De lichamelijkheid van emoties:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | Dutch |
| Veröffentlicht: |
Assen
Van Gorcum
2013
|
| Schriftenreihe: | Tijdschrift voor geschiedenis
126,4 : Themanummer |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | S. 453 - 614 Ill. |
Internformat
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Datensatz im Suchindex
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| adam_text |
571
Summary-editor:
Simon Northwood
SPECIA
The corporeality of emotions
An introduction
Josephine Hoegaerts and Tine Van
Osselaer
Is a broken heart forever? Or do the metaphor and feeling
it describes have a history? Because they are intuitively
recognizable and anchored in the body, emotions can
appear as a universal human feature, present throughout
the ages. Recent research into their history, however,
shows that emotions and their expression have changed
considerably over time. Not only the norms and expecta-
tions regarding emotive language have changed, but also
the corporeal performance and experience of emotions.
We ‘feel’ differently now. Moreover, emotive language
and practice have been differentiated along different
lines: men and women, adults and children, soldiers and
civilians have shaped their identities according to chang-
ing emotional repertoires, and the associated corporeal
actions. This special issue focuses on the links and ten-
sions between emotions and the body, and how both were
experienced and performed from the Middle Ages into
the nineteenth century.
ISSUE
‘Reformist corporeality’ and
the conditioned emotions of
two religious women at the
turn of the first millennium
Steven Vanderputten
This paper investigates religious women of
the tenth and early eleventh centuries who
relied on bodily expression to criticize the
conduct of their fellow sisters. Relying on a
habitus that referred to the centrality of the
body in early medieval rules, these individu-
als appear to have relied on a gender-neutral
mode of reformist agency that nonetheless
provided affirmative arguments for male
prejudices about women s moral and cor-
poreal inferiority, and provided supportive
arguments for ecclesiastical and lay lords
seeking to curtail the freedom of religious
women, both as individuals and collectively
In some cases at least, female reformers’
behavior arguably contributed to a decrease
in the quality of life and the societal position
of nuns and canonesses.
‘Out of big fear of her heart’ The conditioning of everyday emotions in
female communities belonging to the late medieval Devotio Moderna
An-Katrien Hanselaer and Jeroen Deploige
The Devotio Moderna was one of the most important movements of religious reform in the late Middle
Ages, especially in the Low Countries and the northern parts of the Rhineland. The new devout attached
particular importance to the daily process of spiritual progress through good deeds, meditations, spiritual
exercises, and continuous building of the self via self-examination and mutual correction. In accordance
with their belief in the importance of self-fashioning, devouts also developed a remarkable interest in the
emotional life of the individual. They aimed at detaching themselves completely from their own natural
and intuitive emotions in order to lead a truly virtuous life. In this article we focus on the conditioning of
the emotional life in three houses of devout women belonging to the Devotio Moderna through the lens
of so-called sister books written in these communities. These sources allow us to deal with the emotional
vocabulary deployed by the sisters, with how different emotions were assessed in specific situations, and
with their physical expression. Finally, we analyse the narrative power of the many anecdotes recounted
in the sister books. These stories not only conveyed to the younger sisters models for exemplary emotional
behaviour, but must also have functioned as spiritually sound emotional triggers among the ones who
read or heard them.
572
The embodiment of Christian love
Feelings and corporeality in a Franciscan martyr history
Nina Lamal
This article studies emotions and the bodily expression of emotions present in the
martyr stories in Tasso s contemporary history (1583). Tasso was a member of the ob-
servant Franciscans and drew on several sources for his compilation of stories of the
martyrdom of his fellow brothers in the Netherlands, France, and the British isles.
This article studies the observant Franciscans as an emotional community’ (Barbara
Rosenwein). This concept allows us to understand in a wider context the emotional
vocabulary used in the martyr stories. The importance of martyrdom and emotions
in the Franciscan tradition suggests that this tradition had a profound influence on
the martyr stories in Tasso’s history.
