The Jazz guitar handbook: a complete course in all styles of jazz
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
San Francisco, Calif
Backbeat Books
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | This book offers discussion and exercises in jazz concepts and forms such as blues, pentatonic scales, chords and arpeggios, voicings, major and minor scales, and more. Also includes information on jazz guitar history. With an introduction and appendix. Color and black & white photos. The CD contains recordings of the exercises in the book |
| Beschreibung: | 266 p. 28 cm CD (12 cm) |
Internformat
MARC
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| 100 | 1 | |a Fogg, Rod |d 1958- |e Verfasser |0 (DE-588)135486432 |4 aut | |
| 245 | 1 | 0 | |a The Jazz guitar handbook |b a complete course in all styles of jazz |c Rod Fogg |
| 264 | 1 | |a San Francisco, Calif |b Backbeat Books |c 2013 | |
| 300 | |a 266 p. |c 28 cm |e CD (12 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a This book offers discussion and exercises in jazz concepts and forms such as blues, pentatonic scales, chords and arpeggios, voicings, major and minor scales, and more. Also includes information on jazz guitar history. With an introduction and appendix. Color and black & white photos. The CD contains recordings of the exercises in the book | ||
| 650 | 4 | |a Guitar music (Jazz) | |
| 650 | 4 | |a Jazz / History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804151617647280128 |
|---|---|
| adam_text | contents
Part One: Making a start
35
SECTION
1:
A GUITAR FOR JAZZ
36
■
Anatomy of a jazz guitar
36
■
Guitar design and construction
37
Introduction
8
History
9
JAZZ AND JAZZ GUITARISTS
■
Out of the blues
10
■
The guitars
11
■
The players
14
■
The electric guitar
17
■
Hot Club
20
■
Bebop and beyond
23
■
Guitar developments
24
■ The
1950s
and
1960s 27
■
Fusion
29
■ 21
st-century jazz guitar
34
SECTION
2:
GUITAR BASICS
39
■
The hands
39
■
Standing and sitting
40
■
Using the pick
40
■
Reading the music
40
■
Getting in tune
44
SECTION
3:
BEGINNING WITH THE BLUES
45
■
Exercise
1.01
CD1 Kenny s Blues , a Kenny Burrell inspired
blues in G; alternate picking or economy picking; metronome
markings; guitar sounds on the CD
45
■
Exercise
1.02
CD2 The minor pentatonic scale in G, shape one,
third position; alternate picking
47
■
Exercise
1.03
CD3 The blues scale in G, shape one; more
alternate picking; clean sound or distortion; the meaning of
low and high
48
■
Exercise
1.04
CD4 Blue Note Blues , a blues in
G
using the
blues scale; the 12-bar structure; call and response phrasing;
listening to jazz
50
■
Exercise
1.05
CD5 Kenny s Blues , one octave up; position
changes; octaves; playing with your thumb
52
■
Exercise
1.06
CD6
G
minor pentatonic scale, shapes two and
three
53
■
Exercise
1.07
CD7 Blue Note Blues , one octave up
55
■
Exercise
1.08
CD8
G
blues scale, shapes two and three; the
meaning of key
56
Contents
SECTION
4:
SOME THEORY
-
AND ALL FIVE BLUES
SCALE SHAPES
58
■
Exercise
1.09
CD9 Theory; major scales;
С
major scale
58
■
Exercise
1.10
CD10
G
major scale; chords numbered using
Roman numerals
58
■
Exercise
1.11
CD11 and CD12 (backing track) Blues solo, two
choruses using all five scale shapes; using bends in jazz; riffs
and musical ideas
62
■
Exercise
1.12
CD13
G
minor pentatonic scale, shapes four
