The languages of western tonality:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin [u.a.]
Springer
2013
|
| Schriftenreihe: | Computational music science
|
| Schlagworte: | |
| Online-Zugang: | BTU01 FHA01 FHM01 FHN01 FKE01 UBG01 UBR01 UBT01 UBW01 UER01 UPA01 Volltext Inhaltsverzeichnis Abstract |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9783642395864 9783642395871 |
| DOI: | 10.1007/978-3-642-39587-1 |
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Datensatz im Suchindex
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|---|---|
| adam_text | THE LANGUAGES OF WESTERN TONALITY
/ AGMON, EYTAN
: 2013
TABLE OF CONTENTS / INHALTSVERZEICHNIS
CHAP. 1 PROTOTONAL THEORY: TAPPING INTO NINTH-CENTURY INSIGHTS
PART I PROTOTONALITY
CHAP. 2 PRELIMINARIES
CHAP. 3 COMMUNICATING PITCHES AND TRANSMITTING NOTES
CHAP. 4 THE CONVENTIONAL NOMENCLATURES FOR NOTES AND INTERVALS
CHAP. 5 COMMUNICATING THE PRIMARY INTERVALS
CHAP. 6 RECEIVING NOTES
CHAP. 7 HARMONIC SYSTEMS
CHAP. 8 PROTOTONALITY
PART II THE LANGUAGES OF WESTERN TONALITY
CHAP. 9 TONAL PRELIMINARIES
CHAP. 10 MODAL COMMUNICATION
CHAP. 11 TOPICS IN DYADIC AND TRIADIC THEORY
CHAP. 12 MODES, SEMIKEYS, AND KEYS: A REALITY CHECK
CHAP. 13 A NEO-RIEPELIAN KEY-DISTANCE THEORY
CHAP. 14 TONAL COMMUNICATION
CHAP. 15 THE TONAL GAME
APP. A MATHEMATICAL PRELIMINARIES
APP. B Z MODULES AND THEIR HOMOMORPHISMS
INDEX
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
THE LANGUAGES OF WESTERN TONALITY
/ AGMON, EYTAN
: 2013
ABSTRACT / INHALTSTEXT
TONAL MUSIC, FROM A HISTORICAL PERSPECTIVE, IS FAR FROM HOMOGENOUS; YET
AN ENDURING FEATURE IS A BACKGROUND DIATONIC SYSTEM OF EXACTLY SEVEN
NOTES ORDERABLE CYCLICALLY BY FIFTH. WHAT IS THE SOURCE OF THE
DURABILITY OF THE DIATONIC SYSTEM, THE OCTAVE OF WHICH IS REPRESENTABLE
IN TERMS OF TWO PARTICULAR INTEGERS, NAMELY 12 AND 7? AND HOW IS THIS
DURABILITY CONSISTENT WITH THE EQUALLY REMARKABLE VARIETY OF MUSICAL
STYLES — OR LANGUAGES — THAT THE HISTORY OF WESTERN TONAL MUSIC HAS
TAUGHT US EXIST? THIS BOOK IS AN ATTEMPT TO ANSWER THESE QUESTIONS.
USING MATHEMATICAL TOOLS TO DESCRIBE AND EXPLAIN THE WESTERN MUSICAL
SYSTEM AS A HIGHLY SOPHISTICATED COMMUNICATION SYSTEM, THIS THEORETICAL,
HISTORICAL, AND COGNITIVE STUDY IS UNPRECEDENTED IN SCOPE AND DEPTH. THE
AUTHOR ENGAGES IN INTENSE DIALOGUE WITH 1000 YEARS OF MUSIC-THEORETICAL
THINKING, OFFERING ANSWERS TO SOME OF THE MOST ENDURING QUESTIONS
CONCERNING WESTERN TONALITY.THE BOOK IS DIVIDED INTO TWO MAIN PARTS,
BOTH GOVERNED BY THE COMMUNICATIVE PREMISE. PART I STUDIES
PROTO-TONALITY, THE BACKGROUND SYSTEM OF NOTES PRIOR TO THE SELECTION OF
A PRIVILEGED NOTE KNOWN AS FINAL. AFTER SOME PRELIMINARIES THAT
CONCERN CONSONANCE AND CHROMATICISM, PART II BEGINS WITH THE NOTION
MODE. A MODE IS DYADIC OR TRIADIC, DEPENDING ON ITS NUCLEUS.
FURTHER, A KEY IS A SPECIAL TYPE OF SEMI-KEY WHICH IS A SPECIAL TYPE
OF MODE. DIFFERENT COMBINATIONS OF THESE CATEGORIES ACCOUNT FOR TONAL
VARIETY. NINTH-CENTURY MUSIC, FOR EXAMPLE, IS A TONAL LANGUAGE OF DYADIC
MODES, WHILE SEVENTEENTH-CENTURY MUSIC IS A LANGUAGE OF TRIADIC
SEMI-KEYS. WHILE PORTIONS OF THE BOOK ARE CHARACTERIZED BY ABSTRACTION
AND FORMAL RIGOR, MORE SUITABLE FOR EXPERT READERS, IT WILL ALSO BE OF
VALUE TO ANYONE INTRIGUED BY THE TONAL PHENOMENON AT LARGE, INCLUDING
MUSIC THEORISTS, MUSICOLOGISTS, AND MUSIC-COGNITION RESEARCHERS.THE
CONTENT IS SUPPORTED BY A GENERAL INDEX, A LIST OF DEFINITIONS, A LIST
OF NOTATION USED, AND TWO APPENDICES PROVIDING THE BASIC MATHEMATICAL
BACKGROUND
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| title_full | The languages of western tonality Eytan Agmon |
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