research activities
93
Contents
The
1960s
and early
1970s:
A unique talent, protest, censorship
93
Questions and research activities
94
The
1970s
and
1980s:
New choreography, backstage musicals,
ensemble shows and the triple threat
94
Questions and research activities
95
The
1
990s: The musical as global commodity, nostalgia
and high technology
95
Questions and research activities
96
2000
onwards: Celebrity, revivals, cultural diversity and anyone
can make it
96
Questions and research activities
97
Musical Theatre: A Timeline
97
Glossary of Studio Terms
107
Geographical Tour of a Vocal Score
116
Bibliography
121
Index
122
|
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| spelling | Henson, David Verfasser (DE-588)1048122832 aut Musical theatre a workbook David Henson and Kenneth Pickering 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2013 X, 124 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographic references and index Musical theater / Problems, exercises, etc Musiktheater (DE-588)4040874-7 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Musiktheater (DE-588)4040874-7 s Aufführung (DE-588)4143388-9 s DE-604 Pickering, Kenneth Verfasser aut Digitalisierung BSB Muenchen 20 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027032252&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Henson, David Pickering, Kenneth Musical theatre a workbook Musical theater / Problems, exercises, etc Musiktheater (DE-588)4040874-7 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)4040874-7 (DE-588)4143388-9 (DE-588)4048476-2 |
| title | Musical theatre a workbook |
| title_auth | Musical theatre a workbook |
| title_exact_search | Musical theatre a workbook |
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| title_fullStr | Musical theatre a workbook David Henson and Kenneth Pickering |
| title_full_unstemmed | Musical theatre a workbook David Henson and Kenneth Pickering |
| title_short | Musical theatre |
| title_sort | musical theatre a workbook |
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