and five
65
m
Exercise
1.13
CD14
G
blues scale, shapes four and five
66
SECTION
5:
INTERVALS AND MINOR BLUES
68
m
Exercise
1.14
CD15 Theory: intervals in
С
major, two octaves,
numbers only
68
■
Exercise
1.15
Intervals in the major scale: numbers and
names
69
■
Exercise
1.16
CD16 Intervals outside the major scale; naming
intervals; major scale versus blues scale
69
■
Exercise
1.17
CD17 and CD18 (backing track) The minor
blues; a blues in
F
minor; adding chords in the gaps ; repeat
signs with first and second time bars
71
■
Exercise
1.18
Compromise blues scale shapes
73
SECTION
6:
MAJOR PENTATONIC SCALES
74
m
Exercise
1.19
CD19 and CO20 (backing track) B-flat blues
using major pentatonics
74
■
Exercise
1.20
Major pentatonic scales; comparison of
E
minor
pentatonic with
G
major pentatonic
76
■
Exercise
1.21
CD21 and CD12 (backing track)
G
blues using
major and minor pentatonic; how to practise like a pro
76
■
Exercise
1.22
CD22 and CD23 Blues in B-flat; using chord IV
in bar two; introducing jazz or swing feel; eighth-note triplets;
the jazz metronome; backing tracks on the CD
78
Part
2:
Chords
83
SECTION
1:
CHORDS AND ARPEGGIOS
-
BUILDING
TRIADS AND SEVENTHS
84
■
Exercise
2.01
Eight open-string chords and chord basics
84
■
Exercise
2.02
CO24 Introducing arpeggios; how we name and
abbreviate major and minor chords; building triads and
sevenths; notes for common chords
85
■
Exercise
2.03
CD25
Amľ/07
two-chord groove; adding a
bassline
88
■
Exercise
2.04
Introducing
barre
chords and movable chords;
learning the note names
90
■
Exercise
2.05
Deriving seventh chord shapes from major
barre
chords; avoiding doubled notes; muting in chord shapes
91
■
Exercise
2.06
Deriving seventh chord shapes from minor
barre
chords; chord structure
92
■
Exercise
2.07
CD26 Jazz turnaround in
G; Gmajľ, Gtfdimľ,
Am7,
Аь7
chords; alternate legato and staccato strum
94
■
Exercise
2.08
CD26 Jazz turnaround melody; AABA 32-bar
form
96
■
Exercise
2.09
Deriving seventh chords with fifth-string roots
from A major shape
98
■
Exercise
2.10
Deriving seventh chords from A minor shape
98
■
Exercise
2.11
CD27
D
minor chord piece; descending inner
voicing; using
fingerstyle 99
■
Exercise
2.12
Chords built on
С
major shape; chord voicing
and omitting unnecessary notes
101
contents
SECTION
2:
EXTENDING BEYOND THE SEVENTH;
CHORDS, KEYS AND MODULATION; CHORD
VOICINGS
103
■
Exercise
2.13
Ninth chords; four essential ninth types; seeing
chords as having the same structure
103
R
Exercise
2.14
CD12 Kenny s Blues , rhythm track, using ninth
and seventh chords; playing rests
104
■
Exercise
2.15
CD28 Kenny s Blues with different shapes
106
■
Exercise
2.16
CD29 Chords in a key; triads
107
■
Exercise
2.17
CD30 Seventh chords in C, built in thirds
108
■
Exercise
2.18
CD31 Seventh chords in C, practical
voicings
109
■
Exercise
2.19
CD32 Seventh chords in
G
major, two ways;
voice-leading
110
■
Exercise
2.20
CD33 32-bar jazz standard form; the ii-V-l
progression; changing key (modulation)
111
■
Exercise
2.21
Majors and relative minors; the Circle of Fifths;
modulating to nearby keys; the order of sharps and flats
114
■
Exercise
2.22
CD23 Blues in B-fiat from Exercise
1.22;
the
simplest blues changes
117
■
Exercise
2.23
CD34 B-flat Jazzy Blues , and its implied key
changes; transposing instruments, and jazz in flat keys
119
■
Exercise
2.24