Bodies and emotions on the ‘A fiery heart’. Passion and political
early modern stage enthusiasmus in theatre and parliament,
The martyr as striking effect 1780-1800
Karel Vanhaesebrouck Edwina Hagen and Inger Leemans
This article examines physical representa-
tion of pain on the early modern stage,
taking as its starting point the genre of
martyr tragedy. It considers one tragedy, La
Macchabée (1596) by Jean de Virey. Analysis
of its dramaturgical structures and the
modalities of representation of this specific
genre suggest a double hypothesis: (1) martyr
tragedy cannot be understood without tak-
ing into account its links with the medieval
tradition of mystery plays and its broader
cultural imagination, and (2) emotions and
their bodily representations are historically
defined categories functioning within a spe-
cific performative regime. By means of their
spectacular simulation of embodied emo-
tions plays such as La Macchabée mobilized
an emotional repertoire both for actor and
spectator.
This article investigates the connections between theatre
and politics during the Patriotic and Batavian revolu-
tions from the perspective of the history of emotions. In
order to understand differences and shifts in emotional
styles among the Dutch revolutionaries, it explores the
semantic field of two closely interlinked concepts crucial
to their emotional culture: passion {drift) and politi-
cal enthusiasm (geestdrift). Late eighteenth-century
plays and parliamentary proceedings from 1796 reveal
a spectacular change in the emotional meaning of these
concepts, not just from an abstract intellectual point
of view, but also on the level of physical embodiment.
Passion appears as a central theme in many plays. It is
often depicted as a source of negativity for impulsive hot-
heads. Ultimately, however, from the 1790s on, passion
appears as essential to a new spirit necessary for political
renewal and reform. On stage but also in parliament a
new distinctive emotional strategy was promoted, a type
of behavior which could be described as a demonstrative
display of‘enthusiasmus’, a totally new political concept
stripped of its original connotations of religious fanati-
cism. This new positive meaning describes the force
animating the revolutionary drive to end all economic,
social, and political injustice.
Summaries
573
‘Don’t think we’re sentimental fellows!’
Nature and emotions in Letters, written during a walk through
parts of Germany and Holland, in the summer of 1809
Marleen Brock
This article explores a Dutch travel account published in 1810-11. In June/July 1809
the six authors - all students or recent graduates - had made a walking tour of several
weeks through the German countries. Their search for the beauties of nature explains
their preference for the walking stick over the horse carriage. The travel report offers an
emotional description of nature and landscape. Following historians of the emotional
turn’ in the belief that emotions are - at least in part - social and cultural constructions,
I reconstruct the ‘cultural requirements’ of this intense and often physical experience
of nature. I argue that emotional depictions in the travel report are closely connected to
the contemporary ideal of Bildung, of which ‘emotional refinement’ was an important
component. Knowledge of contemporary poetry, literature, painting, and aesthetics was
an absolute precondition for the proper emotional experience of nature, at least for the
elitist ‘emotional community’ to which the travelling students belonged.
DISCUSSION
A remarkable lack of argumentation
Evelien Gans’s and Remco Ensel’s criticism of‘We
know nothing of their fate’ Ordinary Dutchmen and the
Holocaust
My book on Dutch popular opinion towards the persecution of the Jews makes
three points: first, that Gentiles were not indifferent, but indignant about it;
second, that Jews and Gentiles realized the Germans were intent on exterminat-
ing the Jews, but could not imagine the speed with which this would happen; and
third, that this is relevant because it was imaginable that, the Germans being on
the verge of defeat, deportation would be less dangerous than going into hiding,
which helps explain Jews’ and Gentiles’ compliance. In their extensive polemic
against the book Evelien Gans and Remco Ensel fail to disprove (or even seriously
discuss) any of these conclusions, because they concentrate on exposing a subtext
(supposedly equalizing’ victims and bystanders), which takes up so much space
that objections are posited without proof. Unsatisfactory as this is, Gans’s and
Ensel’s habit of misquoting and misrepresenting the text is even more worrying. |
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| title | De lichamelijkheid van emoties |
| title_auth | De lichamelijkheid van emoties |
| title_exact_search | De lichamelijkheid van emoties |
| title_full | De lichamelijkheid van emoties |
| title_fullStr | De lichamelijkheid van emoties |
| title_full_unstemmed | De lichamelijkheid van emoties |
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