Inventing falsehood, making truth: Vico and Neapolitan painting
"Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vic...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Princeton [u.a.]
Princeton Univ. Press
2013
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Schriftenreihe: | Essays in the arts
|
Schlagworte: | |
Zusammenfassung: | "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made...through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them...that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed".. |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XIII, 144 S. Ill. |
ISBN: | 9780691138848 |
Internformat
MARC
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490 | 0 | |a Essays in the arts | |
500 | |a Includes bibliographical references and index | ||
520 | |a "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made...through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them...that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed".. | ||
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648 | 7 | |a Geschichte 1670-1730 |2 gnd |9 rswk-swf | |
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650 | 4 | |a Geschichte | |
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650 | 4 | |a Painting |x Philosophy | |
650 | 4 | |a Art and philosophy |z Italy |x History |y 18th century | |
650 | 4 | |a Painting, Italian |z Italy |z Naples |y 18th century | |
650 | 4 | |a Painting, Baroque |z Italy |z Naples | |
650 | 4 | |a Truth | |
650 | 4 | |a ART / European | |
650 | 4 | |a ART / History / Baroque & Rococo | |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Bull, Malcolm |
author_facet | Bull, Malcolm |
author_role | aut |
author_sort | Bull, Malcolm |
author_variant | m b mb |
building | Verbundindex |
bvnumber | BV041485918 |
callnumber-first | N - Fine Arts |
callnumber-label | ND1140 |
callnumber-raw | ND1140 |
callnumber-search | ND1140 |
callnumber-sort | ND 41140 |
callnumber-subject | ND - Painting |
ctrlnum | (OCoLC)873404016 (DE-599)BVBBV041485918 |
dewey-full | 759.5/73 |
dewey-hundreds | 700 - The arts |
dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.5/73 |
dewey-search | 759.5/73 |
dewey-sort | 3759.5 273 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
era | Geschichte 1700-1800 Geschichte 1670-1730 gnd |
era_facet | Geschichte 1700-1800 Geschichte 1670-1730 |
format | Book |
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illustrated | Illustrated |
indexdate | 2024-07-10T00:57:53Z |
institution | BVB |
isbn | 9780691138848 |
language | English |
lccn | 013015837 |
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physical | XIII, 144 S. Ill. |
publishDate | 2013 |
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publishDateSort | 2013 |
publisher | Princeton Univ. Press |
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series2 | Essays in the arts |
spelling | Bull, Malcolm Verfasser aut Inventing falsehood, making truth Vico and Neapolitan painting Malcolm Bull Princeton [u.a.] Princeton Univ. Press 2013 XIII, 144 S. Ill. txt rdacontent n rdamedia nc rdacarrier Essays in the arts Includes bibliographical references and index "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made...through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them...that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed".. Vico, Giambattista, 1668-1744 Vico, Giambattista 1668-1744 (DE-588)118626833 gnd rswk-swf Geschichte 1700-1800 Geschichte 1670-1730 gnd rswk-swf ART / European bisacsh ART / History / Baroque & Rococo bisacsh HISTORY / Europe / Italy bisacsh PHILOSOPHY / General bisacsh Geschichte Philosophie Painting Philosophy Art and philosophy Italy History 18th century Painting, Italian Italy Naples 18th century Painting, Baroque Italy Naples Truth ART / European ART / History / Baroque & Rococo HISTORY / Europe / Italy PHILOSOPHY / General Malerei (DE-588)4037220-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Europa Italien Neapel (DE-588)4041476-0 gnd rswk-swf Vico, Giambattista 1668-1744 (DE-588)118626833 p Ästhetik (DE-588)4000626-8 s Malerei (DE-588)4037220-0 s DE-604 Neapel (DE-588)4041476-0 g Geschichte 1670-1730 z |
spellingShingle | Bull, Malcolm Inventing falsehood, making truth Vico and Neapolitan painting Vico, Giambattista, 1668-1744 Vico, Giambattista 1668-1744 (DE-588)118626833 gnd ART / European bisacsh ART / History / Baroque & Rococo bisacsh HISTORY / Europe / Italy bisacsh PHILOSOPHY / General bisacsh Geschichte Philosophie Painting Philosophy Art and philosophy Italy History 18th century Painting, Italian Italy Naples 18th century Painting, Baroque Italy Naples Truth ART / European ART / History / Baroque & Rococo HISTORY / Europe / Italy PHILOSOPHY / General Malerei (DE-588)4037220-0 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)118626833 (DE-588)4037220-0 (DE-588)4000626-8 (DE-588)4041476-0 |
title | Inventing falsehood, making truth Vico and Neapolitan painting |
title_auth | Inventing falsehood, making truth Vico and Neapolitan painting |
title_exact_search | Inventing falsehood, making truth Vico and Neapolitan painting |
title_full | Inventing falsehood, making truth Vico and Neapolitan painting Malcolm Bull |
title_fullStr | Inventing falsehood, making truth Vico and Neapolitan painting Malcolm Bull |
title_full_unstemmed | Inventing falsehood, making truth Vico and Neapolitan painting Malcolm Bull |
title_short | Inventing falsehood, making truth |
title_sort | inventing falsehood making truth vico and neapolitan painting |
title_sub | Vico and Neapolitan painting |
topic | Vico, Giambattista, 1668-1744 Vico, Giambattista 1668-1744 (DE-588)118626833 gnd ART / European bisacsh ART / History / Baroque & Rococo bisacsh HISTORY / Europe / Italy bisacsh PHILOSOPHY / General bisacsh Geschichte Philosophie Painting Philosophy Art and philosophy Italy History 18th century Painting, Italian Italy Naples 18th century Painting, Baroque Italy Naples Truth ART / European ART / History / Baroque & Rococo HISTORY / Europe / Italy PHILOSOPHY / General Malerei (DE-588)4037220-0 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Vico, Giambattista, 1668-1744 Vico, Giambattista 1668-1744 ART / European ART / History / Baroque & Rococo HISTORY / Europe / Italy PHILOSOPHY / General Geschichte Philosophie Painting Philosophy Art and philosophy Italy History 18th century Painting, Italian Italy Naples 18th century Painting, Baroque Italy Naples Truth Malerei Ästhetik Europa Italien Neapel |
work_keys_str_mv | AT bullmalcolm inventingfalsehoodmakingtruthvicoandneapolitanpainting |