CD35 B-flat Jazzy Blues , arpeggio-based blues
melody; learning music in phrases
120
SECTION
3:
MINOR HARMONY; SUBSTITUTIONS
AND INVERSIONS
122
■
Exercise
2.25
CD36 Minor scales: three different types
122
■
Exercise
2.26
CD37 Chords in a minor key: triads and
sevenths; the minor ii-V-i
123
■
Exercise
2.27
CD38 Practical shapes for chords in
A minor
125
■
Exercise
2.28
CD39
Bossa
Blue , ii-V-i in
С
minor;
fingerstyle
right-hand technique;
bossa nova
style; cadences and classical
terminology
126
■
Exercise
2.29
CD40 ninth chords in
С
and A minor; diminished
seventh chords
128
■
Exercise
2.30
CD41 ii-V-i in A minor and other keys with ninth
chords; right-hand technique using e finger; composing using
ii-V-l
129
■
Exercise
2.31
CD42 Substitutions in the ii-V-l; the
tritone
substitution in C; using pick and fingers
131
■
Exercise
2.32
CD43 The
tritone
substitution in action; eight
more bars of ii-V-l
133
SECTION
4:
INVERSIONS AND EXTENSIONS
135
■
Exercise
2.33
Inversions of triads; slash chords
135
m Exercise
2.34
Seventh chords contain two triads
136
■
Exercise
2.35
CD45 Comping with triads and inversions
136
■
Exercise
2.36
CD46 Seventh chords inverted
138
■
Exercise
2.37
CD47 Comping with seventh chords in
inversions; a blues in C; position changes with chords
141
■
Exercise
2.38
CD48 Inversions with sixth-string roots;
practising with the Circle of Fifths
144
■
Exercise
2.39
CD49 Blues in
G
using sixth-string
inversions
145
S
Exercise
2.40
Diatonic extensions; elevenths and
thirteenths; sus4 chords
147
β
Exercise
2.41
Chromatic or non-diatonic extensions; sharp
elevenths and flat thirteenths
150
я
Exercise
2.42
CD50 32-bar jazz standard with 7sus4, eleventh
and thirteenth chords
152
■
Exercise
2.43
CD51 Eight bars of thirteenths, ninths, and
chromatic extensions
155
contents
Part
3:
Beyond pentatonics
157
SECTION
1:
MAJOR
SCALES AND
MODES
158
■
Exercise
3.01
CD52
Major scales for soloing;
G
major, shape
one
158
■
Exercise
3.02
CD53
Soloing with the major scale on
Gmajľ/Cmajľ;
recording guitar and making up backing
tracks
159
■
Exercise
3.03
CD54 All seven
G
major scale shapes; using the
Circle of Fifths to practise in all keys
161
■
Exercise
3.04
CD55 The seven modes of the major scale and
how we use them; modal jazz, Miles Davis, Bill Evans and A
Kind of
віие
m Exercise
3.05
CD56 The Dorian mode; Dorian groove in A;
using motifs; walking modal basslines; the medieval modal
system versus the jazz approach
168
■
Exercise
3.06
CD57 Dorian groove backing track and modal
chords; using play-along CDs
170
■
Exercise
3.07
CO58 Lydian groove solo in C; vibrato; grace
notes and ornaments; the relationship between scale shapes
and the different modes
172
■
Exercise
3.08
CD59 Lydian groove backing track and Lydian
mode chords
174
■
Exercise
3.09
CD60 Modal chords in
С
175
■
Exercise
3.10
CD61 Mixolydian groove, solo; swing
loth-notes
176
■
Exercise
3.11
CD62 Mixolydian groove, funky backing
track
178
■
Exercise
3.12
CD62 Mixolydian groove, bass part
179
■
Exercise
3.13
CD63 and CD39 (backing track) Aeolian and
Locrian modes; soloing on
Bossa
Blue , Exercise
2.28179
SECTION
2:
ARPEGGIOS
183
■
Exercise
3.14
CD64 Seven arpeggios on major scale shape
one
183
a Exercise
3.15
Seven arpeggios on major scale shape seven;
inversions of arpeggios
185
■
Exercise
3.16
CD65
Gmajľ/Cmajľ
groove with arpeggios;
sweep picking
188
■
Exercise
3.17
CD66 and CD62 (backing track) Chromatic
decoration of arpeggios
190
■
Exercise
3.18
CD67 More
Dľ
arpeggios, two notes
per string
191
■
Exercise
3.19
CD68 Other two-note arpeggios
193
SECTION
3:
THE MELODIC MINOR SCALE
195
■
Exercise
3.20
CD69
С
major versus
С
melodic minor
ascending
195
■
Exercise
3.21
CD70 Seven modes on
G
melodic minor
196
■
Exercise
3.22
CD71 Seven
G
melodic minor shapes
199
■
Exercise
3.23
CD72 ii-V using melodic minors, Gm
majľ
and
Cľ*11202
■
Exercise
3.24
CD73 ¡i-V using melodic minor modes; modes
one and four
202
■
Exercise
3.25
CD74 The Lydian augmented mode, solo;
leaving breathing spaces in your solos; modes and key
signatures
206
■
Exercise
3.26
CD75 The Lydian augmented mode, chords;
using pick and fingers
209
■
Exercise
3.27
CD75 The Lydian augmented mode, bass part;
recording your own backing tracks
209
■
Exercise
3.28
CD76 ii-V using
Gmľ
and C7#5b9 backing track
for Locrian
Џ
and Altered scale
210
■
Exercise
3.29
CD77 Locrian
г
and Altered scale solo; treating
ii-V as all chord V
212
contents
SECTION
4:
SYMMETRICAL SCALES
-
AND
OTHERS
214
■
Exercise
3.30
Whole-tone scale theory
214
■
Exercise
3.31
Whole-tone scale shape
215
■
Exercise
3.32
Diminished scale theory
215
■
Exercise
3.33
Diminished scale shape
(whole-step/half-step)
216
■
Exercise
3.34
Diminished scale shape (four notes per string,
half-step/whole-step)
217
■
Exercise
3.35
CD78 Whole-tone and diminished scale
solo
218
■
Exercise
3.36
Other scales; chromatic, harmonic minor, and
harmonic major
220
■
Exercise
3.37
Scale shapes, three notes per string
221
■
Exercise
3.38
Scale patterns for practice; using a metronome
to develop speed; Real books and Fake books
222
Part
4:
Jazz guitar styles
225
SECTION
1:
RHYTHM STYLES, CHORD/MELODY
TECHNIQUES, AND TIME SIGNATURES
226
■
Exercise
4.01
CD79 Kenny s Blues , both parts
226
■
Exercise
4.02
CD80 Chord/melody; chords with melodies and
comping with two and three-note chords
228
■
Exercise
4.03
CO81 Walking bass, and how to do it
230
■
Exercise
4.04
CD82 Walking bass with chords,
Joe Pass style
232
■
Exercise
4.05
CO83 Chord/melody, Lenny Breau style
235
■
Exercise
4.06
CD84 Chord/melody solo arrangment in
3/4
time
235
SECTION
2:
NOTE CHOICES AND MELODY
STYLES
238
■
Exercise
4.07
CD85 and CD87 (backing track) Octaves,
Wes Montgomery style
238
■
Exercise
4.08
CD86 and CD
87
(backing track)
Chord solo
240
■
Exercise
4.09
CD88 Bird Blues , bebop changes and extending
the blues changes
242
■
Exercise
4.10
CD89 Bird Blues melody; note choices,
extensions, and encircling tones
244
■
Exercise
4.11
CD90 Hot Club/Gypsy jazz rhythm and chord
shapes
246
■
Exercise
4.12
CD91 Django-style melody or improvisation;
Gypsy picking
247
■
Exercise
4.13
Rhythm Changes , chords and
substitutions
249
■
Exercise
4.14
CD92/93/94 Santa Margarita , calypso-style
melody over Rhythm Changes
253
■
Exercise
4.15
Triads with a foreign bass tone; more slash
chords
255
■
Exercise
4.16
CD95 Slash Chord Thing
intro
256
■
Exercise
4.17
CD95 Slash Chord Thing
256
■
Exercise
4.18
CD96 Slash Chord Thing solo
258
Appendix
263
■
Fingerboard chart: notes, letternames and fret numbers
263
■
Spellings of jazz chords
264
On the CD
265
■
CD track listing, and which tracks can be used for solo
practice
265
|
| any_adam_object | 1 |
| author | Fogg, Rod 1958- |
| author_GND | (DE-588)135486432 |
| author_facet | Fogg, Rod 1958- |
| author_role | aut |
| author_sort | Fogg, Rod 1958- |
| author_variant | r f rf |
| building | Verbundindex |
| bvnumber | BV041477146 |
| ctrlnum | (OCoLC)873402942 (DE-599)BVBBV041477146 |
| format | Book |
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Also includes information on jazz guitar history. With an introduction and appendix. Color and black & white photos. 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| genre | (DE-588)4151278-9 Einführung gnd-content |
| genre_facet | Einführung |
| id | DE-604.BV041477146 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T00:57:40Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026923181 |
| oclc_num | 873402942 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 266 p. 28 cm CD (12 cm) |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Backbeat Books |
| record_format | marc |
| spelling | Fogg, Rod 1958- Verfasser (DE-588)135486432 aut The Jazz guitar handbook a complete course in all styles of jazz Rod Fogg San Francisco, Calif Backbeat Books 2013 266 p. 28 cm CD (12 cm) txt rdacontent n rdamedia nc rdacarrier This book offers discussion and exercises in jazz concepts and forms such as blues, pentatonic scales, chords and arpeggios, voicings, major and minor scales, and more. Also includes information on jazz guitar history. With an introduction and appendix. Color and black & white photos. The CD contains recordings of the exercises in the book Guitar music (Jazz) Jazz / History and criticism Gitarrenspiel (DE-588)4021101-0 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Gitarre (DE-588)4124933-1 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Jazz (DE-588)4028532-7 s Gitarre (DE-588)4124933-1 s Gitarrenspiel (DE-588)4021101-0 s DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026923181&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fogg, Rod 1958- The Jazz guitar handbook a complete course in all styles of jazz Guitar music (Jazz) Jazz / History and criticism Gitarrenspiel (DE-588)4021101-0 gnd Jazz (DE-588)4028532-7 gnd Gitarre (DE-588)4124933-1 gnd |
| subject_GND | (DE-588)4021101-0 (DE-588)4028532-7 (DE-588)4124933-1 (DE-588)4151278-9 |
| title | The Jazz guitar handbook a complete course in all styles of jazz |
| title_auth | The Jazz guitar handbook a complete course in all styles of jazz |
| title_exact_search | The Jazz guitar handbook a complete course in all styles of jazz |
| title_full | The Jazz guitar handbook a complete course in all styles of jazz Rod Fogg |
| title_fullStr | The Jazz guitar handbook a complete course in all styles of jazz Rod Fogg |
| title_full_unstemmed | The Jazz guitar handbook a complete course in all styles of jazz Rod Fogg |
| title_short | The Jazz guitar handbook |
| title_sort | the jazz guitar handbook a complete course in all styles of jazz |
| title_sub | a complete course in all styles of jazz |
| topic | Guitar music (Jazz) Jazz / History and criticism Gitarrenspiel (DE-588)4021101-0 gnd Jazz (DE-588)4028532-7 gnd Gitarre (DE-588)4124933-1 gnd |
| topic_facet | Guitar music (Jazz) Jazz / History and criticism Gitarrenspiel Jazz Gitarre Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026923181&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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